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Alexander Gottlieb Baumgarten

Aesthetica

Interlinear Beta v2 · §§301–325

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§ 301

3) Sublime cogitandi genus verisimilitudinem, § 22. sed eam proprie tantum sectatur, quae ingeniis superioribus et animis erectioribus comprehendi probarique possit, § 288. licet eadem plebeculae sit vix credibilis, § 286. nec apud nobiles sic satis animos facilem inveniat fidem. § 213. Quam suam verisimilitudinem aut tacitae spectatoris anatheoresei, § 177. relinquit, § 289. aut eam adeo luculenter probat, §§ 291–294. ut abhorrens primo, vel maxime a sensibus nostris, nunc tandem, non solum, non odium, sed etiam admirationem et desiderium sui pariat veritas. § 293.

3) The sublime kind of thinking pursues verisimilitude, § 22, but properly only that verisimilitude which can be comprehended and approved by superior talents and more erect minds, § 288, even though that same thing is scarcely credible to the little populace, § 286, and does not easily find ready belief among minds noble enough in this way, § 213. This verisimilitude of its own it either leaves to the tacit anatheoresis, reconsideration, of the spectator, § 177, § 289, or it proves it so luminously, §§ 291–294, that truth, at first abhorrent, or most of all abhorrent, to our senses, now finally produces not only no hatred, but even admiration and desire for itself, § 293.

§ 302

Sublime Pompeii dictum, quum dissuadente nauta per tempestatem navem conscenderet:

Pompey's sublime saying, when, although a sailor was dissuading him, he boarded a ship through a storm,

Sourced quotation · Pompey, as reported by Plutarch [287]

Proficisci me necessarium est, vivere non est necesse,

"To sail is necessary; to live is not."

contradictionis apertae damnat Gallorum nonnemo.

some Gaul condemns as an open contradiction.

Neque defendat, Pompeio aequalis animus, nec accuset Caesar aliquis, vel hostis.

Let neither a mind equal to Pompey defend it, nor some Caesar or enemy accuse it.

Ambo enim pulcre intelligunt. §§ 288, 301.

For both understand beautifully, §§ 288 and 301.

Sourced quotation · Cicero [288]

Magnum est efficere, ut quis intelligat, quid sit illud verum et simplex bonum, quod non possit ab honestate seiungi.

"Again, if you follow Zeno, it is a hard thing to make any one understand what that genuine and simple good is which cannot be separated from honesty ..."

Cic. qu. ac. l. 7. Quod bonum quale sit, sane, non solus Epicurus verbis negat

Cicero, Academic Questions, book 1, 7. What sort of good that is, certainly not Epicurus alone denies in words that

Sourced quotation · Epicurus, as reported by Cicero [289]

sine voluptatibus sensum moventibus se suspicari posse,

"[W]hile Epicurus asserts that he is wholly unable to comprehend what the character of that good may be which is unconnected with pleasures which affect the senses."

sed plures ad hunc usque diem factis, inter eos etiam, in quibus summos mores et virtutem excellentem suspicetur aestheticus.

but many do so in deeds even to this day, among them even persons in whom the aesthetician would suspect the highest morals and excellent virtue.

Neque tamen illius nuda veritas acute, argute, obscure, uti videatur analogo rationis, § 121. studio philosophiae severiori disseritur tantum, quo nullum Varroni Platonique videatur

And yet the naked truth of that good is not merely discussed "acutely, keenly, obscurely," as it may seem to the analogue of reason, § 121,

Sourced quotation · Cicero, alluding to Plato [290]

maius aut melius a diis datum munus homini:

"Nor do I think, as Plato says, that any more important or more valuable gift has been given to men by the gods.";

sed iam etiam aestheticis et vere sublimibus tot meditationibus est exposita, et exponitur paene quotidie, eiusdem verisimilitudo, ut ex hac parte rerum humanarum parum aut nihil superesse desiderandum videatur. § 301.

but now its verisimilitude has also been set forth in so many aesthetic and truly sublime meditations, and is set forth almost daily, that from this side of human affairs little or nothing seems to remain to be desired, § 301.

§ 303

4) Summa in luce magnum hoc exsplendescit cogitationum genus, § 22. sed in ea, cui ferendae, cui capiendae, cui fruendae potissimum aquilarum oculi requirantur, § 288. Quos aliquando iam supponit, § 289. et eo splendore satiat, ad quem ipsa caecutiat Minervae noctua, aliquando mira arte naturaliter bonos nondum tot radiis imbibendis adsuetos, vel etiam desuetos iterum, ita sensim allicit, et blande pascendo simul acuit atque confirmat, ut tandem ibi solem meridianum, plana ac perspicua omnia mirentur, ubi caecitatem et tenebras et obscuritatem non ita multo ante sibi deprehendere visi erant. § 291.

4) This great kind of thoughts shines forth in the greatest light, § 22, but in that light for bearing, grasping, and enjoying which the eyes of eagles are especially required, § 288. Sometimes it already presupposes these eyes, § 289, and satisfies them with that splendor at which Minerva's own owl becomes dim-sighted; sometimes, by wonderful art, it gradually entices naturally good persons who are not yet accustomed to drinking in so many rays, or who have again become unaccustomed, and by gentle feeding at the same time sharpens and strengthens them, so that at last they marvel there at the noonday sun and at everything plain and perspicuous, where not so very long before they had seemed to themselves to detect blindness, darkness, and obscurity, § 291.

§ 304

Ut hanc verissimam sublimium lucem, obscuritatem apparentem, possis in exemplo dignoscere a tenebris, lege, sis, vaticinium Sibyllae Aen. VI. 83–97. ubi privilegium quasi poeta habuisse obliviscendi verae perspicuitatis ob verisimilem oraculorum caliginem.

So that you may be able, in an example, to distinguish this truest light of sublime things, apparent obscurity, from darkness, please read the prophecy of the Sibyl, Aeneid VI.83–97, where the poet seems to have had, as it were, the privilege of forgetting true perspicuity because of the plausible murk of oracles.

Quamvis et ipse dicat

Although he himself says,

Sourced quotation · Virgil [291]

Talibus ex adyto dictis Cumaea Sibylla,
Horrendas canit ambages, antroque remugit
Obscuris vera involvens,

"Thus from her shrine Cumaea's prophetess
Chanted the dark decrees; the dreadful sound
Reverberated through the bellowing cave,
Commingling truth with ecstasies obscure."

tamen deprehendes vere sublimia, quae nec nunc, quid sibi velint, quantumque habeant ponderis, quivis ex plebe litteratorum intelligat, interim nihil obscuritatis in verbis et ratione cogitandi, praeter id, quod in futuris ordinarium est, et ob deficientem omnimodae determinationis eorundem notitiam in homine, vel maximo, mero tamen homine, vehementer necessarium, adeoque post eventum et impletionem historiae fabulave perito satis pervium.

you will nevertheless detect truly sublime things, whose meaning and whose weight not even now any man from the rank of literary folk understands; meanwhile there is nothing obscure in the words and manner of thinking except what is ordinary in future things and, because knowledge of their complete determination is lacking in a human being, even the greatest, yet still merely human, extremely necessary; and therefore after the event and fulfillment, it is sufficiently accessible to one skilled in history or fable.

§ 305

5) Sublime cogitandi genus persuadet, § 22. sed iis persuadendis tantum, certe potissimum, laborat, quorum iam intimis praecordiis insevit virtutis rectorumque morum semina, cum certitudine, magnitudo pectoris, § 45. insignior.

5) The sublime kind of thinking persuades, § 22, but it labors only, certainly chiefly, at persuading those in whose innermost breasts a rather notable greatness of heart, § 45, has already sown the seeds of virtue and right morals, with certainty.

Quibus non cognita solum, sed et ipsorum caussa non indigentia probationibus quum insint principia: his nunc tribus, quod aiunt verbis, aut omnino vel unico, instruit, quasi immotis fundamentis suam persuasionem brevissimis, nunc pro diversa obiectorum suorum personalium conditione, §§ 289–294. tot pondera, tot sententias, tot firmamenta congerit in certius reddendum suum thema, non illa trita, sed magni quid semper spirantia, ut maiores animi plenissime persuadeantur, minores obruantur, et ad prudentissimum, quod ab ipsis sperari potest, ad silentium compellantur.

Since in them there are principles not only known but also, for their own sake, not in need of proofs, it now instructs these persons, as they say, in three words, or indeed even in one, with its persuasion in the briefest terms, as though the foundations were unmoved; now, according to the diverse condition of its personal objects, §§ 289–294, it heaps up so many weights, so many maxims, so many supports for rendering its theme more certain, not those worn-out ones, but ones always breathing something great, so that greater souls are most fully persuaded, lesser ones are overwhelmed, and are compelled to the most prudent thing that can be hoped for from them, to silence.

§ 306

Exemplum persuasionis, et eius quidem efficacissimae, per unam vocem habet Suetonius in Caesare. 70.

An example of persuasion, and indeed of the most efficacious persuasion, through one word, Suetonius has in Caesar, 70.

Sourced quotation · Suetonius [292]

Decumanos Romae cum ingentibus minis, summoque etiam urbis periculo, missionem et praemia flagitantes, ardente tunc in Africa bello, nec adire cunctatus est quamquam deterrentibus amicis, neque dimittere. Sed una voce, qua Quirites eos pro militibus appellarat, tam facile circumegit et flexit, ut et milites esse confestim responderint, et quamvis recusantem ultro in Africam sint sequuti.

"Again at Rome, when the men of the Tenth clamoured for their discharge and rewards with terrible threats and no little peril to the city, though the war in Africa was then raging, he did not hesitate to appear before them, against the advice of his friends, and to disband them. But with a single word, calling them “citizens,” instead of “soldiers,” he easily brought them round and bent them to his will; for they at once replied that they were his “soldiers” and insisted on following him to Africa, although he refused their service."

Paullo fusius persuasit idem Caesar, verae sublimitatis aestheticae peritus, metum imminentis hostis suos deponere amplificando ementiendoque copiarum eius numerum, 66.

A little more fully the same Caesar, skilled in true aesthetic sublimity, persuaded his men to lay aside fear of the threatening enemy by amplifying and falsely inventing the number of his forces, 66.

§ 307

Pollio Asinius parum integra veritate compositos putat commentarios Caesaris, 56. quantum tamen inest plerisque, quae scribit, persuasionis?

Asinius Pollio thinks that Caesar's commentaries were composed with truth not quite intact, 56; yet how much persuasion is in most things that he writes?

Putares eos legens rectissime fecisse, qui, Catullo si fides est, nihil potuit,

Reading them, you would think that those had acted most rightly who, if Catullus is to be trusted, could do nothing

Sourced quotation · Catullus [293]

Nisi uncta devorare patrimonia.

Save fat paternal heritage devour?

Non deterreor eorum opinione, qui hos commentarios humiles iudicant, quo minus eorum heic mentionem faciam.

I am not deterred by the opinion of those who judge these commentaries humble, so as not to mention them here.

Quoniam eorum verba satis et pueri capiunt et aliquem sensum, quantum possunt pro aetate, non sunt ideo humiles, non tenue cogitandi genus demonstrant; et, nisi omnem tibi historiam placeat medium cogitandi genus amplecti debere, § 267. nullus dubito, quin ipsis aequabile quidem cogitandi genus, §§ 267, 268. et temperatum § 270. adscribam, et, cum Cicerone, nudum, rectum, ac omni ornatu orationis, tanquam veste detracta, venustum, ita tamen, qua res, sublime, ut, dum voluit (aut velle simulavit) alios habere parata, unde sumerent, qui vellent scribere historiam, ineptis gratum forsasse fecerit, qui illa volunt calamistris inurere, sanos quidem homines a scribendo deterruerit.

Since their words are grasped well enough even by boys, and some sense too, as much as they can grasp for their age, they are not therefore humble; they do not display a thin kind of thinking. And, unless it please you that all history must embrace the middle kind of thinking, § 267, I do not doubt at all that I should ascribe to them an equable kind of thinking, §§ 267 and 268, and a tempered kind, § 270, and, with Cicero, a naked, straight, and charming style, all ornament of speech stripped away as though a garment had been removed; yet, as to the subject matter, it is sublime. Thus, while he wished (or pretended to wish) that others should have materials ready from which those who wished to write history might draw, he perhaps gratified the foolish who want to curl those materials with curling irons, but he deterred sound men from writing.

§ 308

6) Sublime genus cogitationum in eo regnat, ut animos, sed generosioris impetus capaciores, §§ 289–294. nunc in summam inflammationem et divinum paene furorem incitare, nunc a turbulentissimis animi commotionibus ex re quapiam minutula ortis retrahere decoram ad serenitatem et altioris spiritus tranquillitatem valeat, § 288. prout, vel hic, vel ille status animorum heroibus est convenientior. § 213.

6) The sublime kind of thoughts reigns in this: that it can incite souls, but souls more capable of a more generous impulse, §§ 289–294, now into the highest inflammation and an almost divine frenzy, now draw them back from the most turbulent commotions of soul arising from some rather petty thing to a becoming serenity and to the tranquility of a higher spirit, § 288, according as either this or that state of souls is more fitting for heroes, § 213.

§ 309

Aeneas, l. II. frustra dissuadente Hectore in somnis, v. 295.

Aeneas, in book II, with Hector in dreams dissuading him in vain, v. 295, "takes up arms, mad";

Sourced quotation · Virgil [294]

arma amens capit,
furor iraque mentem
Praecipitant, pulcrumque mori succurrit
in armis,

"wildly I armed me ... Frenzy and vast rage
seized on my soul. I only sought what way
with sword in hand some noble death to die."

v. 315.

v. 315. By the words of Otriades he is carried into flames and arms,

Sourced quotation · Virgil [295]

Otriadae dictis in flammas et in arma fertur,
quo tristis Erynnis,
Quo fremitus vocat, et sublatus ad aethera
clamor.

"By Panthus' word and by some god impelled,
I flew to battle, where the flames leaped high,
where grim Bellona called, and all the air
resounded high as heaven with shouts of war."

v. 338.

v. 338.

Addentes se socios, per lunam oblatos, alloquitur:

When companions, offered by the moon, add themselves, he addresses them: "Thus frenzy was added to the spirits of the young men," v. 355. Still Aeneas

Sourced quotation · Virgil [296]

Sic animis iuvenum furor additus,

"Thus did I rouse their souls."

v. 355.
Adhuc furiata mente fertur Aeneas v. 588. et est
dignus vindice nodus,
pium heroa a defensione patriae retrahere.

v. 588, and it is "a knot worthy of an avenger" to draw the pious hero back from the defense of his fatherland.

En! adest deus, mater, dextra prehendens, et orationem suam, animum pectusque filii mulcentem, ecstatica visione corroborans. v. 589–625.

Look: the god is present, his mother, grasping his right hand and strengthening her speech, which soothes the soul and breast of her son, by an ecstatic vision, vv. 589–625.

§ 310

Sectio XXII. Vitia Sublimi Opposita.

Section XXII. Vices Opposed to the Sublime.

In cogitanda grandi materia cavendum est.

In thinking grand material one must beware.

II. Quartum Βάθους (manifesti) genus, in quo statim appareat magnitudine obiectorum comparativa et generice maxima, § 207. minores et inferiores esse mente formatas cogitationes, § 217. In quo 4 denuo species facili negotio detegas: 1) si in maximis generice denuo excellentia cogitentur quidem maximis generatim satis apta dignaque ratione, sed non adeo excellente, ac ipsa themata mereri videantur, 2) si silvae arbustis, 3) si silvae myricis exaequentur 4) si summa deprimantur omnino humum usque et in meras nugas intra animum venuste, si diis placet, cogitaturi redigantur.

II. The fourth kind of βάθος, of manifest lowness, is that in which, from the comparative and generically greatest magnitude of the objects, § 207, it at once appears that the thoughts formed by the mind are smaller and inferior, § 217. In it you may again easily detect four species: 1) if in generically greatest things excellence is indeed thought in a manner generally enough suited and worthy for the greatest things, but not so excellently as the themes themselves seem to deserve; 2) if forests are equated with shrubs; 3) if forests are equated with tamarisks; 4) if the highest things are wholly depressed right down to the ground and reduced into mere trifles within the mind of one who is, if it please the gods, about to think charmingly.

Ultima species tertiam classem nugatorum in re seria constituit, et eam quidem turpissimam, § 245.

The last species constitutes the third class of triflers in a serious matter, and indeed the most shameful class, § 245.

§ 311

Ad primam βάθους huc pertinentis speciem referamus cogitandi rationem, quam in Homero iam reprehendit Longinus, S. VIIII. qua ille

Let us refer to the first species of βάθος belonging here the manner of thinking which Longinus already censured in Homer, section 9: while Homer,

Sourced quotation · Pseudo-Longinus [297]

ex hominibus, qui rebus Iliacis interfuerunt, quantum potest, deos

"[H]is men [were exalted] into deities."

dum

he

Sourced quotation · Pseudo-Longinus [298]

facit, ex diis facit homines, quorum vulnera, dissidia, ultiones, lacrimas, vincula, et infelicem immortalitatem

"[T]he strange medley of wounds, quarrels, revenges, tears, bonds, and other woes ... was designed by its author to degrade his deities, as far as possible, into men ... while the gods, according to him, not only live for ever, but live for ever in misery.

canat. Contra hoc vitium dirigi videtur Horatii praeceptum:

Against this vice Horace's precept seems to be directed:

Sourced quotation · Horace [299]

Intererit multum Divusne loquatur, an heros.

"It will make a wide difference, whether it be Davus that speaks, or a hero."

A. P. 114.
Ex hoc enim versu cum Bentleio Divum exulare iubeo.

Ars Poetica 114. For from this verse, with Bentley, I order Divum to be banished.

Ad eandem speciem deprimentis se nonnihil infra suam maiestatem sublimis, § 310. pertinet Homeri ab eodem Longino S. VIIII. observata declinatio ab Iliade in Odysseae amorem fabularum.

To the same species of the sublime lowering itself somewhat beneath its majesty, § 310, belongs Homer's decline, observed by the same Longinus, section 9, from the Iliad into the Odyssey's love of tales.

Ob quem Homerum in Odyssea comparat

On account of this Longinus compares Homer in the Odyssey

Sourced quotation · Pseudo-Longinus (correcting the concordance attribution to Homer) [300]

occidenti soli, cuius sine intensione caloris et virium maneat

Hence Homer in his Odyssey may be compared to the setting sun: he is still as great as ever, but he has lost his fervent heat.

§§ 298–309. magnitudo. Non esse, ait, ἴσον τόνον Homeri in Odyssea, ac in Iliade,

§§ 298–309. He says, in brief, that there is not Homer's ἴσον τόνον, equal tension, in the Odyssey as in the Iliad, nor

Sourced quotation · Pseudo-Longinus [301]

οὐδ' ἐξομαλισμένα τὰ ὕψη καὶ σχήματα μηδαμῶς λαμβάνοντα,

[W]e begin to miss that high and equable sublimity which never flags or sinks.,

breviter, senectutem, sed senectutem Homeri.

heights and figures taking no equalized form at all: old age, but the old age of Homer.

§ 312

Secundae speciei § 310. exemplum sit Timaeus apud Longinum S. IIII. qui

Let an example of the second species, § 310, be Timaeus in Longinus, section 4, who says that

Sourced quotation · Pseudo-Longinus [302]

Alexandrum magnum ait intra pauciores annos totam Asiam subiugasse, quam

[Alexander the Great was] a man “who annexed the whole of Asia in fewer years than ...”

intra quos

subdued all Asia within fewer years than those within which Isocrates composed a

Sourced quotation · Pseudo-Longinus [303]

panegyricam orationem de bello contra Persas Isocrates conscripserit.

Isocrates spent [those years] in writing his panegyric oration in which he urges the Greeks to make war on Persia.

Egregia scilicet Macedonis illius cum Sophista comparatio.

A splendid comparison, of course, of that Macedonian with a sophist.

Vincit strenuitate Lacedomios Isocrates.

Isocrates surpasses the Lacedaemonians in strenuousness.

Illi triginta annos in expugnanda Messene terunt, hic in conscribenda oratione panegyrica tantum decem.

They spent thirty years storming Messene; he spent only ten composing a panegyric oration.

Huc et, praeter comparationes, traherem sublimium, nisi tenues, medias certe partes et varia, circumstantias dicunt, externa, praesertim si minus necessaria earundem commemoratio, nec brevissima videatur.

To this place, apart from comparisons, I would also draw the parts of sublime things which, if not thin, are certainly middle, and the various things they call circumstances, external things, especially if the recollection of them seems less necessary and not very brief.

An magnus interdum et Maro dormitat? e.g. Aen.

Does even great Maro sometimes nod?

I. 177.

For example, Aeneid I.177:

Sourced quotation · Virgil [304]

Ac primum silicis scintillam excudit Achates,
Suscepitque ignem foliis; atque arida circum
Nutrimenta dedit, rapuitque in fomite flammam.

"Then good Achates smote a flinty stone,
secured a flashing spark, heaped on light leaves,
and with dry branches nursed the mounting flame."

§ 313

Ad tertiam iusto submissioris de sublimibus cogitandi generis speciem § 310. nondum audeo referre omnes heroum cum bestiis, animantibusque comparationes.

I do not yet dare to refer all comparisons of heroes with beasts and living creatures to the third species, § 310, of a kind of thinking about sublime things that is lower than is just.

Interim tamen nostro, quod vivimus, saeculo solos reor leones et aquilas adhuc in maiori theatro suum locum tueri, praesertim auxilia ferente arte, quam heraldicam blasonicamque dicunt.

Yet in our century, in which we live, I think that lions and eagles alone still hold their place on the greater stage, especially with help brought by the art they call heraldic and blazonic.

Reliqua tantum non omnia loco graduque mota disparuerunt in heroicis, quando laus intenditur, animantia, dum philosophi, sintne machinae, sintne spiritus, evidentius inter se constituerint.

Almost all the rest, moved from place and degree, have disappeared from heroic matters when praise is being intensified, until philosophers settle more clearly among themselves whether animals are machines or spirits.

Homeri adhuc heroes, ut canes, nisi latrant, tamen pugnant.

Homer's heroes still, like dogs, even if they do not bark, nevertheless fight.

Virgilii heroes, Aen. II. 355.

Virgil's heroes, Aeneid II.355:

Sourced quotation · Virgil [305]

lupi ceu
Raptores, atra in nebula, quos improba ventris
Exegit caecos rabies, catulique relicti
Faucibus exspectant siccis: per tela, per hostes
Vadunt.

"Then like the ravening wolves, some night of cloud,
when cruel hunger in an empty maw
drives them forth furious, and their whelps behind
wait famine-throated; so through foemen's steel
we flew ..."

Agnoscas inter arma virosque Tityrum, expertum quam sit
Triste lupus stabulis.

You might recognize among arms and men Tityrus, experienced in how "the wolf is grim for the folds."

§ 314

Horatii iam Drusus, IV. od. 4. comparatur lautius 1) aquilae, quam non improba ventris rabies, § 313. sed

Now Horace's Drusus, ode 4.4, is compared more splendidly, 1) to an eagle, which not the "wicked madness of belly," § 313, but

Sourced quotation · Horace [306]

Olim iuventus et patrius vigor,
Nido laborum propulit inscium.

"Stirr'd by warm youth and inborn power,
He quits the nest with timorous wing."

Sed an satis dignum est, illi

But is it worthy enough for him

Sourced quotation · Horace [307]

Quod rex deorum regnum in aves vagas,
Permisit, expertus fidelem
Iuppiter in Ganymede flavo?

"Whom Jove o'er all the feather'd breed
Made sovereign, having proved him sure
Erewhile on auburn Ganymede."

2) Leoni.

2) To a lion.

Transeat. Sed an sunt etiam

Let that pass. But are the

Sourced quotation · Horace [308]

Rhaetis sub Alpibus Vindelicorum obarmatae
Amazoniis securibus dextrae,
diuque
Lateque victrices catervae
laetis caprea pascuis
Intenta?

"As tender kidling on the grass
Espies, uplooking from her food,
A lion's whelp, and knows, alas!
Those new-set teeth shall drink her blood:
So look'd the Raetian mountaineers
On Drusus:—whence in every field
They learn'd through immemorial years
The Amazonian axe to wield,
I ask not now: not all of truth
We seekers find: enough to know
The wisdom of the princely youth
Has taught our erst victorious foe ..."

Si sunt, an eorum in poena nomen est Drusi memorabile?

and the "troops victorious long and far," also "a she-goat intent on happy pastures"? If they are, is the name of Drusus memorable "in their punishment"?

Sourced quotation · Virgil (correcting the concordance attribution to Horace) [309]

habet victoria laudem?

"[N]o glory [is there] if I smite a woman's crime,
nor conqueror's fame for such a victory won."

§ 315

Sourced quotation · Martial [310]

Ohe! iam satis est, ohe!

"Enough, enough! little book!"

poeta!

poet.

Sourced quotation · Martial [311]

Tu procedis adhuc, et ire quaeris.

"You would still go on, and add to your bulk.

Maiores aquilis leonibusque
Nosti, maxime, comparationes?
Comparat principes iuventutis romanae, quos Augustus, filiorum instar, habuit,
3) iuvencis:

Do you know comparisons greater than eagles and lions, greatest one?" He compares the princes of Roman youth, whom Augustus had in the place of sons, 3) to young bullocks:

Sourced quotation · Horace [312]

Est in iuvencis, est in equis patrum
Virtus.

"Strong bullocks, fiery colts, attest
Their fathers' worth ..."

Hoc et in se deprehendetur exemplum et simile,

In this example and simile there will be detected even in itself

Sourced quotation · Horace [313]

Magna modis tenuare parvis,

"And dwarf high themes in puny strain.";

et, quamquam non ignoro boves olim maiori in reverentia habitos, ac nunc tamen, non Horatii carpendi gratia, sed amore veri, βάθος iudico, in quod si quis nunc simili in occasione prolaberetur, nisi Romani, § 212. certe
Germani tollent equites peditesque cachinnum,
et patres, quos Bentleius peditibus substituit.

and although I am not unaware that cattle were once held in greater reverence, nevertheless, now, not for the sake of carping at Horace but from love of truth, I judge it βάθος. If anyone should now slip into it on a similar occasion, if not the Romans, § 212, certainly "the Germans, horsemen and footmen, will raise a laugh," and the fathers whom Bentley substituted for the footmen.

§ 316

Quartam speciem § 310. memorati vitii ornet vetus illud:

Let the old saying adorn the fourth species of the vice mentioned in § 310:

Sourced quotation · Furius Bibaculus (source not specified in the concordance) [314]

Iuppiter interea cana nive conspuit Alpes.

"Jove with white snow the wintry Alps bespewed."

et recentius:

And a more recent one: mortals

Retained quotation · Source not specified [315]

emunctioris naris mortales,

"of a rather wiped nose,"

quando placet facetos et elegantes

when it pleases witty and elegant people

Sourced quotation · Caelius Sedulius (source not specified in the concordance) [316]

Grandisonis pompare modis, tragicoque boatu.

"If heathen poets rave o'er fancied woe,
While in a turgid stream their numbers flow—
Whether the tragic buskin tread the stage ..."

Transmittatur enim emunctae naris homo Horatii,
madidique infantia nasi
apud Iuvenalem, cum ructantibus eorundem personis, quoniam tunc sublimia scribere non cogitarunt. § 310. Huc potius Hesiodi, vel quisquis poematis scutum dicti sit auctor, quam Longinus S. VIIII. reprehendit,

For let Horace's person "of a wiped nose" be passed over, and "the infancy of a wet nose" in Juvenal, together with the belching persons of the same writers, since at that time they were not thinking of writing sublime things, § 310. To this rather belongs the Grief, whose humors flowed from its nostrils, which Longinus censures in Hesiod, or in whoever was the author of the poem called Shield:

Sourced quotation · Pseudo-Longinus/Hesiod and Juvenal (correcting the sole concordance attribution to Juvenal) [317]

Tristitia, cuius ex naribus humores fluebant.
Tu gravis es nobis, et saepe emungeris, exi
Ocius et propera. Sicco venit altera naso.

"“rheum from her nostrils flowed” ... “you've become a nuisance; you are for ever blowing your nose; be off, and quick about it! There's another wife coming who will not sniffle.”"

Iuv.

Juvenal.

Longinus eiusdem vitii accusat Platonem et Xenophontem nonnumquam

Longinus accuses Plato and Xenophon of the same vice when, sometimes because of

Sourced quotation · Pseudo-Longinus [318]

διὰ τὰ ἤθη μικροχαρῆ

[They] sometimes forgot themselves in the pursuit of such paltry conceits.,

sui metipsorum obliviscentes, quamquam ex Socratica sint palaestra, e.g. tunc, ubi Xenophon de republ. Laced. scribens pupillas, quae sunt in oculis, verecundas virgines dicat.

petty charming traits, they forget themselves, although they are from the Socratic wrestling-school, for example when Xenophon, writing about the Spartan republic, calls the pupils that are in the eyes modest maidens.

§ 317

Omnium harum depressius iusto de grandibus cogitandi rationum gradus semper turpiores sunt, in quibus non magnitudo solum forte naturalis, sed etiam simul dignitas et in magnis necessarius rigidae honestatis et severioris virtutis amor laeditur per vile de sublimibus cogitandi genus e.g. Iovi adscriptum praemium nefandi lenocinii, § 314. et magna pars metamorphoseon Ovidii, eo procedens aliquando dedecorum, ut ipse sane non castus poeta putarit consultum, praefari, X, 300.

Of all these ways of thinking about grand things more lowly than is just, the degrees are always more shameful when not perhaps natural magnitude alone, but at the same time dignity and, in great matters, the necessary love of rigid honor and sterner virtue, are harmed by a vile kind of thinking about sublime things. Examples are the reward of unspeakable procuring ascribed to Jupiter, § 314, and a great part of Ovid's Metamorphoses, proceeding sometimes to such disgrace that the poet himself, certainly not chaste, thought it advisable to preface, X.300:

Sourced quotation · Ovid [319]

Dira canam. Procul hinc, natae, procul este,
parentes.
Aut mea si vestras mulcebunt pectora mentes;
Desit in hac mihi parte fides, nec credite
factum,
Vel, si credetis, facti quoque credite poenam.

"Of wicked and most cursed things to speake I now commence.
Yee daughters and yee parents all go get yee farre from hence.
Or if yee mynded bee to heere my tale, beleeve mee nought
In this beehalfe: ne think that such a thing was ever wrought.
Or if yee will beeleeve the deede, beleeve the vengeance too ..."

Rectissime gravissimeque cavet Horatius, A. P. 227.

Horace very rightly and gravely warns, Ars Poetica 227:

Sourced quotation · Horace [320]

Ne, quicumque deus, quicumque adhibebitur heros
Regali conspectus in auro nuper et ostro,
Migret in obscuras humili sermone tabernas.

"[T]hat none who shall be exhibited as a god, none who is introduced as a hero lately conspicuous in regal purple and gold, may deviate into the low style of obscure, mechanical shops ..."

Huc heroum mutua convicia, quorum exempla non opus est in Homero quaerere, quum ante pauca saecula publicis adhuc in scriptis illustrium principum vel ipsos iam titulos macularent.

To this belong the mutual abuses of heroes, examples of which need not be sought in Homer, since a few centuries ago they still stained in public writings even the very titles of illustrious princes.

§ 318

Pergens l. c. Horatius;

Horace, proceeding in the same place,

Sourced quotation · Horace [321]

Ne, dum vitat humum, nubes et inania
captet,

"or, [on the contrary,] while he avoids the ground, affect cloudy mist and empty jargon."

hos deducit ad vitium maiora cogitaturis fugiendum II. Quartum tumoris genus, res excellenter magnas inani sublimitatis in cogitando specie nequicquam involvens.

leads these people to a vice to be avoided by those intending to think greater things: II. the fourth kind of swelling, which vainly wraps excellently great things in an empty appearance of sublimity in thinking.

Cuius, meteoris quoniam vere materia et obiectum illustre non exaequetur, omnis tumor huius generis erit βάθος κρυπτικόν, §§ 217, 310. Potiores eius species, velut in ipso suo fonte videbimus, si praecipuarum de sublimi veritatum memores falsam earum conversionem, hinc detorsionem, hinc larvam et umbram sublimitatis attendemus in amplectentibus tumidam et sufflatam nubem pro Iunone.

Since the matter and illustrious object are not truly equaled by these meteors, every swelling of this kind will be βάθος κρυπτικόν, hidden bathos, §§ 217 and 310. We shall see its more important species as if in its very source, if, mindful of the chief truths about the sublime, we attend to their false conversion, thence their distortion, thence the mask and shadow of sublimity in those who embrace a swollen and puffed-up cloud instead of Juno.

§ 319

I. Sublime cogitandi genus est admodum pulcrum.

I. The sublime kind of thinking is very beautiful.

Hoc verissimum, § 210. Hinc inferuntur male conversae: 1) Quicquid pulcrius reddendum, illud sublimandum est.

This is most true, § 210. From this badly converted inferences are drawn: 1) whatever must be rendered more beautiful must be made sublime.

Unde tumorum genera, huc usque considerata, 2) pulcella et comptula ac venustula erunt sublimia.

Hence the kinds of swelling considered up to this point; 2) pretty little, neat little, and charming little things will be sublime.

Hic primus fons, primam tumoris nunc considerandi speciem dabit, § 318, si affectato pulcritudinis studio, fucos omnes et flosculos, et quicquid est ubique pigmentorum ac ornatus, periodos quovis globo rotundiores, argutas antitheses, et ipsas dictionis figuras ad nauseam usque congerentes, sublimiter se scripsisse somniant, §§ 165–307.

This first source will give the first species of swelling now to be considered, § 318: if, with an affected zeal for beauty, people heap together every cosmetic and little flower, and whatever pigment and ornament exists anywhere, periods rounder than any globe, sharp antitheses, and the very figures of diction to the point of nausea, and then dream that they have written sublimely, §§ 165–307.

§ 320

II. Sublimia nonnumquam admodum brevia, nonnumquam excellenter copiosa sunt et affluentia, § 298. Hinc convertendo pessime torquentur; 1) quo brevior, 2) quo diffusior eris, hoc eris sublimior.

II. Sublime things are sometimes very brief, sometimes excellently copious and abundant, § 298. Hence, by conversion, they are very badly twisted: 1) the briefer you are, 2) the more diffuse you are, the more sublime you will be.

Unde duplex tumoris species, 2) qua admodum sibi sublimis videtur, cuius

From this comes a double species of swelling. First, that by which a man seems very sublime to himself, whose

Sourced quotation · Horace (source not specified in the concordance) [322]

Sortilegis non discrepat sententia Delphis,

"and the sentiments [of the chorus, then] expert in teaching useful things and prescient of futurity, differ hardly from the oracular Delphi."

modo brevis sit, etiamsi in longissimam quasi brevitatem incidat. § 171. Huc Trimalcionis sublimis urbanitas, ubi lentissima voce

provided only that he is brief, even if he falls into a kind of very long brevity, § 171. To this belongs the sublime urbanitas of Trimalchio, where, repeatedly thrusting in

Sourced quotation · Petronius [323]

Carpe

“Now, Carver.” [...] “Oh, Carver, Carver.” [...] You see the fellow who is carving his way through the meat? Well, his name is Carver. So whenever Trimalchio says the word, you have his name, and he has his orders.

saepius ingerens, Carpum, qui obsonium carpebat, eodem verbo vocabat, et imperabat.

in a very slow voice, he called Carpus, who was carving the relish, and commanded him with the same word.

Petr.

Petronius.

Huc autem propius pertinet, si quis e.g. de eo vere grandi, de quo praesertim exponenda mens esset, si quid sublimis cogitare vellet, adhibet tritum illud: De hoc praestat nihil, quam pauca dicere, adeoque nec nihil, nec pauca, nec multa, nec magna.

But more properly to this belongs the case of someone who, for example, about a truly grand subject on which his mind especially ought to be set forth, if he wished to think anything sublime, uses the worn-out phrase: "About this it is better to say nothing than a few things," and therefore says neither nothing, nor a few things, nor many things, nor great things.

Interim sibi plaudit, ac si maxima.

Meanwhile he applauds himself, as if he had said the greatest things.

Quid enim?

For what?

Nonne brevissime peracta sunt omnia?

Have not all things been dispatched most briefly?

§ 321

3) Qua alius tunc sibi sublimis videtur, quando omnia ita circumscribit, ut nec gallum quidem gallinaceum, satis longam vocem putet, sed praeferat illud Iuvenalis:

Third, by this another then seems sublime to himself: when he circumscribes everything in such a way that he thinks not even a barnyard cock has a voice long enough, but prefers that line of Juvenal:

Sourced quotation · Juvenal [324]

Quo mordetur gallina marito

"[He] is in raptures at the squeaking voice, not a whit superior in sound to that of the cock as he bites the hen."

Huc magis pertinet exemplum frigoris a Vossio allatum.

To this more belongs the example of frigidity adduced by Vossius.

Sex. Rufus habet:

Sextus Rufus has:

Sourced quotation · Rufius Festus (traditionally cited as Sextus Rufus) [325]

per D. Brutum Hispanias obtinuimus, et usque ad Gades et Oceanum pervenimus.

"We obtained the rebelling Lusitanians in Spain through Decimus Brutus and we attained the sea from Gades to Ocean."

Idem ita tumens Florus narrat:

Florus, swelling in this way, narrates the same thing:

Sourced quotation · Florus [326]

D. Brutus aliquanto latius Gallaecos, atque omnes Gallaeciae populos, formidatumque militibus flumen oblivionis, peragratoque victor Oceani littore, non prius signa convertit, quam cadentem in maria solem, obrutumque aquis ignem, non sine quodam sacrilegii metu et horrore deprehendit.

"Decimus Brutus conquered a much wider district, which included the Celts and Lusitanians and all the peoples of Callaecia and the River of Oblivion, much dreaded by the soldiers, and, after marching victorious along the shores of the Ocean, did not turn back until, not without a certain dread of impiety and a feeling of awe, he beheld the sun sinking into the sea and its fires quenched in the waters."

§ 322

III. Sublime cogitandi genus ita maxima (generice,) cogitat, ut ad minuta, (omni magnitudine aesthetica destituta,) nunquam delabatur, § 299. Hinc convertitur principium; Qui ergo de re quapiam, tanquam de optima maxima, quae unquam est, fuit, erit, ita cogitat, ut et omnia eam ambientia, circumstantia, et ulla ratione concernentia, eo usque elevet, unde non datur vel imaginationi plus ultra, sublimiter ille, profecto, cogitabit.

III. The sublime kind of thinking thinks the greatest things, generically, in such a way that it never slips down to small things, things deprived of all aesthetic magnitude, § 299. Hence the principle is converted: therefore, whoever thinks about some thing as if it were the best and greatest that ever is, was, or will be, and thinks in such a way that he also raises everything surrounding it, standing around it, and concerning it in any way at all, up to the point beyond which not even imagination is given a "further beyond," he will surely think sublimely.

Habes quartam tumoris huc pertinentis, § 318, speciem.

You have the fourth species of swelling belonging here, § 318. This is that swelling which, according to Longinus, Sect.

Hic est ille tumor, qui secundum Longinum. S. III.

III,

Sourced quotation · Pseudo-Longinus [327]

altius insurgere vult, quam sublimia,

"The characteristic, then, of bombast is that it transcends the Sublime."

puerilis autem omnino sublimibus opponitur, § 318. Exemplum dabit tempestatis descriptio in Aen. l. I. comparata ea, quam Lucanus fluctibus suis aeque tumentem habet, l. V. in qua

while the puerile is altogether opposed to the sublime, § 318. An example will be given by the description of the storm in Aeneid I, compared with that which Lucan has in book V, equally swollen with his waves, in which

Sourced quotation · Lucan (correcting the concordance attribution to Virgil) [328]

(Neptuni) regno accessit terra secundo,
Quum mare convoluit gentes, quum littora Tethys
Noluit ulla pati, caelo contenta teneri.
Tunc quoque tanta maris moles crevisset in astra,
Ni superum rector pressisset nubibus undas.
fluctus in nubibus accipit imbrem. e.c.

"The earth and sea one second kingdom formed
And ocean knew no limit but the sky.
Now, too, the sea had risen to the stars
In mighty mass, had not Olympus' chief
Pressed down its waves with clouds: that night from heaven
Came not, as others; but the murky air
Was dim with pallor of the realms below;
The sky lay on the deep; within the clouds
The waves received the rain."

§ 323

IV. Sublimia quorundam fidem superant, §§ 301, 286. Hinc, qua consequentia? tamen infertur: Omnem fidem superantia quo largius congeres, hoc sublimius cogitabis.

IV. The sublime things of certain writers exceed belief, §§ 301 and 286. Hence, by what consequence? nevertheless this is inferred: the more abundantly you heap up things exceeding all belief, the more sublimely you will think.

Haec quinta tumoris, de quo nunc, § 318, species in incredibilitate qualicunque sublimitatem quaerentium.

This is the fifth species of swelling now under discussion, § 318, belonging to those who seek sublimity in incredibility of any sort.

His semetipsum transcendere videbitur Ovidius, quando ait Me. VII. 104:

Ovid will seem to surpass himself for these people when he says at Metamorphoses VII.104:

Sourced quotation · Ovid [329]

Ecce! adamanteis Vulcanum naribus efflant
Aeripedes tauri: tactaeque vaporibus herbae
Ardent, utque solent pleni resonare camini,
Pectora sic intus clausas volventia flammas,
Gutturaque usta sonant.

"Anon the brazenhoved Bulles from stonie nostrils cast Out flakes of fire: their scalding breath the growing grasse did blast. And looke what noise a chimney full of burning fewell makes, Or Flint in softning in the Kell when first the fire it takes By sprincling water thereupon: such noyse their boyling brests Turmoyling with the firie flames enclosed in their chests, Such noise their scorched throtebolles make."

Hos sublimes Petronius ridet, qui nihil ex iis, quae in usu habemus audiunt, et vident, sed tyrannos edicta scribentes, quibus imperent filiis, ut patrum suorum capita praecidant, e.c.

Petronius laughs at these sublime writers, who hear and see nothing from among the things we have in use, but rather tyrants writing edicts by which they command sons to cut off the heads of their fathers, etc.

§ 324

V. Sublimia non omnibus omnia lucent, § 303. Hinc inepte concluditur: Quo obscurius, hoc sublimius.

V. Sublime things do not all shine for all people, § 303. Hence it is foolishly concluded: the more obscure, the more sublime.

Habes sextam tumoris et ineptae sublimitatis, § 318, speciem. Huius amicis Tacitus Livio, Lucanus et Statius Virgilio praestant, qua sublimitatem, quoniam intellectu saepe difficiliores sunt.

You have the sixth species of swelling and inept sublimity, § 318. To the friends of this sort, Tacitus surpasses Livy, and Lucan and Statius surpass Virgil, with respect to sublimity, because they are often more difficult to understand.

Videamus exemplum.

Let us see an example.

Virgilius Augusto:

Virgil to Augustus:

Sourced quotation · Virgil [330]

Iam pridem nobis caeli te regia, Caesar,
Invidet, atque hominum queritur curare triumphos, Georg. I. 503.

"Long since the courts of heaven
Begrudge us thee, our Caesar, and complain
That thou regard'st the triumphs of mankind."

Statius, inventionis gloriam habere quia non potest, ob obscuritatem tamen, fautoribus huius palmam sublimitatis eripuisse videbitur Virgilio, sic Titum alloquens:

Georgics I.503. Since Statius cannot possess the glory of invention, nevertheless, because of obscurity, he will seem to the supporters of this view to have snatched the palm of sublimity away from Virgil, addressing Titus thus:

Sourced quotation · Statius [331]

O! Latiae decus addite famae!
Quem nova maturi subeuntem exorsa parentis
Aeternum sibi Roma cupit: licet ardior omnes
Limes agat stellas, et te plaga lucida caeli
Pleiadum, Boreaeque et hiulci fulminis expers
Sollicitet: licet ignipedum fraenator equorum
Ipse tuis alte radiantem crinibus arcum
Imprimat, aut magni cedat tibi Iuppiter aequa
Parte poli, maneas hominum contentus habenis
Undarum terraeque potens, et sidera dones.

"and of thee, O glory added to the Latian name, whom succeeding early to thy sire's latest exploits Rome longs to be her own for ever. Yea, though a closer bound confine the stars, and the shining quarter of the sky that knows nought of Pleiads or Boreas or rending thunderbolt tempt thee, though he who curbs the fiery-footed steeds set with his own hand upon thy locks the exalted radiance of his diadem, or Jupiter yield thee an equal portion of the great heaven, abide contented with the governance of men, thou lord of earth and sea, and give constellations to the sky."

§ 325

Haec Statiana Virgilii periphrasis in hac tumoris specie novam mihi modificationem revocat in mentem, quando tumidum cogitandi genus quasi obscurum, § 303, explicat per vere obscurum et simul asiatico, nescio quo, apparatu omnem sublimitatem opprimit.

This Statian periphrasis of Virgil, in this species of swelling, recalls to my mind a new modification: when the swollen kind of thinking, as if obscure, § 303, explains itself through what is truly obscure and at the same time, by some Asiatic apparatus or other, crushes all sublimity.

Si nauta, cui timenti procellam Caesar:

If the sailor, to whom Caesar, when he was fearing a storm, said,

Sourced quotation · Julius Caesar as speaker; reported by Cassius Dio [332]

Bono, ait, animo esto. Caesarem vehis,

"Be of good cheer: you carry Caesar."

non intellexit Caesarem, de quo non pugnabo, quaeritur, an Lucani Caesarem intellexisse credibile sit, quando ille sane verbosus ad rectorem navis: l. V.

did not understand Caesar, about which I shall not contend, the question is whether it is credible that he understood Lucan's Caesar, when that man, truly verbose, says to the steersman of the ship, book V: "Scorn the threats," he says,

Sourced quotation · Lucan [333]

Sperne minas, inquit, pelagi, ventoque furenti
Trade sinum. Italiam si caelo auctore recusas,
Me pete. Sola tibi causa haec est iusta timoris
Vectorem non nosse tuum, quem numina nunquam
Destituunt, de quo male tunc fortuna meretur,
Quum post vota venit.

"Scorn the threatening sea,
Spread out thy canvas to the raging wind;
If for thy pilot thou refusest heaven,
Me in its stead receive. Alone in thee
One cause of terror just: thou dost not know
Thy comrade, ne'er deserted by the gods,
Whom fortune blesses e'en without a prayer."

Ita Lucani Caesar verum in Caesarem adhuc per decem versus subobscure commentatur, et tamen succenset suo paene Caesari poeta

Thus Lucan's Caesar comments, still for ten verses and rather obscurely, on the true Caesar; and nevertheless the poet grows angry at his almost-Caesar for

Sourced quotation · Lucan (correcting the concordance attribution to Caesar) [334]

non plura loquuto:

"“No more having said, a furious whirlwind, the stern being struck, tears away the shrouds rent asunder ...”"

Sources and textual notes

[287] Plutarch, Life of Pompey 50.1. Bernadotte Perrin, Plutarch's Lives, volume 5 (Cambridge, MA: Harvard University Press; London: William Heinemann, 1917), Lexundria text. Source 1

Baumgarten generalizes Greek πλεῖν (“to sail”) as proficisci (“to set out”), adds me, and varies the predicate between necessarium est and necesse. Perrin preserves the Greek's compact verbal parallelism.

Reuse information

Perrin's translation was published in 1917 and is in the United States public domain. Lexundria supplies a digital text of that edition.

[288] Cicero, Academica 1.7. Charles Duke Yonge, The Academic Questions (London: George Bell & Sons, 1875), Project Gutenberg eBook 29247. Source 1

Baumgarten drops Cicero's conditional introduction, sive enim Zenonem sequare, writes intelligat for intellegat, and adds several commas. Yonge renders magnum est idiomatically as “it is a hard thing” and translates the clause within Cicero's explicit reference to Zeno.

Reuse information

Yonge's translation and the 1875 edition are in the United States public domain. Project Gutenberg records the ebook as free of known United States copyright restrictions.

[289] Cicero, Academica 1.7, reporting Epicurus. Charles Duke Yonge, The Academic Questions (London: George Bell & Sons, 1875), Project Gutenberg eBook 29247. Source 1

Read alone, Baumgarten's concordance fragment appears positive because it omits Cicero's emphatic ne ... quidem. In section 302, however, Baumgarten's own preceding negat governs this infinitive and restores the negative force: non solus Epicurus verbis negat sine voluptatibus sensum moventibus se suspicari posse. He also omits Cicero's omnino. Yonge's “wholly unable” translates the complete Ciceronian syntax.

Reuse information

Yonge's translation and the 1875 edition are in the United States public domain. Project Gutenberg records the ebook as free of known United States copyright restrictions.

[290] Cicero, Academica 1.7, explicitly referring to Plato. Charles Duke Yonge, The Academic Questions (London: George Bell & Sons, 1875), Project Gutenberg eBook 29247. Source 1

Baumgarten extracts the predicate phrase from Cicero's sentence and identifies both Varro and Plato in his own surrounding text. Yonge preserves Cicero's explicit “as Plato says,” while rendering singular homini with the generic plural “men.” Cicero remains the immediate textual source of Baumgarten's wording.

Reuse information

Yonge's translation and the 1875 edition are in the United States public domain. Project Gutenberg records the ebook as free of known United States copyright restrictions.

[291] Virgil, Aeneid 6.98-100. Theodore C. Williams, The Aeneid of Virgil (Boston: Houghton Mifflin Company, 1910), Perseus Digital Library text. Source 1

Baumgarten changes capitalization and introduces commas, but otherwise follows Virgil's text. Williams expands the three Latin verses to four English lines, interprets ambages as “dark decrees,” and renders obscuris with “ecstasies obscure.”

Reuse information

Williams's translation was published in 1910 and is in the United States public domain. The Perseus canonical repository supplies the digital source file.

[292] Suetonius, The Deified Julius 70.1. John C. Rolfe, Suetonius, volume 1 (London: William Heinemann; New York: Macmillan, 1914), Perseus Digital Library text. Source 1

Baumgarten writes Decumanos for Decimanos, omits autem, uses nec where the source has the first neque, substitutes et for the dative pronoun ei before milites, and spells secuti as sequuti. He also stops before Suetonius's final punishment of the most mutinous soldiers. Rolfe translates the complete source syntax up to that omitted sentence.

Reuse information

Rolfe's translation was published in 1914 and is in the United States public domain. The Perseus canonical repository supplies the digital source file.

[293] Catullus, Carmina 29.22. Sir Richard Francis Burton, The Carmina of Caius Valerius Catullus (London: printed for the translators, 1894), Perseus Digital Library text. Source 1

Baumgarten capitalizes the extracted line and changes Catullus's question mark to a full stop. Burton's archaic “Save” corresponds to nisi, while “fat” conveys uncta in the sense of rich or sumptuous inheritances.

Reuse information

Burton's translation was published in 1894 and is in the United States public domain. The Perseus canonical repository supplies the digital source file.

[294] Virgil, Aeneid 2.314 and 2.316-317. Theodore C. Williams, The Aeneid of Virgil (Boston: Houghton Mifflin Company, 1910), Perseus Digital Library text. Source 1

Baumgarten changes Aeneas's first-person capio to third-person capit to fit his own report, omits the rest of verses 314-316 before resuming at furor iraque, and spells pulchrum as pulcrum. Williams's excerpt is correspondingly joined with an editorial ellipsis and retains Aeneas's original first person.

Reuse information

Williams's translation was published in 1910 and is in the United States public domain. The Perseus canonical repository supplies the digital source file.

[295] Virgil, Aeneid 2.336-338. Theodore C. Williams, The Aeneid of Virgil (Boston: Houghton Mifflin Company, 1910), Perseus Digital Library text. Source 1

Baumgarten omits Talibus and et numine divom, writes Otriadae for Othryadae and Erynnis for Erinys, and changes Aeneas's first-person feror to third-person fertur. Williams represents the omitted divine impulse explicitly and substitutes the Roman Bellona for Virgil's Erinys.

Reuse information

Williams's translation was published in 1910 and is in the United States public domain. The Perseus canonical repository supplies the digital source file.

[296] Virgil, Aeneid 2.355. Theodore C. Williams, The Aeneid of Virgil (Boston: Houghton Mifflin Company, 1910), Perseus Digital Library text. Source 1

Baumgarten ends the quotation after additus and replaces Virgil's colon with a comma, omitting the wolf simile that begins in the same verse. Williams converts the Latin passive (“frenzy was added to the young men's spirits”) into an active summary spoken by Aeneas.

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[297] Pseudo-Longinus, On the Sublime 9.7. H. L. Havell, Longinus on the Sublime (London: Macmillan and Co., 1890), Wikisource text. Source 1

Pseudo-Longinus first lists the sufferings of Homer's gods and only then concludes that Homer made the Trojan-era men gods and the gods men. Baumgarten reverses the expository order and divides the antithesis around his own dum facit. Havell likewise reverses the two halves in English; the bracketed verb makes the selected half intelligible in isolation.

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[298] Pseudo-Longinus, On the Sublime 9.7. H. L. Havell, Longinus on the Sublime (London: Macmillan and Co., 1890), Wikisource text. Source 1

The concordance's initial facit is a merge artifact: in Baumgarten's sentence it completes the preceding, separately italicized clause (deos dum facit), after which the next italicized clause begins ex diis facit homines. Baumgarten compresses two Longinian sentences, relocates the catalogue of divine sufferings after the gods-to-men antithesis, and reduces the contrast between mortal death and divine misery to infelicem immortalitatem. Havell's two editorial ellipses mark those intervening parts of the existing translation that Baumgarten's rearrangement does not retain.

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[299] Horace, Ars poetica 114, with Richard Bentley's conjectural Divusne substituted for the received Davusne. Christopher Smart, The Works of Horace, edited by Theodore Alois Buckley (New York: Harper & Brothers, 1863), Project Gutenberg eBook 14020. Source 1

Baumgarten's scan confirms Divusne (“whether a god”) and immediately explains, cum Bentleio Davum exsulare iubeo (“with Bentley I order Davus into exile”). The received Horatian line contrasts the stock slave Davus with a hero, and Smart translates that text. Bentley's reading, adopted by Baumgarten, instead contrasts a god with a hero and therefore changes the precept's hierarchy substantially.

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[300] Pseudo-Longinus, On the Sublime 9.13. H. L. Havell, Longinus on the Sublime (London: Macmillan and Co., 1890), Wikisource text. Source 1

Baumgarten extracts and recasts the simile in Latin, supplying both caloris and virium for Greek σφοδρότητος (“intensity” or “vehemence”). The noun magnitudo, which completes his clause, occurs after the concordance excerpt in section 311. Havell's “still as great as ever” renders that retained magnitude idiomatically.

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[301] Pseudo-Longinus, On the Sublime 9.13. H. L. Havell, Longinus on the Sublime (London: Macmillan and Co., 1890), Wikisource text. Source 1

Direct inspection of Baumgarten's page 189 confirms omega in ἐξωμαλισμένα; the concordance's ἐξομαλισμένα is therefore a modern transcription error to be corrected in the final compilation. Baumgarten's σχήματα μηδαμῶς (“figures in no way”) reflects an older textual form, while the modern critical text reads ἱζήματα μηδαμοῦ (“sinkings nowhere”). Havell's “equable ... never flags or sinks” translates the latter sense. The opening οὐδ' depends on Pseudo-Longinus's preceding negative construction.

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[302] Pseudo-Longinus, On the Sublime 4.2, quoting Timaeus's eulogy of Alexander. H. L. Havell, Longinus on the Sublime (London: Macmillan and Co., 1890), Wikisource text. Source 1

Baumgarten turns Pseudo-Longinus's direct characterization of Timaeus's Alexander into an accusative-and-infinitive clause governed by his own ait. Greek παρέλαβεν means “took over” or “acquired”; Baumgarten's subiugasse and Havell's “annexed” both sharpen the military sense. The concordance divides the comparison before Isocrates's half, which is entry 303.

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[303] Pseudo-Longinus, On the Sublime 4.2, quoting Timaeus's eulogy of Alexander. H. L. Havell, Longinus on the Sublime (London: Macmillan and Co., 1890), Wikisource text. Source 1

Baumgarten's intra quos stands outside the indexed italic fragment but supplies the antecedent needed by conscripserit. Havell makes that relation explicit with “spent,” and expands the title's de bello contra Persas into the speech “in which [Isocrates] urges the Greeks” to undertake the war. Entries 302 and 303 are therefore the two extracted halves of one comparison.

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[304] Virgil, Aeneid 1.174-176. Theodore C. Williams, The Aeneid of Virgil (Boston: Houghton Mifflin Company, 1910), Perseus Digital Library text. Source 1

Baumgarten prints genitive silicis where the cited edition has dative silici, and uses the regularized spelling suscepitque for succepitque. He also substitutes a semicolon after foliis and changes capitalization. Williams compresses the transfer of the spark into leaves and dry fuel into three practical English actions.

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[305] Virgil, Aeneid 2.355-359. Theodore C. Williams, The Aeneid of Virgil (Boston: Houghton Mifflin Company, 1910), Perseus Digital Library text. Source 1

Baumgarten omits connective inde, prints hostes for the poetic accusative hostis, and changes Aeneas's first-person plural vadimus to third-person vadunt because he introduces the simile as an account of Virgil's heroes. He stops before haud dubiam in mortem. Williams retains the original narrative person; the terminal ellipsis marks the continuation that Baumgarten excludes.

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[306] Horace, Odes 4.4.5-6. John Conington, The Odes and Carmen Saeculare of Horace (London: George Bell & Sons, 1882), Perseus Digital Library text. Source 1

Baumgarten prints iuventus, the common noun for youth, where the source edition has the archaic poetic form iuventas. He also adds capitalization and closes a sentence where Horace's eagle simile continues. Conington makes the young eagle explicit through the pronoun “He” and interprets laborum inscium as the nestling's timid inexperience.

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[307] Horace, Odes 4.4.2-4. John Conington, The Odes and Carmen Saeculare of Horace (London: George Bell & Sons, 1882), Perseus Digital Library text. Source 1

Baumgarten changes Horace's relative cui to Quod so that the verse becomes the content of his question an satis dignum est, illi quod ...? He also prints aves for the poetic accusative avis, changes capitalization, and supplies the question mark. Conington translates the received relative construction and identifies the implied eagle through “Whom.”

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[308] Horace, Odes 4.4.13-24, recombined by Baumgarten. John Conington, The Odes and Carmen Saeculare of Horace (London: George Bell & Sons, 1882), Perseus Digital Library text. Source 1

Baumgarten dismantles and recombines four parts of Horace's extended eagle-and-lion comparison into a skeptical question: the Raetian Alps and Vindelici, their axe-armed hands, their formerly victorious troops, and the grazing caprea. He changes Raetis to Rhaetis, singular Amazonia securi to plural Amazoniis securibus, and extensively recasts case and word order. Conington's continuous stanza restores the source sequence and interprets caprea as a “tender kidling.”

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[309] Virgil, Aeneid 2.584, in the disputed Helen episode. Theodore C. Williams, The Aeneid of Virgil (Boston: Houghton Mifflin Company, 1910), Perseus Digital Library text. Source 1

The concordance assigns the phrase to Horace because it occurs amid Baumgarten's discussion of Odes 4.4, but it completes Virgil's feminea in poena est, nec habet victoria laudem. Baumgarten removes nec and converts the clause into a question governed by his own preceding reasoning. Modern editors often bracket or delete the Helen episode (Aeneid 2.567-588); the local Latin witness marks the verses as deleted, whereas Williams includes and translates them.

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[310] Martial, Epigrams 4.89.1. anonymous prose translator in Henry G. Bohn, ed., The Epigrams of Martial (London: Bell & Daldy, 1865), Internet Archive/Wikimedia Commons scan. Source 1

Baumgarten omits Martial's vocative libelle and supplies his own address, poeta, immediately after the quotation. He also replaces commas with exclamation marks. The Bohn prose translation preserves the original address to the overlong little book.

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[311] Martial, Epigrams 4.89.3. anonymous prose translator in Henry G. Bohn, ed., The Epigrams of Martial (London: Bell & Daldy, 1865), Internet Archive/Wikimedia Commons scan. Source 1

Martial coordinates infinitives procedere ... et ire as the complements of quaeris: the book “seeks to continue and go on.” Baumgarten changes procedere to finite procedis, adds a comma, and thus states first that the poet continues before asking whether he seeks to go farther. Bohn paraphrases the second infinitive as adding to the book's bulk.

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[312] Horace, Odes 4.4.30-31. John Conington, The Odes and Carmen Saeculare of Horace (London: George Bell & Sons, 1882), Perseus Digital Library text. Source 1

Baumgarten stops before neque inbellem feroces / progenerant aquilae columbam, converting the opening of Horace's generalization about inherited character into a self-contained maxim. Conington supplies the implied relation with “attest” and renders virtus patrum as “their fathers' worth.”

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[313] Horace, Odes 3.3.72. John Conington, The Odes and Carmen Saeculare of Horace (London: George Bell & Sons, 1882), Perseus Digital Library text. Source 1

The Latin wording is exact apart from capitalization and terminal punctuation. In Horace it closes an address to the Muse and depends on the preceding injunction not to tell such material again; Baumgarten extracts the infinitive phrase as an example of bathos. Conington's “dwarf” makes the reductive force of tenuare unusually vivid.

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[314] Furius Bibaculus, fragment 15, preserved as an unnamed example in Quintilian, Institutio oratoria 8.6.17 and attributed to Furius by the ancient scholiasts on Horace, Satires 2.5.41. Harold Edgeworth Butler, The Institutio Oratoria of Quintilian, vols. 1-4 (Cambridge, MA: Harvard University Press; London: William Heinemann, 1920-1922), Perseus Digital Library text. Source 1

Baumgarten substitutes interea (“meanwhile”) for the source's hibernas (“wintry”). Butler translates the source witness and therefore has “wintry,” not Baumgarten's temporal adverb. Quintilian cites the line as an example of a harsh metaphor; Baumgarten similarly calls it an old saying while classifying a species of bathos.

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[315] Unresolved. Baumgarten introduces this as recentius and appears to fashion it from the idiom emunctae naris, familiar from Horace, Satires 1.4.8, rather than quote a separately identifiable work. Not assigned pending source identification.

Deferred: the final edition’s current translation is retained.

Exact-phrase searching did not locate the expression outside Baumgarten. A second-pass search found early-modern uses of the generic comparative idiom emunctioris naris, but none securely supplying Baumgarten's plural phrase with mortales. Its comparative emunctioris and plural mortales distinguish it from Horace's emunctae naris, which Baumgarten quotes separately immediately afterward; recentius therefore most likely introduces a contemporary reformulation rather than Horace. The project's own English rendering has not been substituted for the requested independent translation.

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Not assigned pending source identification.

[316] Caelius Sedulius, Carmen paschale 1.18. Albert S. Cook, trans., Asser's Life of King Alfred (Boston: Ginn & Company, 1906), translating the Sedulius quotation in Asser 1; Project Gutenberg eBook 63384. Source 1

Baumgarten quotes only Sedulius's second hexameter and adds a period. Cook translates it within Asser's longer quotation and spreads its two coordinated images across “turgid stream” and “tragic buskin”; the wider excerpt is retained so that neither half is falsely presented as a complete line-for-line equivalent.

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[317] The first clause is Baumgarten's Latin paraphrase of Pseudo-Longinus, On the Sublime 9.5, quoting Pseudo-Hesiod, Shield 267. The remaining verses are Juvenal, Satires 6.147-148. H. L. Havell, Longinus on the Sublime (London: Macmillan and Co., 1890), for the Pseudo-Hesiodic fragment; G. G. Ramsay, Juvenal and Persius (London: William Heinemann; New York: G. P. Putnam's Sons, 1918), for Juvenal; Wikisource texts. Source 1 · Source 2

The concordance builder joined adjacent italic material and assigned the composite to the terminal abbreviation Iuv. Baumgarten's Tristitia, cuius ... is not Juvenal: it converts Pseudo-Longinus's Greek quotation about Achlys or Grief into a Latin relative clause. The ellipsis in the selected translation marks the boundary between the two independently translated sources.

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[318] Pseudo-Longinus, On the Sublime 4.4. H. L. Havell, Longinus on the Sublime (London: Macmillan and Co., 1890), Wikisource text. Source 1

The received source has τὰ οὕτως μικροχαρῆ (“things so petty-pleasing”), while Baumgarten's printing has τὰ ἤθη μικροχαρῆ and omits the governing verb. His surrounding Latin supplies Plato and Xenophon as the subjects. Havell's “paltry conceits” translates the source expression in its complete sentence rather than attempting to reproduce Baumgarten's variant ἤθη separately.

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[319] Ovid, Metamorphoses 10.300-303. Arthur Golding, The XV Bookes of P. Ouidius Naso, Entytuled Metamorphosis (London: William Seres, 1567), Perseus Digital Library text. Source 1

Baumgarten prints pectora where the source has carmina (“songs”), as well as changing punctuation and capitalization. Golding translates the received source and consequently says “my tale,” not anything corresponding to Baumgarten's substituted noun. His following line completes the punishment clause; the ellipsis limits the excerpt to the portion needed for the concordance quotation.

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[320] Horace, Ars poetica 227-229. Christopher Smart, trans., The Works of Horace, Translated Literally into English Prose (Philadelphia: Joseph Whetham, 1836), in The Works of Horace (Project Gutenberg eBook 14020). Source 1

Baumgarten regularizes poetic accusative heros only through capitalization and changes the source punctuation and sentence closure; the wording is otherwise the same. Smart reverses the order of auro ... et ostro as “purple and gold” and expansively interprets humili sermone tabernas as a low verbal style suited to mechanical shops.

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[321] Horace, Ars poetica 230. Christopher Smart, trans., The Works of Horace, Translated Literally into English Prose (Philadelphia: Joseph Whetham, 1836), in The Works of Horace (Project Gutenberg eBook 14020). Source 1

Baumgarten changes Horace's alternative aut to prohibitive Ne, thereby making the line an independent warning, and prints regular accusative plural nubes for poetic nubis. Smart translates the source's continuation and glosses the metaphorical inania as “empty jargon.”

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[322] Horace, Ars poetica 218-219. Christopher Smart, The Works of Horace Translated Literally into English Prose (New York: Harper & Brothers, 1836), Perseus Digital Library text. Source 1

Baumgarten suppresses the first of Horace's two lines and changes perfect discrepuit to present discrepat. Smart translates the full sentence, whose subject is the chorus's morally instructive sententia. Baumgarten deliberately detaches the second line as an example of excessive brevity becoming obscure.

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[323] Petronius, Satyricon 36.6-7. Michael Heseltine, Petronius (London: William Heinemann; New York: G. P. Putnam's Sons, 1913), Perseus Digital Library text. Source 1

The isolated word is simultaneously the imperative “carve” and a call to the servant Carpus. No one-word English equivalent preserves both functions. Heseltine therefore substitutes the speaking name “Carver” and translates enough context to disclose the joke that Baumgarten invokes as an extreme case of obscure brevity.

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[324] Juvenal, Satires 3.90-91. Rev. Lewis Evans, The Satires of Juvenal, Persius, Sulpicia, and Lucilius, Literally Translated into English Prose (New York: Harper & Brothers, 1881), Project Gutenberg eBook 50657. Source 1

Baumgarten extracts the relative clause, omitting its verb sonat and Juvenal's surrounding comparison and question. His preceding prose supplies the cock (gallinaceus). Evans makes that implied antecedent explicit and renders marito by the zoologically clearer “cock.”

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[325] Rufius Festus, Breviarium rerum gestarum populi Romani 5.1. Thomas M. Banchich and Jennifer A. Meka, Festus: Breviarium of the Accomplishments of the Roman People, Canisius College Translated Texts 2 (Buffalo, NY: Canisius College, 2001), as reproduced by Attalus. Source 1

Baumgarten omits “the rebelling Lusitanians in Spain,” expands the abbreviated Decimum only as D., generalizes the object to plural Hispanias, and has Gades et Oceanum where the modern text reads Gadis ad Oceanum mare. The work circulated under several forms of the author's name, including Rufus and Sextus Rufus; modern catalogues normally call him Festus or Rufius Festus.

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The translation is copyrighted 2001. This short excerpt is recorded for noncommercial scholarly comparison and citation because no accessible public-domain complete English translation of the passage was located in the first pass.

[326] Florus, Epitome of Roman History 1.33.12 (also numbered 1.17.12 in editions using the shorter book division). E. S. Forster, Lucius Annaeus Florus: Epitome of Roman History (London: William Heinemann; New York: G. P. Putnam's Sons, 1929), Loeb Classical Library 231, LacusCurtius transcription. Source 1

Baumgarten replaces Florus's Celticos Lusitanosque with Gallaecos atque, then repeats the region in omnes Gallaeciae populos; the selected translation follows the source witness and consequently says “Celts and Lusitanians.” Other differences include abbreviation of Decimus, orthographic littore, and deprehendit for contracted deprendit.

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[327] Pseudo-Longinus, On the Sublime 3.4. H. L. Havell, Longinus on the Sublime (London: Macmillan and Co., 1890), Wikisource text. Source 1

Baumgarten translates rather than reproduces the Greek and draws the grammatical subject, tumor, from his preceding sentence. His comparative altius ... quam sublimia recasts the Greek claim that “the swollen” (to oidoun) tries to overtop “the heights.” The source Greek was checked against the Perseus text at https://github.com/PerseusDL/canonical-greekLit/blob/master/data/tlg0560/tlg001/tlg0560.tlg001.perseus-grc2.xml.

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[328] Lucan, Civil War (Pharsalia) 5.622-629. Sir Edward Ridley, The Pharsalia of Lucan (London: Longmans, Green, and Co., 1905), Perseus Digital Library text. Source 1

Baumgarten's own prose identifies Lucan, but the concordance builder inherited “Virgil” from the preceding comparison with the Aeneid. Baumgarten drops Adiuvit, supplies “(Neptuni),” changes Nunc to Tunc, and then jumps from line 626 to the final clause of line 629, marking omitted material with e.c. Ridley's continuous passage is retained so the two pieces are not falsely represented as adjacent in Lucan.

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[329] Ovid, Metamorphoses 7.104-110. Arthur Golding, The XV Bookes of P. Ouidius Naso, Entytuled Metamorphosis (London: William Seres, 1567), Perseus Digital Library text. Source 1

Baumgarten suppresses Ovid's alternative comparison in lines 107-108 (aut ubi ... aquarum) and joins the furnace simile directly to pectora sic. Golding translates the continuous source, so his Flint and water comparison remains in the excerpt. Capitalization, punctuation, and the exclamation after Ecce are also Baumgarten's.

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[330] Virgil, Georgics 1.503-504. James Rhoades, The Poems of Vergil (London: Oxford University Press, 1921), Perseus Digital Library text. Source 1

Baumgarten's wording is exact apart from capitalization and punctuation; “Georg. I. 503” is his citation rather than part of the verse. Rhoades uses three English lines for Virgil's two hexameters.

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[331] Statius, Thebaid 1.22-31. J. H. Mozley, Statius, vol. 1 (London: William Heinemann; New York: G. P. Putnam's Sons, 1928), Loeb Classical Library 207, Theoi transcription. Source 1

Baumgarten omits Statius's preceding bella Iovis teque and turns the invocation into an exclamation. More significantly, he prints maturi for source mature and ardior for artior; the latter obscures the “closer/narrower bound” translated by Mozley. His fraenator is an orthographic form of source frenator. Other differences are capitalization and punctuation.

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[332] Cassius Dio, Roman History 41.46.3-4. Parallel versions with Caesar's Fortune added occur in Plutarch, Caesar 38.3, and Appian, Civil Wars 2.57. Earnest Cary, Dio's Roman History, vol. 4 (London: William Heinemann; New York: G. P. Putnam's Sons, 1916), Loeb Classical Library 66, LacusCurtius transcription. Source 1

Baumgarten's two short Latin clauses closely reproduce Dio's version and omit the Fortune motif found in Plutarch and Appian. His contrast is therefore between this compact historical saying and Lucan's much longer epic amplification. The source is a report of Caesar's speech, not a passage from Caesar's own surviving works.

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[333] Lucan, Civil War (Pharsalia) 5.578-583. Sir Edward Ridley, The Pharsalia of Lucan (London: Longmans, Green, and Co., 1905), Perseus Digital Library text. Source 1

Baumgarten excerpts the opening six lines of a speech that continues for another ten lines. His caelo/causa/nunquam/Quum correspond to the edition's coelo/caussa/numquam/cum; capitalization and punctuation also differ. Ridley interprets de quo male ... meretur positively as Fortune “blessing” Caesar even before prayer, rather than reproducing its paradoxical idiom word for word.

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[334] Lucan, Civil War (Pharsalia) 5.593. H. T. Riley, The Pharsalia of Lucan, Literally Translated into English Prose with Copious Notes (London: Henry G. Bohn, 1853), C. Chinn's digital formatting. Source 1

The words belong to Lucan's narrator, not to Caesar; the concordance label was inherited from the speaker of the preceding quotation. Baumgarten uses expanded loquuto where the source has contracted locuto and adds a colon. The grammatical phrase is a dative absolute, “when he had said no more,” leading directly into the storm's interruption. Baumgarten ironically treats it as if Lucan were annoyed that his Caesar had not spoken even longer.

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