§ 751
Idem generalibus suis assertis:
The same Lucretius, for his general assertions,
saepius olim
Relligio peperit scelerosa atque impia facta,
Tantum relligio potuit suadere malorum,
"But 'tis that same religion oftener far
Hath bred the foul impieties of men:
...
Such are the crimes to which Religion leads."
non species superstitionum innumeras includit exempli gratia, sed unum aliquod atrox factum:
and "so great evils could religion persuade," does not include innumerable species of superstitions by way of example, but one atrocious deed:
Aulide quo pacto Triviai virginis aram
Iphianassai turparunt sanguine foede
Ductores Danaum delecti,
"As once at Aulis, the elected chiefs,
Foremost of heroes, Danaan counsellors,
Defiled Diana's altar, virgin queen,
With Agamemnon's daughter, foully slain."
e. c.
Nec Homerus subsistit in enarrandis navium Troiam petentium aliquibus speciebus singularum in enumerationem descendens. Virgilius sibi non satisfacit generali quadam distributione per Italiam bellum Aeneae parantium:
and so on. Nor does Homer stop in narrating some species of ships seeking Troy, descending into enumeration of individual ones. Virgil does not satisfy himself with a certain general distribution through Italy of those preparing war against Aeneas:
Ardet inexcita Ausonia atque immobilis ante.
Pars pedes ire parat campis, pars arduus altis
Pulverulentus equis furit; omnes arma requirunt.
Pars laeves clipeos et spicula lucida tergent
Arvina pingui, subiguntque in cote secures,
Signaque ferre iuvat sonitusque audire tubarum.
"ausonia from its old tranquillity
bursts forth in flame. Foot-soldiers through the field
run to and fro; and mounted on tall steeds
the cavaliers in clouds of dust whirl by.
All arm in haste. Some oil the glittering shield
or javelin bright, or on the whetstone wear
good axes to an edge, while joyful bands
uplift the standards or the trumpets blow."
VII. 628. Sed progreditur descendendo ad singularia, v. 630–817.
VII.628. But he proceeds by descending to singulars, vv.630–817.
Idem generalibus suis assertis:
The same Lucretius, for his general assertions,
saepius olim
Relligio peperit scelerosa atque impia facta,
Tantum relligio potuit suadere malorum,
"But 'tis that same religion oftener far
Hath bred the foul impieties of men:
...
Such are the crimes to which Religion leads."
non species superstitionum innumeras includit exempli gratia, sed unum aliquod atrox factum:
and "so great evils could religion persuade," does not include innumerable species of superstitions by way of example, but one atrocious deed:
Aulide quo pacto Triviai virginis aram
Iphianassai turparunt sanguine foede
Ductores Danaum delecti,
"As once at Aulis, the elected chiefs,
Foremost of heroes, Danaan counsellors,
Defiled Diana's altar, virgin queen,
With Agamemnon's daughter, foully slain."
e. c.
Nec Homerus subsistit in enarrandis navium Troiam petentium aliquibus speciebus singularum in enumerationem descendens.
and so on. Nor does Homer stop in narrating some species of ships seeking Troy, descending into enumeration of individual ones.
Virgilius sibi non satisfacit generali quadam distributione per Italiam bellum Aeneae parantium:
Virgil does not satisfy himself with a certain general distribution through Italy of those preparing war against Aeneas:
Ardet inexcita Ausonia atque immobilis ante.
Pars pedes ire parat campis, pars arduus altis
Pulverulentus equis furit; omnes arma requirunt.
Pars laeves clipeos et spicula lucida tergent
Arvina pingui, subiguntque in cote secures,
Signaque ferre iuvat sonitusque audire tubarum.
"ausonia from its old tranquillity
bursts forth in flame. Foot-soldiers through the field
run to and fro; and mounted on tall steeds
the cavaliers in clouds of dust whirl by.
All arm in haste. Some oil the glittering shield
or javelin bright, or on the whetstone wear
good axes to an edge, while joyful bands
uplift the standards or the trumpets blow."
VII. 628. Sed progreditur descendendo ad singularia, v. 630–817.
VII.628. But he proceeds by descending to singulars, vv.630–817.
Idem generalibus suis assertis:
The same Lucretius, for his general assertions,
saepius olim
Relligio peperit scelerosa atque impia facta,
Tantum relligio potuit suadere malorum,
"But 'tis that same religion oftener far
Hath bred the foul impieties of men:
...
Such are the crimes to which Religion leads."
non species superstitionum innumeras includit exempli
and "so great evils could religion persuade," does not include innumerable species of superstitions by way of example,
gratia, sed unum aliquod atrox factum:
but one atrocious deed:
Aulide quo pacto Triviai virginis aram
Iphianassai turparunt sanguine foede
Ductores Danaum delecti,
"As once at Aulis, the elected chiefs,
Foremost of heroes, Danaan counsellors,
Defiled Diana's altar, virgin queen,
With Agamemnon's daughter, foully slain."
e. c. Nec Homerus subsistit in enarrandis
and so on. Nor does Homer stop in narrating
navium Troiam petentium aliquibus speciebus singularum in enumerationem descendens.
some species of ships seeking Troy, descending into enumeration of individual ones.
Virgilius sibi non satisfacit generali
Virgil does not satisfy himself with a certain general
quadam distributione per Italiam bellum Aeneae parantium:
distribution through Italy of those preparing war against Aeneas:
Ardet inexcita Ausonia atque immobilis ante.
Pars pedes ire parat campis, pars arduus altis
Pulverulentus equis furit; omnes arma requirunt.
Pars laeves clipeos et spicula lucida tergent
Arvina pingui, subiguntque in cote secures,
Signaque ferre iuvat sonitusque audire tubarum.
"ausonia from its old tranquillity
bursts forth in flame. Foot-soldiers through the field
run to and fro; and mounted on tall steeds
the cavaliers in clouds of dust whirl by.
All arm in haste. Some oil the glittering shield
or javelin bright, or on the whetstone wear
good axes to an edge, while joyful bands
uplift the standards or the trumpets blow."
VII. 628. Sed progreditur descendendo ad singularia, v. 630–817.
VII.628. But he proceeds by descending to singulars, vv.630–817.
Idem generalibus suis assertis: / The same Lucretius, for his general assertions,
saepius olim
Relligio peperit scelerosa atque impia facta,
Tantum relligio potuit suadere malorum,
"But 'tis that same religion oftener far
Hath bred the foul impieties of men:
...
Such are the crimes to which Religion leads."
non species superstitionum innumeras includit exempli gratia, sed unum aliquod atrox factum: / and "so great evils could religion persuade," does not include innumerable species of superstitions by way of example, but one atrocious deed:
Aulide quo pacto Triviai virginis aram
Iphianassai turparunt sanguine foede
Ductores Danaum delecti,
"As once at Aulis, the elected chiefs,
Foremost of heroes, Danaan counsellors,
Defiled Diana's altar, virgin queen,
With Agamemnon's daughter, foully slain."
e. c. Nec Homerus subsistit in enarrandis navium Troiam petentium aliquibus speciebus singularum in enumerationem descendens. / and so on. Nor does Homer stop in narrating some species of ships seeking Troy, descending into enumeration of individual ones.
Virgilius sibi non satisfacit generali quadam distributione per Italiam bellum Aeneae parantium: / Virgil does not satisfy himself with a certain general distribution through Italy of those preparing war against Aeneas:
Ardet inexcita Ausonia atque immobilis ante.
Pars pedes ire parat campis, pars arduus altis
Pulverulentus equis furit; omnes arma requirunt.
Pars laeves clipeos et spicula lucida tergent
Arvina pingui, subiguntque in cote secures,
Signaque ferre iuvat sonitusque audire tubarum.
"ausonia from its old tranquillity
bursts forth in flame. Foot-soldiers through the field
run to and fro; and mounted on tall steeds
the cavaliers in clouds of dust whirl by.
All arm in haste. Some oil the glittering shield
or javelin bright, or on the whetstone wear
good axes to an edge, while joyful bands
uplift the standards or the trumpets blow."
VII. 628. Sed progreditur descendendo ad singularia, v. 630–817. / VII.628. But he proceeds by descending to singulars, vv.630–817.
§ 752
Cuius altius rimati sumus rationem, § 556–565. ex qua deduximus, § 569, 575. quam genus cogitandi tum simpliciter dilucidum in aestheticis, tum splendidum inprimis postulat § 625. regulam illam heic, suo maxime loco, liceat denuo commendare, generatim et terminis in schola receptis expressam: Si genus cogitandi logicum et scientificum obiecta sua primaria, ne exceptis ipsis quidem individuis, ubi caetera paria sint, lubentius in abstracto considerat: pulcre cogitaturus analogo rationis suas materias praecipuas non in concreto solum, sed etiam in determinatissimis, in quibus potest, hinc in singularibus, suppositis, personis, factis, quoties datur, lubentissime contempletur. M. § 149.
We have examined more deeply the reason for this, §§556–565, and from it deduced, §§569, 575, the rule that the kind of thinking both simply clear in aesthetics and especially splendid requires, §625. Let it be permitted here, in its most proper place, to commend that rule again, expressed generally and in terms received in the schools: if the logical and scientific kind of thinking considers its primary objects more willingly in the abstract, not even excepting individuals where other things are equal, one who will think beautifully should contemplate his principal materials for the analogue of reason not only in the concrete, but also in the most determinate things in which he can, and hence in singulars, supposits, persons, and deeds, whenever possible, Metaphysics §149.
Cuius altius rimati sumus rationem, § 556–565. ex qua deduximus, § 569, 575. quam genus cogitandi tum simpliciter dilucidum in aestheticis, tum splendidum inprimis postulat § 625. regulam illam heic, suo maxime loco, liceat denuo commendare, generatim et terminis in schola receptis expressam: Si genus cogitandi logicum et scientificum obiecta sua primaria, ne exceptis ipsis quidem individuis, ubi caetera paria sint, lubentius in abstracto considerat: pulcre cogitaturus analogo rationis suas materias praecipuas non in concreto solum, sed etiam in determinatissimis, in quibus potest, hinc in singularibus, suppositis, personis, factis, quoties datur, lubentissime contempletur. M. § 149.
We have examined more deeply the reason for this, §§556–565, and from it deduced, §§569, 575, the rule that the kind of thinking both simply clear in aesthetics and especially splendid requires, §625. Let it be permitted here, in its most proper place, to commend that rule again, expressed generally and in terms received in the schools: if the logical and scientific kind of thinking considers its primary objects more willingly in the abstract, not even excepting individuals where other things are equal, one who will think beautifully should contemplate his principal materials for the analogue of reason not only in the concrete, but also in the most determinate things in which he can, and hence in singulars, supposits, persons, and deeds, whenever possible, Metaphysics §149.
Cuius altius rimati sumus rationem, § 556–565.
We have examined more deeply the reason for this, §§556–565,
ex qua deduximus, § 569, 575.
and from it deduced, §§569, 575,
quam genus cogitandi tum simpliciter dilucidum in aestheticis,
the rule that the kind of thinking both simply clear in aesthetics
tum splendidum inprimis postulat § 625.
and especially splendid requires, §625.
regulam illam heic, suo maxime loco,
Let it be permitted here, in its most proper place,
liceat denuo commendare,
to commend that rule again, expressed
generatim et terminis in schola
generally and in terms received in the schools:
receptis expressam: Si genus cogitandi logicum et scientificum
if the logical and scientific kind
obiecta sua primaria, ne
of thinking considers its primary objects more willingly in the abstract,
exceptis ipsis quidem individuis, ubi caetera paria
not even excepting individuals where other things are equal,
sint, lubentius in abstracto considerat: pulcre cogitaturus
one who will think beautifully should contemplate his
analogo rationis suas materias
principal materials for the analogue of reason
praecipuas non in concreto solum,
not only in the concrete,
sed etiam in determinatissimis, in quibus potest,
but also in the most determinate things in which he can,
hinc in singularibus, suppositis, personis, factis, quoties datur, lubentissime contempletur.
and hence in singulars, supposits, persons, and deeds, whenever possible,
M. § 149.
Metaphysics §149.
Cuius altius rimati sumus rationem, § 556–565. ex qua deduximus, § 569, 575. quam genus cogitandi tum simpliciter dilucidum in aestheticis, tum splendidum inprimis postulat § 625. regulam illam heic, suo maxime loco, liceat denuo commendare, generatim et terminis in schola receptis expressam: Si genus cogitandi logicum et scientificum obiecta sua primaria, ne exceptis ipsis quidem individuis, ubi caetera paria sint, lubentius in abstracto considerat: pulcre cogitaturus analogo rationis suas materias praecipuas non in concreto solum, sed etiam in determinatissimis, in quibus potest, hinc in singularibus, suppositis, personis, factis, quoties datur, lubentissime contempletur. M. § 149. / We have examined more deeply the reason for this, §§556–565, and from it deduced, §§569, 575, the rule that the kind of thinking both simply clear in aesthetics and especially splendid requires, §625. Let it be permitted here, in its most proper place, to commend that rule again, expressed generally and in terms received in the schools: if the logical and scientific kind of thinking considers its primary objects more willingly in the abstract, not even excepting individuals where other things are equal, one who will think beautifully should contemplate his principal materials for the analogue of reason not only in the concrete, but also in the most determinate things in which he can, and hence in singulars, supposits, persons, and deeds, whenever possible, Metaphysics §149.
§ 753
Hinc comparatio adscendens non temere penetrabit sese in tota maxima, et summa rerum genera, quando subiectum comparationis aeque bene non illustrari solum, sed etiam probari potest comparato toto quodam propiori, specie, vel genere minus remotis, § 575, 752; quoniam haec sine ratione transiliendo produceres argumentum longius petitum, § 741. et primariis tuis spectatoribus forte minus cognitum eligeres terminum comparationis, ac huius subiectum est. § 736, 739. quoniam superiorum generum, totorumque maximorum notitia plerumque scientiis in abstractiores considerantibus solum acquiritur. § 567. Sic in comparatione adscendente, quam § 743. exhibet, Virgilius non provocat ad necessariam rerum omnium diversitatem, M. § 269–272. quae ne tunc quidem erat incognita, sed in tellure subsistit, eiusque diversitate fructuum.
Hence ascending comparison will not rashly press itself into the greatest wholes and highest genera of things when the subject of comparison can equally well not only be illustrated but also proved by some nearer compared whole, species, or less remote genus, §§575, 752. By leaping over these without reason you would produce a far-fetched argument, §741, and choose a term of comparison perhaps less known to your principal spectators than the subject of comparison is, §§736, 739, since knowledge of superior genera and greatest wholes is usually acquired only by sciences considering things more abstractly, §567. Thus, in the ascending comparison which §743 exhibits, Virgil does not appeal to the necessary diversity of all things, Metaphysics §§269–272, which even then was not unknown, but stops in the earth and its diversity of fruits.
Hinc comparatio adscendens non temere penetrabit sese in tota maxima, et summa rerum genera, quando subiectum comparationis aeque bene non illustrari solum, sed etiam probari potest comparato toto quodam propiori, specie, vel genere minus remotis, § 575, 752; quoniam haec sine ratione transiliendo produceres argumentum longius petitum, § 741. et primariis tuis spectatoribus forte minus cognitum eligeres terminum comparationis, ac huius subiectum est. § 736, 739. quoniam superiorum generum, totorumque maximorum notitia plerumque scientiis in abstractiores considerantibus solum acquiritur. § 567. Sic in comparatione adscendente, quam § 743. exhibet, Virgilius non provocat ad necessariam rerum omnium diversitatem, M. § 269–272. quae ne tunc quidem erat incognita, sed in tellure subsistit, eiusque diversitate fructuum.
Hence ascending comparison will not rashly press itself into the greatest wholes and highest genera of things when the subject of comparison can equally well not only be illustrated but also proved by some nearer compared whole, species, or less remote genus, §§575, 752. By leaping over these without reason you would produce a far-fetched argument, §741, and choose a term of comparison perhaps less known to your principal spectators than the subject of comparison is, §§736, 739, since knowledge of superior genera and greatest wholes is usually acquired only by sciences considering things more abstractly, §567. Thus, in the ascending comparison which §743 exhibits, Virgil does not appeal to the necessary diversity of all things, Metaphysics §§269–272, which even then was not unknown, but stops in the earth and its diversity of fruits.
Hinc comparatio adscendens non temere penetrabit sese in tota maxima,
Hence ascending comparison will not rashly press itself into the greatest wholes
et summa rerum genera, quando subiectum
and highest genera of things when the subject
comparationis aeque bene non illustrari solum,
of comparison can equally well not only be illustrated
sed etiam probari potest comparato toto quodam propiori,
but also proved by some nearer compared whole,
specie, vel genere minus remotis, § 575, 752;
species, or less remote genus, §§575, 752.
quoniam haec sine ratione transiliendo produceres argumentum
By leaping over these without reason you would produce a far-fetched argument,
longius petitum, § 741. et primariis tuis spectatoribus
§741, and choose a term of comparison
forte minus cognitum eligeres terminum comparationis,
perhaps less known to your principal spectators
ac huius subiectum est. § 736, 739.
than the subject of comparison is, §§736, 739,
quoniam superiorum generum, totorumque maximorum notitia
since knowledge of superior genera and greatest wholes is
plerumque scientiis in abstractiores considerantibus solum acquiritur.
usually acquired only by sciences considering things more
§ 567. Sic in comparatione adscendente, quam § 743.
abstractly, §567. Thus, in the ascending comparison which §743
exhibet, Virgilius non provocat ad necessariam rerum omnium diversitatem,
exhibits, Virgil does not appeal to the necessary diversity
M. § 269–272. quae ne tunc quidem erat incognita,
of all things, Metaphysics §§269–272, which even then was not unknown,
sed in tellure subsistit, eiusque diversitate fructuum.
but stops in the earth and its diversity of fruits.
Hinc comparatio adscendens non temere penetrabit sese in tota maxima, et summa rerum genera, quando subiectum comparationis aeque bene non illustrari solum, sed etiam probari potest comparato toto quodam propiori, specie, vel genere minus remotis, § 575, 752; quoniam haec sine ratione transiliendo produceres argumentum longius petitum, § 741. et primariis tuis spectatoribus forte minus cognitum eligeres terminum comparationis, ac huius subiectum est. § 736, 739. quoniam superiorum generum, totorumque maximorum notitia plerumque scientiis in abstractiores considerantibus solum acquiritur. § 567. Sic in comparatione adscendente, quam § 743. exhibet, Virgilius non provocat ad necessariam rerum omnium diversitatem, M. § 269–272. quae ne tunc quidem erat incognita, sed in tellure subsistit, eiusque diversitate fructuum. / Hence ascending comparison will not rashly press itself into the greatest wholes and highest genera of things when the subject of comparison can equally well not only be illustrated but also proved by some nearer compared whole, species, or less remote genus, §§575, 752. By leaping over these without reason you would produce a far-fetched argument, §741, and choose a term of comparison perhaps less known to your principal spectators than the subject of comparison is, §§736, 739, since knowledge of superior genera and greatest wholes is usually acquired only by sciences considering things more abstractly, §567. Thus, in the ascending comparison which §743 exhibits, Virgil does not appeal to the necessary diversity of all things, Metaphysics §§269–272, which even then was not unknown, but stops in the earth and its diversity of fruits.
§ 754
Hinc comparatio adscendens commemorato toto vel superiori lubentissime suam facit occasionem ex hoc toto vel universali descendendi denuo in quasdam compartes subiecti comparationis et alia congenera, vel conspecies, § 745. quoniam sic totum et genus magis in concreto sistitur, § 752. Abstractis suis quantuliscunque l. c. Virgilius statim subnectit determinatiora, quibuscum, ut ita dicam, possint intra mentem in vividius quoddam concrescere:
Hence, when an ascending comparison has mentioned the whole or the superior, it most willingly takes occasion from this whole or universal to descend again into certain co-parts of the subject of comparison and other co-genera or co-species, §745, because in this way the whole and genus are set forth more concretely, §752. To his abstractions, such as they are in the cited place, Virgil immediately subjoins more determinate things, with which they can, so to speak, grow together within the mind into something more vivid:
Nonne vides, croceos ut Tmolus odores,
India mittat ebur, molles sua thura Sabaei,
At Chalybes nudi ferrum, virosaque Pontus
Castorea, Eliadum palmas Epiros equarum?
"See how from Tmolus comes
The saffron's fragrance, ivory from Ind,
From Saba's weakling sons their frankincense,
Iron from the naked Chalybs, castor rank
From Pontus, from Epirus the prize-palms
O' the mares of Elis."
Hinc comparatio adscendens commemorato toto vel superiori lubentissime suam facit occasionem ex hoc toto vel universali descendendi denuo in quasdam compartes subiecti comparationis et alia congenera, vel conspecies, § 745. quoniam sic totum et genus magis in concreto sistitur, § 752. Abstractis suis quantuliscunque l. c. Virgilius statim subnectit determinatiora, quibuscum, ut ita dicam, possint intra mentem in vividius quoddam concrescere:
Hence, when an ascending comparison has mentioned the whole or the superior, it most willingly takes occasion from this whole or universal to descend again into certain co-parts of the subject of comparison and other co-genera or co-species, §745, because in this way the whole and genus are set forth more concretely, §752. To his abstractions, such as they are in the cited place, Virgil immediately subjoins more determinate things, with which they can, so to speak, grow together within the mind into something more vivid:
Nonne vides, croceos ut Tmolus odores,
India mittat ebur, molles sua thura Sabaei,
At Chalybes nudi ferrum, virosaque Pontus
Castorea, Eliadum palmas Epiros equarum?
"See how from Tmolus comes
The saffron's fragrance, ivory from Ind,
From Saba's weakling sons their frankincense,
Iron from the naked Chalybs, castor rank
From Pontus, from Epirus the prize-palms
O' the mares of Elis."
Hinc comparatio adscendens commemorato toto vel superiori
Hence, when an ascending comparison has mentioned the whole or the superior,
lubentissime suam facit occasionem ex hoc toto vel
it most willingly takes occasion from this whole or
universali descendendi denuo in quasdam compartes
universal to descend again into certain co-parts of the
subiecti comparationis et alia congenera, vel conspecies, § 745.
subject of comparison and other co-genera or co-species, §745,
quoniam sic totum et genus
because in this way the whole and genus are
magis in concreto sistitur, § 752.
set forth more concretely, §752.
Abstractis suis quantuliscunque l.
To his abstractions, such as they are in the
c. Virgilius statim subnectit determinatiora, quibuscum,
cited place, Virgil immediately subjoins more determinate things, with
ut ita dicam,
which they can, so to speak, grow
possint intra mentem in vividius quoddam concrescere:
together within the mind into something more vivid:
Nonne vides, croceos ut Tmolus odores,
India mittat ebur, molles sua thura Sabaei,
At Chalybes nudi ferrum, virosaque Pontus
Castorea, Eliadum palmas Epiros equarum?
"See how from Tmolus comes
The saffron's fragrance, ivory from Ind,
From Saba's weakling sons their frankincense,
Iron from the naked Chalybs, castor rank
From Pontus, from Epirus the prize-palms
O' the mares of Elis."
Hinc comparatio adscendens commemorato toto vel superiori lubentissime suam facit occasionem ex hoc toto vel universali descendendi denuo in quasdam compartes subiecti comparationis et alia congenera, vel conspecies, § 745. quoniam sic totum et genus magis in concreto sistitur, § 752. Abstractis suis quantuliscunque l. c. Virgilius statim subnectit determinatiora, quibuscum, ut ita dicam, possint intra mentem in vividius quoddam concrescere: / Hence, when an ascending comparison has mentioned the whole or the superior, it most willingly takes occasion from this whole or universal to descend again into certain co-parts of the subject of comparison and other co-genera or co-species, §745, because in this way the whole and genus are set forth more concretely, §752. To his abstractions, such as they are in the cited place, Virgil immediately subjoins more determinate things, with which they can, so to speak, grow together within the mind into something more vivid:
Nonne vides, croceos ut Tmolus odores,
India mittat ebur, molles sua thura Sabaei,
At Chalybes nudi ferrum, virosaque Pontus
Castorea, Eliadum palmas Epiros equarum?
"See how from Tmolus comes
The saffron's fragrance, ivory from Ind,
From Saba's weakling sons their frankincense,
Iron from the naked Chalybs, castor rank
From Pontus, from Epirus the prize-palms
O' the mares of Elis."
§ 755
Hinc § 752. comparatio descendens partibus in abstracto tantum distinguendis, e. g. per limites mensoria ratione constitutos, notis et characteribus mente sola per intellectum concipiendis, differentiis genericis, vel etiam specificis, quae semper aliquid relinquunt indeterminati, caetera si fuerint paria, praeferet partes in concreto sensibus ipsis observabiles, quales in agris arcifiniis, notas et characteres sentiendo imaginandoque simul probe assequendos, differentias generis inferioris, prae differentiis superioris, speciei s. specificas prae differentiis genericis, et his omnibus numericas praeferet, si pulcre cogitari volet, ut barbare loquar, haecceitatis apprime studiosa. M. § 517.
Hence, §752, descending comparison, if it wishes to be beautifully thought, will prefer to parts distinguished only in the abstract, for example by boundaries established by measurement, parts observable in concrete by the senses themselves, such as in unfenced fields; to marks and characters conceived by the mind alone through intellect, it will prefer marks and characters to be well attained by sensing and imagining together; to generic differences, or even specific differences, which always leave something indeterminate, it will prefer differences of the lower genus before those of the superior, species or specific differences before generic differences, and before all these numerical differences, as I may speak barbarously, especially zealous for haecceities, Metaphysics §517.
Hinc § 752. comparatio descendens partibus in abstracto tantum distinguendis, e. g. per limites mensoria ratione constitutos, notis et characteribus mente sola per intellectum concipiendis, differentiis genericis, vel etiam specificis, quae semper aliquid relinquunt indeterminati, caetera si fuerint paria, praeferet partes in concreto sensibus ipsis observabiles, quales in agris arcifiniis, notas et characteres sentiendo imaginandoque simul probe assequendos, differentias generis inferioris, prae differentiis superioris, speciei s. specificas prae differentiis genericis, et his omnibus numericas praeferet, si pulcre cogitari volet, ut barbare loquar, haecceitatis apprime studiosa. M. § 517.
Hence, §752, descending comparison, if it wishes to be beautifully thought, will prefer to parts distinguished only in the abstract, for example by boundaries established by measurement, parts observable in concrete by the senses themselves, such as in unfenced fields; to marks and characters conceived by the mind alone through intellect, it will prefer marks and characters to be well attained by sensing and imagining together; to generic differences, or even specific differences, which always leave something indeterminate, it will prefer differences of the lower genus before those of the superior, species or specific differences before generic differences, and before all these numerical differences, as I may speak barbarously, especially zealous for haecceities, Metaphysics §517.
Hinc § 752. comparatio descendens
Hence, §752, descending comparison, if it wishes to be beautifully thought,
partibus in abstracto tantum distinguendis, e.
will prefer to parts distinguished only in the abstract, for
g. per limites mensoria ratione constitutos, notis
example by boundaries established by measurement,
et characteribus mente sola per intellectum concipiendis, differentiis genericis,
parts observable in concrete by the senses themselves, such
vel etiam specificis, quae semper aliquid relinquunt indeterminati,
as in unfenced fields; to marks and characters conceived
caetera si fuerint paria,
by the mind alone through intellect,
praeferet partes in concreto sensibus ipsis observabiles,
it will prefer marks and characters to be well
quales in agris arcifiniis, notas et
attained by sensing and imagining together;
characteres sentiendo imaginandoque simul probe assequendos, differentias
to generic differences, or even specific differences,
generis inferioris,
which always leave something indeterminate, it will
prae differentiis superioris,
prefer differences of the lower genus before those of the superior,
speciei s. specificas prae differentiis genericis,
species or specific differences before generic differences,
et his omnibus numericas praeferet, si pulcre cogitari volet,
and before all these numerical differences, as I may
ut barbare loquar, haecceitatis apprime studiosa. M. § 517.
speak barbarously, especially zealous for haecceities, Metaphysics §517.
Hinc § 752. comparatio descendens partibus in abstracto tantum distinguendis, e. g. per limites mensoria ratione constitutos, notis et characteribus mente sola per intellectum concipiendis, differentiis genericis, vel etiam specificis, quae semper aliquid relinquunt indeterminati, caetera si fuerint paria, praeferet partes in concreto sensibus ipsis observabiles, quales in agris arcifiniis, notas et characteres sentiendo imaginandoque simul probe assequendos, differentias generis inferioris, prae differentiis superioris, speciei s. specificas prae differentiis genericis, et his omnibus numericas praeferet, si pulcre cogitari volet, ut barbare loquar, haecceitatis apprime studiosa. M. § 517. / Hence, §752, descending comparison, if it wishes to be beautifully thought, will prefer to parts distinguished only in the abstract, for example by boundaries established by measurement, parts observable in concrete by the senses themselves, such as in unfenced fields; to marks and characters conceived by the mind alone through intellect, it will prefer marks and characters to be well attained by sensing and imagining together; to generic differences, or even specific differences, which always leave something indeterminate, it will prefer differences of the lower genus before those of the superior, species or specific differences before generic differences, and before all these numerical differences, as I may speak barbarously, especially zealous for haecceities, Metaphysics §517.
§ 756
Exempla, inductiones, divisiones et distributiones, § 749. genus superius illustrantes per inferius, sunt bonae; per species, sunt meliores; per individua, sunt optimae, § 755. Apud Ovidium habes Metam. III. 206:
Examples, inductions, divisions, and distributions, §749, illustrating a superior genus through an inferior, are good; through species, better; through individuals, best, §755. In Ovid, Metamorphoses III.206, you have:
Dum dubitat, videre canes.
"While doubting thus he stayd.
His houndes espyde him where he was,"
Horum sunt genera, sunt species, sed genera negliguntur, species determinatissimae, neque tamen nisi propriis innexae nominibus recensentur:
Of these there are genera and species, but the genera are neglected; the most determinate species are counted, and yet only joined with their proper names:
primusque Melampus
Ichnobatesque sagax latratu signa dedere,
Gnossius Ichnobates, Spartana gente Melampus.
"His houndes espyde him where he was, and Blackfoote first of all
And Stalker speciall good of scent began aloud to call.
This latter was a hounde of Crete, the other was of Spart."
Ad hos postquam 35 nominaverat, non sine differentiis quibusdam numericis, tamen addit:
After he had named thirty-five, not without certain numerical differences, he nevertheless adds:
Quosque referre mora est.
"With divers mo whose names to tell it were but losse of tyme."
225. § 747.
v.225, §747.
Exempla, inductiones, divisiones et distributiones, § 749. genus superius illustrantes per inferius, sunt bonae; per species, sunt meliores; per individua, sunt optimae, § 755. Apud Ovidium habes Metam. III. 206:
Examples, inductions, divisions, and distributions, §749, illustrating a superior genus through an inferior, are good; through species, better; through individuals, best, §755. In Ovid, Metamorphoses III.206, you have:
Dum dubitat, videre canes.
"While doubting thus he stayd.
His houndes espyde him where he was,"
Horum sunt genera, sunt species, sed genera negliguntur, species determinatissimae, neque tamen nisi propriis innexae nominibus recensentur:
Of these there are genera and species, but the genera are neglected; the most determinate species are counted, and yet only joined with their proper names:
primusque Melampus
Ichnobatesque sagax latratu signa dedere,
Gnossius Ichnobates, Spartana gente Melampus.
"His houndes espyde him where he was, and Blackfoote first of all
And Stalker speciall good of scent began aloud to call.
This latter was a hounde of Crete, the other was of Spart."
Ad hos postquam 35 nominaverat, non sine differentiis quibusdam numericis, tamen addit:
After he had named thirty-five, not without certain numerical differences, he nevertheless adds:
Quosque referre mora est.
"With divers mo whose names to tell it were but losse of tyme."
225. § 747.
v.225, §747.
Exempla, inductiones, divisiones et distributiones, § 749.
Examples, inductions, divisions, and distributions, §749,
genus superius illustrantes per inferius, sunt bonae;
illustrating a superior genus through an inferior, are good;
per species, sunt meliores; per individua, sunt optimae, § 755.
through species, better; through individuals, best, §755.
Apud Ovidium habes Metam. III. 206:
In Ovid, Metamorphoses III.206, you have:
Dum dubitat, videre canes.
"While doubting thus he stayd.
His houndes espyde him where he was,"
Horum sunt genera, sunt species, sed genera negliguntur,
Of these there are genera and species, but the genera are neglected;
species determinatissimae, neque
the most determinate species are counted,
tamen nisi propriis innexae nominibus recensentur:
and yet only joined with their proper names:
primusque Melampus
Ichnobatesque sagax latratu signa dedere,
Gnossius Ichnobates, Spartana gente Melampus.
"His houndes espyde him where he was, and Blackfoote first of all
And Stalker speciall good of scent began aloud to call.
This latter was a hounde of Crete, the other was of Spart."
Ad hos postquam 35 nominaverat, non sine differentiis
After he had named thirty-five, not without certain numerical differences,
quibusdam numericis, tamen addit:
he nevertheless adds:
Quosque referre mora est.
"With divers mo whose names to tell it were but losse of tyme."
225. § 747.
v.225, §747.
Exempla, inductiones, divisiones et distributiones, § 749. genus superius illustrantes per inferius, sunt bonae; per species, sunt meliores; per individua, sunt optimae, § 755. Apud Ovidium habes Metam. III. 206: / Examples, inductions, divisions, and distributions, §749, illustrating a superior genus through an inferior, are good; through species, better; through individuals, best, §755. In Ovid, Metamorphoses III.206, you have:
Dum dubitat, videre canes.
"While doubting thus he stayd.
His houndes espyde him where he was,"
Horum sunt genera, sunt species, sed genera negliguntur, species determinatissimae, neque tamen nisi propriis innexae nominibus recensentur: / Of these there are genera and species, but the genera are neglected; the most determinate species are counted, and yet only joined with their proper names:
primusque Melampus
Ichnobatesque sagax latratu signa dedere,
Gnossius Ichnobates, Spartana gente Melampus.
"His houndes espyde him where he was, and Blackfoote first of all
And Stalker speciall good of scent began aloud to call.
This latter was a hounde of Crete, the other was of Spart."
Ad hos postquam 35 nominaverat, non sine differentiis quibusdam numericis, tamen addit: / After he had named thirty-five, not without certain numerical differences, he nevertheless adds:
Quosque referre mora est.
"With divers mo whose names to tell it were but losse of tyme."
225. § 747. / v.225, §747.
§ 757
Utinam tot antiquorum exemplis, quae sane non inadvertentibus excidisse difficultas idem ausum satis docebit, excitari possint pulcra ingenia, ut in hac potissimum arte quaerant excellere, si rationibus minus moveantur § 752. Nobis ad alias exemplorum distributionumque regulas festinandum est. Exempla, divisiones, inductiones et distributiones si recte notiora postulantur, ac illustrandum per easdem superius, § 739. relative ad obiectum pulcre cogitaturo personalium primarium legem intellectam tantum admittimus, § 740. Ovidius bene suo voto, Trist. I. 1. 2, 3:
Would that beautiful talents could be aroused by so many examples of the ancients, which the difficulty of the same attempt proves certainly did not slip out inadvertently, so that they might seek to excel especially in this art, if they are less moved by reasons, §752. We must hasten to other rules of examples and distributions. If examples, divisions, inductions, and distributions are rightly required to be better known than the superior to be illustrated by them, §739, we admit this rule understood only relatively to the primary personal object of the beautiful thinker, §740. Ovid well, in his wish, Tristia I.1.2–3,
Neve, precor, magni subscribite Caesaris irae
"and second not, I implore, the wrath of mighty Caesar!"
primo comparationem adscendentem, quae simul color sit, § 745, 545. adiungit:
first adds an ascending comparison which is also color, §§745, 545:
Saepe premente deo fert deus alter opem.
"Oft when a god presses hard another god brings succour."
Nunc dictum suum illustrat exemplorum inductione, quae voti fiunt similia:
Now he illustrates his saying by an induction of examples which become similar to the wish:
Mulciber in Troiam, pro Troia stabat Apollo,
Aequaque Venus Teucris, Pallas iniqua fuit.
Oderat Aenean propior Saturnia Turno,
Ille tamen Veneris numine tutus erat.
Saepe ferox cautum petiit Neptunus Ulyssem,
Eripuit patruo saepe Minerva suo.
Et nobis aliquod, quamvis distamus ab illis,
Quid vetat irato numen adesse deo?
"Mulciber was opposed to Troy, but in Troy's defence stood Apollo; Venus favoured the Teucrians, Pallas favoured them not. There was hate for Aeneas on the part of Saturnia who stood closely by Turnus; yet that hero was safe through Venus' power. Ofttimes unruly Neptune assailed the wily Ulysses; ofttimes Minerva saved him from her own uncle. And different though I am from them, who forbids a divine power from being of some avail to me against the angry god?"
Suis enim primariis spectatoribus quid rebus Troianis notius erat, et deorum per easdem ministeriis? § 740.
For what was better known to his primary spectators than Trojan affairs and the offices of the gods through them? §740.
Utinam tot antiquorum exemplis, quae sane non inadvertentibus excidisse difficultas idem ausum satis docebit, excitari possint pulcra ingenia, ut in hac potissimum arte quaerant excellere, si rationibus minus moveantur § 752. Nobis ad alias exemplorum distributionumque regulas festinandum est.
Would that beautiful talents could be aroused by so many examples of the ancients, which the difficulty of the same attempt proves certainly did not slip out inadvertently, so that they might seek to excel especially in this art, if they are less moved by reasons, §752. We must hasten to other rules of examples and distributions.
Exempla, divisiones, inductiones et distributiones si recte notiora postulantur, ac illustrandum per easdem superius, § 739. relative ad obiectum pulcre cogitaturo personalium primarium legem intellectam tantum admittimus, § 740. Ovidius bene suo voto, Trist. I. 1. 2, 3:
If examples, divisions, inductions, and distributions are rightly required to be better known than the superior to be illustrated by them, §739, we admit this rule understood only relatively to the primary personal object of the beautiful thinker, §740. Ovid well, in his wish, Tristia I.1.2–3,
Neve, precor, magni subscribite Caesaris irae
"and second not, I implore, the wrath of mighty Caesar!"
primo comparationem adscendentem, quae simul color sit, § 745, 545. adiungit:
first adds an ascending comparison which is also color, §§745, 545:
Saepe premente deo fert deus alter opem.
"Oft when a god presses hard another god brings succour."
Nunc dictum suum illustrat exemplorum inductione, quae voti fiunt similia:
Now he illustrates his saying by an induction of examples which become similar to the wish:
Mulciber in Troiam, pro Troia stabat Apollo,
Aequaque Venus Teucris, Pallas iniqua fuit.
Oderat Aenean propior Saturnia Turno,
Ille tamen Veneris numine tutus erat.
Saepe ferox cautum petiit Neptunus Ulyssem,
Eripuit patruo saepe Minerva suo.
Et nobis aliquod, quamvis distamus ab illis,
Quid vetat irato numen adesse deo?
"Mulciber was opposed to Troy, but in Troy's defence stood Apollo; Venus favoured the Teucrians, Pallas favoured them not. There was hate for Aeneas on the part of Saturnia who stood closely by Turnus; yet that hero was safe through Venus' power. Ofttimes unruly Neptune assailed the wily Ulysses; ofttimes Minerva saved him from her own uncle. And different though I am from them, who forbids a divine power from being of some avail to me against the angry god?"
Suis enim primariis spectatoribus quid rebus Troianis notius erat, et deorum per easdem ministeriis? § 740.
For what was better known to his primary spectators than Trojan affairs and the offices of the gods through them? §740.
Utinam tot antiquorum exemplis,
Would that beautiful talents could be aroused by so many examples
quae sane non inadvertentibus excidisse difficultas idem ausum satis docebit,
of the ancients, which the difficulty of the same attempt proves certainly
excitari possint pulcra ingenia, ut in hac
did not slip out inadvertently, so that they might
potissimum arte quaerant excellere,
seek to excel especially in this art,
si rationibus minus moveantur § 752.
if they are less moved by reasons, §752.
Nobis ad alias exemplorum distributionumque regulas festinandum est.
We must hasten to other rules of examples and distributions.
Exempla, divisiones, inductiones et distributiones si recte notiora postulantur,
If examples, divisions, inductions, and distributions are rightly required to be
ac illustrandum per easdem superius, § 739.
better known than the superior to be illustrated by them, §739,
relative ad obiectum
we admit this rule understood only relatively to
pulcre cogitaturo personalium primarium legem intellectam tantum admittimus, § 740.
the primary personal object of the beautiful thinker, §740.
Ovidius bene suo voto, Trist. I. 1. 2, 3:
Ovid well, in his wish, Tristia I.1.2–3,
Neve, precor, magni subscribite Caesaris irae
"and second not, I implore, the wrath of mighty Caesar!"
primo comparationem adscendentem, quae simul color sit, § 745, 545. adiungit:
first adds an ascending comparison which is also color, §§745, 545:
Saepe premente deo fert deus alter opem.
"Oft when a god presses hard another god brings succour."
Nunc dictum suum illustrat exemplorum inductione,
Now he illustrates his saying by an induction
quae voti fiunt similia:
of examples which become similar to the wish:
Mulciber in Troiam, pro Troia stabat Apollo,
Aequaque Venus Teucris, Pallas iniqua fuit.
Oderat Aenean propior Saturnia Turno,
Ille tamen Veneris numine tutus erat.
Saepe ferox cautum petiit Neptunus Ulyssem,
Eripuit patruo saepe Minerva suo.
Et nobis aliquod, quamvis distamus ab illis,
Quid vetat irato numen adesse deo?
"Mulciber was opposed to Troy, but in Troy's defence stood Apollo; Venus favoured the Teucrians, Pallas favoured them not. There was hate for Aeneas on the part of Saturnia who stood closely by Turnus; yet that hero was safe through Venus' power. Ofttimes unruly Neptune assailed the wily Ulysses; ofttimes Minerva saved him from her own uncle. And different though I am from them, who forbids a divine power from being of some avail to me against the angry god?"
Suis enim primariis spectatoribus
For what was better known to his primary spectators
quid rebus Troianis notius erat, et deorum
than Trojan affairs and the offices of
per easdem ministeriis? § 740.
the gods through them? §740.
Utinam tot antiquorum exemplis, quae sane non inadvertentibus excidisse difficultas idem ausum satis docebit, excitari possint pulcra ingenia, ut in hac potissimum arte quaerant excellere, si rationibus minus moveantur § 752. Nobis ad alias exemplorum distributionumque regulas festinandum est. / Would that beautiful talents could be aroused by so many examples of the ancients, which the difficulty of the same attempt proves certainly did not slip out inadvertently, so that they might seek to excel especially in this art, if they are less moved by reasons, §752. We must hasten to other rules of examples and distributions.
Exempla, divisiones, inductiones et distributiones si recte notiora postulantur, ac illustrandum per easdem superius, § 739. relative ad obiectum pulcre cogitaturo personalium primarium legem intellectam tantum admittimus, § 740. Ovidius bene suo voto, Trist. I. 1. 2, 3: / If examples, divisions, inductions, and distributions are rightly required to be better known than the superior to be illustrated by them, §739, we admit this rule understood only relatively to the primary personal object of the beautiful thinker, §740. Ovid well, in his wish, Tristia I.1.2–3,
Neve, precor, magni subscribite Caesaris irae
"and second not, I implore, the wrath of mighty Caesar!"
primo comparationem adscendentem, quae simul color sit, § 745, 545. adiungit: / first adds an ascending comparison which is also color, §§745, 545:
Saepe premente deo fert deus alter opem.
"Oft when a god presses hard another god brings succour."
Nunc dictum suum illustrat exemplorum inductione, quae voti fiunt similia: / Now he illustrates his saying by an induction of examples which become similar to the wish:
Mulciber in Troiam, pro Troia stabat Apollo,
Aequaque Venus Teucris, Pallas iniqua fuit.
Oderat Aenean propior Saturnia Turno,
Ille tamen Veneris numine tutus erat.
Saepe ferox cautum petiit Neptunus Ulyssem,
Eripuit patruo saepe Minerva suo.
Et nobis aliquod, quamvis distamus ab illis,
Quid vetat irato numen adesse deo?
"Mulciber was opposed to Troy, but in Troy's defence stood Apollo; Venus favoured the Teucrians, Pallas favoured them not. There was hate for Aeneas on the part of Saturnia who stood closely by Turnus; yet that hero was safe through Venus' power. Ofttimes unruly Neptune assailed the wily Ulysses; ofttimes Minerva saved him from her own uncle. And different though I am from them, who forbids a divine power from being of some avail to me against the angry god?"
Suis enim primariis spectatoribus quid rebus Troianis notius erat, et deorum per easdem ministeriis? § 740. / For what was better known to his primary spectators than Trojan affairs and the offices of the gods through them? §740.
§ 758
Quoniam nova antiquis, loco propiora remotioribus notiora exemplis supponi generatim possunt, M. § 512. caetera si sint paria, praeferantur antiquis recentia, peregrinis patria, et spectatori, quem inprimis optas, domestica. § 757. Dialogus de oratoribus, quem alii Tacito, Quintiliano quidam tribuunt, 8.
Since new examples can generally be supposed better known than ancient ones, nearer places than remote ones, Metaphysics §512, other things being equal, recent examples should be preferred to ancient, native to foreign, and domestic to the spectator whom you especially desire, §757. The Dialogue on Orators, which some attribute to Tacitus, some to Quintilian, says in chapter 8:
Lubentius, ait, novis et recentibus, quam remotis ac oblitteratis exemplis utor.
I cite living examples, in preference to the names of a former day..
Quae ita sunt antiqua, simul ut obsoleta, oblitterata, vel usu longo trita et antiquata videri possint, pulcre postponuntur ita novis, ut simul habeant, quo iustum novitatis studium excitare queant, ac alere. § 741. Virgilius laudes vitae rusticae illustraturus exemplis non graeca petit, nec Asiam, nec Aegyptum, sed romanis potissimum scribens patrias antiquitates consulit, Georg. II. 532:
Things that are so ancient that at the same time they can seem obsolete, forgotten, or worn and antiquated by long use are beautifully postponed to new ones, provided the new examples also have what can excite and nourish a just zeal for novelty, §741. Virgil, about to illustrate the praises of rural life by examples, does not seek Greek examples, nor Asia, nor Egypt, but, writing chiefly for Romans, consults native antiquities, Georgics II.532:
Hanc olim veteres vitam coluere Sabini,
Hanc Remus et frater. Sic fortis Hetruria crevit,
Scilicet, et rerum facta est pulcerrima Roma,
Septemque una sibi muro circumdedit arces.
Aureus hanc vitam in terris Saturnus agebat.
"Such life of yore the ancient Sabines led,
Such Remus and his brother: Etruria thus,
Doubt not, to greatness grew, and Rome became
The fair world's fairest, and with circling wall
Clasped to her single breast the sevenfold hills.
...
Such life on earth did golden Saturn lead."
Quoniam nova antiquis, loco propiora remotioribus notiora exemplis supponi generatim possunt, M. § 512. caetera si sint paria, praeferantur antiquis recentia, peregrinis patria, et spectatori, quem inprimis optas, domestica. § 757. Dialogus de oratoribus, quem alii Tacito, Quintiliano quidam tribuunt, 8.
Since new examples can generally be supposed better known than ancient ones, nearer places than remote ones, Metaphysics §512, other things being equal, recent examples should be preferred to ancient, native to foreign, and domestic to the spectator whom you especially desire, §757. The Dialogue on Orators, which some attribute to Tacitus, some to Quintilian, says in chapter 8:
Lubentius, ait, novis et recentibus, quam remotis ac oblitteratis exemplis utor.
I cite living examples, in preference to the names of a former day..
Quae ita sunt antiqua, simul ut obsoleta, oblitterata, vel usu longo trita et antiquata videri possint, pulcre postponuntur ita novis, ut simul habeant, quo iustum novitatis studium excitare queant, ac alere. § 741. Virgilius laudes vitae rusticae illustraturus exemplis non graeca petit, nec Asiam, nec Aegyptum, sed romanis potissimum scribens patrias antiquitates consulit, Georg. II. 532:
Things that are so ancient that at the same time they can seem obsolete, forgotten, or worn and antiquated by long use are beautifully postponed to new ones, provided the new examples also have what can excite and nourish a just zeal for novelty, §741. Virgil, about to illustrate the praises of rural life by examples, does not seek Greek examples, nor Asia, nor Egypt, but, writing chiefly for Romans, consults native antiquities, Georgics II.532:
Hanc olim veteres vitam coluere Sabini,
Hanc Remus et frater. Sic fortis Hetruria crevit,
Scilicet, et rerum facta est pulcerrima Roma,
Septemque una sibi muro circumdedit arces.
Aureus hanc vitam in terris Saturnus agebat.
"Such life of yore the ancient Sabines led,
Such Remus and his brother: Etruria thus,
Doubt not, to greatness grew, and Rome became
The fair world's fairest, and with circling wall
Clasped to her single breast the sevenfold hills.
...
Such life on earth did golden Saturn lead."
Quoniam nova antiquis, loco propiora remotioribus notiora exemplis supponi
Since new examples can generally be supposed
generatim possunt, M.
better known than ancient ones, nearer places than remote ones, Metaphysics
§ 512. caetera si sint paria, praeferantur antiquis recentia,
§512, other things being equal, recent examples should be preferred to ancient,
peregrinis patria, et spectatori, quem inprimis optas, domestica.
native to foreign, and domestic to the spectator whom you especially desire,
§ 757. Dialogus de oratoribus, quem alii Tacito,
§757. The Dialogue on Orators, which some attribute to Tacitus,
Quintiliano quidam tribuunt, 8.
some to Quintilian, says in chapter 8:
Lubentius, ait, novis et recentibus, quam remotis ac oblitteratis exemplis utor.
I cite living examples, in preference to the names of a former day..
Quae ita sunt antiqua, simul ut
Things that are so ancient that at the same
obsoleta, oblitterata, vel usu
time they can seem obsolete, forgotten,
longo trita et antiquata videri possint,
or worn and antiquated by long use
pulcre postponuntur ita novis, ut
are beautifully postponed to new ones,
simul habeant, quo iustum novitatis studium excitare queant,
provided the new examples also have what can excite
ac alere. § 741.
and nourish a just zeal for novelty, §741.
Virgilius laudes vitae rusticae illustraturus exemplis
Virgil, about to illustrate the praises of rural life by examples,
non graeca petit, nec Asiam, nec Aegyptum,
does not seek Greek examples, nor Asia, nor Egypt,
sed romanis potissimum scribens patrias antiquitates consulit, Georg. II. 532:
but, writing chiefly for Romans, consults native antiquities, Georgics II.532:
Hanc olim veteres vitam coluere Sabini,
Hanc Remus et frater. Sic fortis Hetruria crevit,
Scilicet, et rerum facta est pulcerrima Roma,
Septemque una sibi muro circumdedit arces.
Aureus hanc vitam in terris Saturnus agebat.
"Such life of yore the ancient Sabines led,
Such Remus and his brother: Etruria thus,
Doubt not, to greatness grew, and Rome became
The fair world's fairest, and with circling wall
Clasped to her single breast the sevenfold hills.
...
Such life on earth did golden Saturn lead."
Quoniam nova antiquis, loco propiora remotioribus notiora exemplis supponi generatim possunt, M. § 512. caetera si sint paria, praeferantur antiquis recentia, peregrinis patria, et spectatori, quem inprimis optas, domestica. § 757. Dialogus de oratoribus, quem alii Tacito, Quintiliano quidam tribuunt, 8. / Since new examples can generally be supposed better known than ancient ones, nearer places than remote ones, Metaphysics §512, other things being equal, recent examples should be preferred to ancient, native to foreign, and domestic to the spectator whom you especially desire, §757. The Dialogue on Orators, which some attribute to Tacitus, some to Quintilian, says in chapter 8:
Lubentius, ait, novis et recentibus, quam remotis ac oblitteratis exemplis utor.
I cite living examples, in preference to the names of a former day..
Quae ita sunt antiqua, simul ut obsoleta, oblitterata, vel usu longo trita et antiquata videri possint, pulcre postponuntur ita novis, ut simul habeant, quo iustum novitatis studium excitare queant, ac alere. § 741. Virgilius laudes vitae rusticae illustraturus exemplis non graeca petit, nec Asiam, nec Aegyptum, sed romanis potissimum scribens patrias antiquitates consulit, Georg. II. 532: / Things that are so ancient that at the same time they can seem obsolete, forgotten, or worn and antiquated by long use are beautifully postponed to new ones, provided the new examples also have what can excite and nourish a just zeal for novelty, §741. Virgil, about to illustrate the praises of rural life by examples, does not seek Greek examples, nor Asia, nor Egypt, but, writing chiefly for Romans, consults native antiquities, Georgics II.532:
Hanc olim veteres vitam coluere Sabini,
Hanc Remus et frater. Sic fortis Hetruria crevit,
Scilicet, et rerum facta est pulcerrima Roma,
Septemque una sibi muro circumdedit arces.
Aureus hanc vitam in terris Saturnus agebat.
"Such life of yore the ancient Sabines led,
Such Remus and his brother: Etruria thus,
Doubt not, to greatness grew, and Rome became
The fair world's fairest, and with circling wall
Clasped to her single breast the sevenfold hills.
...
Such life on earth did golden Saturn lead."
§ 759
In hac lege probe notandum est, adiectum illi: caetera si sint paria. § 758. In recentibus enim exemplis multae possunt esse rationes non raro, cur postponenda sint auctori prudenti vetustioribus. e. g. 1) si recentia vel vere non habeant eximium illud, quod per eadem illustrandum est, in tanta luce, in quanta vetustas habuerat, vel saltim ob invidiam nondum intermortuam et solitas acti temporis laudationes aequare prisca statueretur contra verisimilitudinem, saltim eam, de qua § 486. Hinc est apud Virgilium loco citato satis altum silentium de agricultura italica sui temporis, simul autem consilium, ut in tali casu domestica tamen, licet olim facta, praeferantur, si potest fieri, vetustis et peregrinis simul. Tempore praesentia beatae vitae rusticae exempla prolaturus, in ecstasi philosophicopoetica, v. 475–485. quoniam aulae proxima non potest optare, tamen optat minus remota:
In this law one must carefully note the added condition: other things being equal, §758. For in recent examples there can often be many reasons why a prudent author should postpone them to older ones: for example, 1) if recent examples either truly do not have that excellence which is to be illustrated through them in so great a light as antiquity had, or if, because envy has not yet died away and because of the usual praises of time past, to set them equal to ancient examples would be contrary to verisimilitude, at least that mentioned in §486. Hence in Virgil's cited place there is a sufficiently deep silence about the Italian agriculture of his own time, and at the same time the counsel that in such a case domestic examples, even if done long ago, be preferred, if possible, to examples both ancient and foreign. When he would bring forward present-time examples of blessed rural life, in a philosophical-poetic ecstasy, vv.475–485, since he cannot wish for those closest to court, he nevertheless wishes for less remote ones:
Rura mihi et rigui placeant in vallibus amnes,
Flumina amem silvasque inglorius. O! ubi campi,
Sperchiusque et virginibus bacchata Lacaenis
Taygeta! O! qui me gelidis in montibus Haemi
Sistat, et ingenti ramorum protegat umbra.
"then be fields
And stream-washed vales my solace, let me love
Rivers and woods, inglorious. Oh for you
Plains, and Spercheius, and Taygete,
By Spartan maids o'er-revelled! Oh, for one,
Would set me in deep dells of Haemus cool,
And shield me with his boughs' o'ershadowing might!"
In hac lege probe notandum est, adiectum illi: caetera si sint paria. § 758. In recentibus enim exemplis multae possunt esse rationes non raro, cur postponenda sint auctori prudenti vetustioribus. e. g. 1) si recentia vel vere non habeant eximium illud, quod per eadem illustrandum est, in tanta luce, in quanta vetustas habuerat, vel saltim ob invidiam nondum intermortuam et solitas acti temporis laudationes aequare prisca statueretur contra verisimilitudinem, saltim eam, de qua § 486. Hinc est apud Virgilium loco citato satis altum silentium de agricultura italica sui temporis, simul autem consilium, ut in tali casu domestica tamen, licet olim facta, praeferantur, si potest fieri, vetustis et peregrinis simul.
In this law one must carefully note the added condition: other things being equal, §758. For in recent examples there can often be many reasons why a prudent author should postpone them to older ones: for example, 1) if recent examples either truly do not have that excellence which is to be illustrated through them in so great a light as antiquity had, or if, because envy has not yet died away and because of the usual praises of time past, to set them equal to ancient examples would be contrary to verisimilitude, at least that mentioned in §486. Hence in Virgil's cited place there is a sufficiently deep silence about the Italian agriculture of his own time, and at the same time the counsel that in such a case domestic examples, even if done long ago, be preferred, if possible, to examples both ancient and foreign.
Tempore praesentia beatae vitae rusticae exempla prolaturus, in ecstasi philosophicopoetica, v. 475–485. quoniam aulae proxima non potest optare, tamen optat minus remota:
When he would bring forward present-time examples of blessed rural life, in a philosophical-poetic ecstasy, vv.475–485, since he cannot wish for those closest to court, he nevertheless wishes for less remote ones:
Rura mihi et rigui placeant in vallibus amnes,
Flumina amem silvasque inglorius. O! ubi campi,
Sperchiusque et virginibus bacchata Lacaenis
Taygeta! O! qui me gelidis in montibus Haemi
Sistat, et ingenti ramorum protegat umbra.
"then be fields
And stream-washed vales my solace, let me love
Rivers and woods, inglorious. Oh for you
Plains, and Spercheius, and Taygete,
By Spartan maids o'er-revelled! Oh, for one,
Would set me in deep dells of Haemus cool,
And shield me with his boughs' o'ershadowing might!"
In hac lege probe notandum est, adiectum illi:
In this law one must carefully note the added condition:
caetera si sint paria. § 758. In recentibus enim
other things being equal, §758. For in recent
exemplis multae possunt esse rationes non raro,
examples there can often be many reasons why a prudent author
cur postponenda sint auctori prudenti vetustioribus. e. g.
should postpone them to older ones: for example,
1) si recentia vel vere non
1) if recent examples either truly do not have
habeant eximium illud, quod per eadem illustrandum est,
that excellence which is to be illustrated through them
in tanta luce, in
in so great a light as antiquity had,
quanta vetustas habuerat, vel saltim ob invidiam nondum intermortuam
or if, because envy has not yet died away
et solitas
and because of the usual praises of time past,
acti temporis laudationes aequare prisca statueretur contra verisimilitudinem,
to set them equal to ancient examples would be contrary to verisimilitude,
saltim eam, de qua § 486.
at least that mentioned in §486.
Hinc est apud Virgilium loco citato
Hence in Virgil's cited place there is a
satis altum silentium de agricultura italica sui
sufficiently deep silence about the Italian agriculture of his own time,
temporis, simul autem consilium,
and at the same time the counsel
ut in tali casu domestica tamen,
that in such a case domestic examples,
licet olim facta, praeferantur, si potest
even if done long ago, be preferred, if possible,
fieri, vetustis et peregrinis simul.
to examples both ancient and foreign.
Tempore praesentia beatae vitae rusticae exempla prolaturus,
When he would bring forward present-time examples of blessed rural
in ecstasi philosophicopoetica, v. 475–485.
life, in a philosophical-poetic ecstasy, vv.475–485,
quoniam aulae proxima non potest
since he cannot wish for those closest to court,
optare, tamen optat minus remota:
he nevertheless wishes for less remote ones:
Rura mihi et rigui placeant in vallibus amnes,
Flumina amem silvasque inglorius. O! ubi campi,
Sperchiusque et virginibus bacchata Lacaenis
Taygeta! O! qui me gelidis in montibus Haemi
Sistat, et ingenti ramorum protegat umbra.
"then be fields
And stream-washed vales my solace, let me love
Rivers and woods, inglorious. Oh for you
Plains, and Spercheius, and Taygete,
By Spartan maids o'er-revelled! Oh, for one,
Would set me in deep dells of Haemus cool,
And shield me with his boughs' o'ershadowing might!"
In hac lege probe notandum est, adiectum illi: caetera si sint paria. § 758. In recentibus enim exemplis multae possunt esse rationes non raro, cur postponenda sint auctori prudenti vetustioribus. e. g. 1) si recentia vel vere non habeant eximium illud, quod per eadem illustrandum est, in tanta luce, in quanta vetustas habuerat, vel saltim ob invidiam nondum intermortuam et solitas acti temporis laudationes aequare prisca statueretur contra verisimilitudinem, saltim eam, de qua § 486. Hinc est apud Virgilium loco citato satis altum silentium de agricultura italica sui temporis, simul autem consilium, ut in tali casu domestica tamen, licet olim facta, praeferantur, si potest fieri, vetustis et peregrinis simul. / In this law one must carefully note the added condition: other things being equal, §758. For in recent examples there can often be many reasons why a prudent author should postpone them to older ones: for example, 1) if recent examples either truly do not have that excellence which is to be illustrated through them in so great a light as antiquity had, or if, because envy has not yet died away and because of the usual praises of time past, to set them equal to ancient examples would be contrary to verisimilitude, at least that mentioned in §486. Hence in Virgil's cited place there is a sufficiently deep silence about the Italian agriculture of his own time, and at the same time the counsel that in such a case domestic examples, even if done long ago, be preferred, if possible, to examples both ancient and foreign.
Tempore praesentia beatae vitae rusticae exempla prolaturus, in ecstasi philosophicopoetica, v. 475–485. quoniam aulae proxima non potest optare, tamen optat minus remota: / When he would bring forward present-time examples of blessed rural life, in a philosophical-poetic ecstasy, vv.475–485, since he cannot wish for those closest to court, he nevertheless wishes for less remote ones:
Rura mihi et rigui placeant in vallibus amnes,
Flumina amem silvasque inglorius. O! ubi campi,
Sperchiusque et virginibus bacchata Lacaenis
Taygeta! O! qui me gelidis in montibus Haemi
Sistat, et ingenti ramorum protegat umbra.
"then be fields
And stream-washed vales my solace, let me love
Rivers and woods, inglorious. Oh for you
Plains, and Spercheius, and Taygete,
By Spartan maids o'er-revelled! Oh, for one,
Would set me in deep dells of Haemus cool,
And shield me with his boughs' o'ershadowing might!"
§ 760
Exempla recentia sunt aliquando 2) periculosa, quorum veritas odium parit, et calumnia potius et conspurcatio nominum illustrissimorum falsissima diceretur, quam illustratio.
Recent examples are sometimes 2) dangerous, because their truth produces hatred, and they would be called calumny and a most false smearing of most illustrious names rather than illustration:
Cervius iratus leges minitatur et urnam,
Canidia Albuci, quibus est inimica, venenum,
Grande malum Turius, si quid se iudice certes.
"Cervius, when he is offended, threatens one with the laws and the [judiciary] urn; Canidia, Albutius' poison to those with whom she is at enmity; Turius [threatens] great damages, if you contest any thing while he is judge."
Hor. Sat. I. 1. 49. Nec hic semper licet ad artificium Virgilii recurrere, § 759. et in mortuos quidem, sed cives tamen et loco propiores scribere vel acriter, at venustius, irasci:
Horace, Satires I.1.49. Nor is it always permissible here to return to Virgil's artifice, §759, and to write, indeed against the dead, yet still citizens and nearer in place, sharply but more gracefully, in anger:
maiorum ne quis amicus
Frigore te feriat.
"O my child, I fear you can not be long-lived; and that some creature of the great ones will strike you with the cold of death."
Hanc ob caussam in legendis exemplis suis aliquando satyricos ultra Sauromatas fugere libet, in mundum poeticum, § 513. in quo tamen fictiones prorsus ignotas denuo, § 518. analogicis postponunt. § 516.
For this reason, in choosing their examples, satirists sometimes wish to flee beyond the Sauromatae into the poetic world, §513, in which nevertheless they again postpone wholly unknown fictions, §518, to analogical ones, §516.
Exempla recentia sunt aliquando 2) periculosa, quorum veritas odium parit, et calumnia potius et conspurcatio nominum illustrissimorum falsissima diceretur, quam illustratio.
Recent examples are sometimes 2) dangerous, because their truth produces hatred, and they would be called calumny and a most false smearing of most illustrious names rather than illustration:
Cervius iratus leges minitatur et urnam,
Canidia Albuci, quibus est inimica, venenum,
Grande malum Turius, si quid se iudice certes.
"Cervius, when he is offended, threatens one with the laws and the [judiciary] urn; Canidia, Albutius' poison to those with whom she is at enmity; Turius [threatens] great damages, if you contest any thing while he is judge."
Hor. Sat.
Horace, Satires I.1.49.
I. 1. 49. Nec hic semper licet ad artificium Virgilii recurrere, § 759. et in mortuos quidem, sed cives tamen et loco propiores scribere vel acriter, at venustius, irasci:
Nor is it always permissible here to return to Virgil's artifice, §759, and to write, indeed against the dead, yet still citizens and nearer in place, sharply but more gracefully, in anger:
maiorum ne quis amicus
Frigore te feriat.
"O my child, I fear you can not be long-lived; and that some creature of the great ones will strike you with the cold of death."
Hanc ob caussam in legendis exemplis suis aliquando satyricos ultra Sauromatas fugere libet, in mundum poeticum, § 513. in quo tamen fictiones prorsus ignotas denuo, § 518. analogicis postponunt. § 516.
For this reason, in choosing their examples, satirists sometimes wish to flee beyond the Sauromatae into the poetic world, §513, in which nevertheless they again postpone wholly unknown fictions, §518, to analogical ones, §516.
Exempla recentia sunt aliquando 2) periculosa,
Recent examples are sometimes 2) dangerous, because
quorum veritas odium parit, et
their truth produces hatred, and they would be called
calumnia potius et conspurcatio nominum illustrissimorum falsissima diceretur,
calumny and a most false smearing of most illustrious names rather
quam illustratio.
than illustration:
Cervius iratus leges minitatur et urnam,
Canidia Albuci, quibus est inimica, venenum,
Grande malum Turius, si quid se iudice certes.
"Cervius, when he is offended, threatens one with the laws and the [judiciary] urn; Canidia, Albutius' poison to those with whom she is at enmity; Turius [threatens] great damages, if you contest any thing while he is judge."
Hor. Sat.
Horace, Satires I.1.49.
I. 1. 49. Nec hic semper licet ad artificium Virgilii recurrere,
Nor is it always permissible here to return to Virgil's artifice,
§ 759. et in mortuos quidem, sed
§759, and to write, indeed against the dead,
cives tamen et loco
yet still citizens and nearer in place,
propiores scribere vel acriter, at venustius, irasci:
sharply but more gracefully, in anger:
maiorum ne quis amicus
Frigore te feriat.
"O my child, I fear you can not be long-lived; and that some creature of the great ones will strike you with the cold of death."
Hanc ob caussam in legendis exemplis
For this reason, in choosing their examples,
suis aliquando satyricos ultra Sauromatas fugere libet,
satirists sometimes wish to flee beyond the Sauromatae
in mundum poeticum, § 513. in quo tamen fictiones prorsus ignotas denuo,
into the poetic world, §513, in which nevertheless they again
§ 518. analogicis postponunt. § 516.
postpone wholly unknown fictions, §518, to analogical ones, §516.
Exempla recentia sunt aliquando 2) periculosa, quorum veritas odium parit, et calumnia potius et conspurcatio nominum illustrissimorum falsissima diceretur, quam illustratio. / Recent examples are sometimes 2) dangerous, because their truth produces hatred, and they would be called calumny and a most false smearing of most illustrious names rather than illustration:
Cervius iratus leges minitatur et urnam,
Canidia Albuci, quibus est inimica, venenum,
Grande malum Turius, si quid se iudice certes.
"Cervius, when he is offended, threatens one with the laws and the [judiciary] urn; Canidia, Albutius' poison to those with whom she is at enmity; Turius [threatens] great damages, if you contest any thing while he is judge."
Hor. Sat. / Horace, Satires I.1.49.
I. 1. 49. Nec hic semper licet ad artificium Virgilii recurrere, § 759. et in mortuos quidem, sed cives tamen et loco propiores scribere vel acriter, at venustius, irasci: / Nor is it always permissible here to return to Virgil's artifice, §759, and to write, indeed against the dead, yet still citizens and nearer in place, sharply but more gracefully, in anger:
maiorum ne quis amicus
Frigore te feriat.
"O my child, I fear you can not be long-lived; and that some creature of the great ones will strike you with the cold of death."
Hanc ob caussam in legendis exemplis suis aliquando satyricos ultra Sauromatas fugere libet, in mundum poeticum, § 513. in quo tamen fictiones prorsus ignotas denuo, § 518. analogicis postponunt. § 516. / For this reason, in choosing their examples, satirists sometimes wish to flee beyond the Sauromatae into the poetic world, §513, in which nevertheless they again postpone wholly unknown fictions, §518, to analogical ones, §516.
§ 761
Exempla recentia et domestica sunt 3) satis nonnunquam incognita, etiam relative, § 757. quoties scilicet, vel eius sunt indolis, quam non nisi longa dies plurium ob oculos ponere soleat, e. g. praesentia principum consilia; vel ipsi spectatorum nostrorum primarii domestica negligere solent exterorum avidissimi, vel recentia et ante pedes posita fastidire, toti in eruendis quibusvis antiquissimis. Quanquam enim hic mos non est optimi saporis, tamen obiectum suum personale debet attendere pulcre cogitaturus, uti est, non uti debeat esse, hinc anticipationibus destitutum et cognoscendi studio, si domestica protuleris et
Recent and domestic examples are 3) sometimes not sufficiently known, even relatively, §757, whenever they are of a kind that only long time usually places before the eyes of many, for example the present counsels of princes; or when our own primary spectators usually neglect domestic things, greedy for foreign ones, or disdain recent and nearby things, wholly occupied with digging up the most ancient things. Although this custom is not of the best taste, nevertheless one who will think beautifully must attend to his personal object as it is, not as it ought to be. Hence, lacking anticipations and zeal for knowing, they may fail you if you bring forward domestic things
Antiquis non exaudita Cethegis.
"you must frame words never heard of by the old-fashioned Cethegi"
§ 484.
§484.
Exempla recentia et domestica sunt 3) satis nonnunquam incognita, etiam relative, § 757. quoties scilicet, vel eius sunt indolis, quam non nisi longa dies plurium ob oculos ponere soleat, e. g. praesentia principum consilia; vel ipsi spectatorum nostrorum primarii domestica negligere solent exterorum avidissimi, vel recentia et ante pedes posita fastidire, toti in eruendis quibusvis antiquissimis.
Recent and domestic examples are 3) sometimes not sufficiently known, even relatively, §757, whenever they are of a kind that only long time usually places before the eyes of many, for example the present counsels of princes; or when our own primary spectators usually neglect domestic things, greedy for foreign ones, or disdain recent and nearby things, wholly occupied with digging up the most ancient things.
Quanquam enim hic mos non est optimi saporis, tamen obiectum suum personale debet attendere pulcre cogitaturus, uti est, non uti debeat esse, hinc anticipationibus destitutum et cognoscendi studio, si domestica protuleris et
Although this custom is not of the best taste, nevertheless one who will think beautifully must attend to his personal object as it is, not as it ought to be. Hence, lacking anticipations and zeal for knowing, they may fail you if you bring forward domestic things
Antiquis non exaudita Cethegis.
"you must frame words never heard of by the old-fashioned Cethegi"
§ 484.
§484.
Exempla recentia et domestica sunt 3) satis nonnunquam incognita,
Recent and domestic examples are 3) sometimes not sufficiently known,
etiam relative, § 757. quoties scilicet, vel eius sunt indolis,
even relatively, §757, whenever they are of a
quam non nisi longa dies plurium ob oculos ponere
kind that only long time usually places before the eyes of many,
soleat, e. g. praesentia principum consilia;
for example the present counsels of princes; or when our
vel ipsi spectatorum nostrorum primarii domestica
own primary spectators usually neglect domestic things,
negligere solent exterorum avidissimi, vel recentia et ante
greedy for foreign ones, or disdain recent and nearby things,
pedes posita fastidire, toti in eruendis quibusvis antiquissimis.
wholly occupied with digging up the most ancient things.
Quanquam enim hic mos non est optimi saporis, tamen
Although this custom is not of the best taste,
obiectum suum personale debet attendere pulcre
nevertheless one who will think beautifully must attend to
cogitaturus, uti est, non uti debeat esse,
his personal object as it is, not as it ought to be.
hinc anticipationibus destitutum et
Hence, lacking anticipations and zeal for knowing,
cognoscendi studio, si domestica protuleris et
they may fail you if you bring forward domestic things
Antiquis non exaudita Cethegis.
"you must frame words never heard of by the old-fashioned Cethegi"
§ 484.
§484.
Exempla recentia et domestica sunt 3) satis nonnunquam incognita, etiam relative, § 757. quoties scilicet, vel eius sunt indolis, quam non nisi longa dies plurium ob oculos ponere soleat, e. g. praesentia principum consilia; vel ipsi spectatorum nostrorum primarii domestica negligere solent exterorum avidissimi, vel recentia et ante pedes posita fastidire, toti in eruendis quibusvis antiquissimis. / Recent and domestic examples are 3) sometimes not sufficiently known, even relatively, §757, whenever they are of a kind that only long time usually places before the eyes of many, for example the present counsels of princes; or when our own primary spectators usually neglect domestic things, greedy for foreign ones, or disdain recent and nearby things, wholly occupied with digging up the most ancient things.
Quanquam enim hic mos non est optimi saporis, tamen obiectum suum personale debet attendere pulcre cogitaturus, uti est, non uti debeat esse, hinc anticipationibus destitutum et cognoscendi studio, si domestica protuleris et / Although this custom is not of the best taste, nevertheless one who will think beautifully must attend to his personal object as it is, not as it ought to be. Hence, lacking anticipations and zeal for knowing, they may fail you if you bring forward domestic things
Antiquis non exaudita Cethegis.
"you must frame words never heard of by the old-fashioned Cethegi"
§ 484. / §484.
§ 762
Exempla, divisiones, inductiones, distributionesque sic satis notae sint, neque tritae ac usitatae illustrationes § 741. nec e contrario adeo vividae, ut fortiori luce perceptionem suam superiorem obscurent potius, quam illustrent, contra pulcram lucis et umbrae dispensationem. § 682. In ultima lege praesertim cavendum est, ne differentia, et id in conceptu inferiori, quod non est determinatum in superiori, tantum lucis accipiat, ut tertia comparationis, et ea, quae superiori convenientia vividius in concreto inferioris pingere laborabas, obumbrentur, adeoque minus exemplum quadrare videatur, ac discrepare ab eo, cuius declarandi gratia proferebatur. § 670. Non dissuadeo differentiam tangere, sed umbra sit exempli, § 684. non lumen, § 686. Ne seducente sub eruditionis specie transcendant horizontem aestheticum exempla, multo minus inductiones et distributiones, § 121. ne illustrando vel βάθος, vel tumorem concilient, § 329, 331. sint potius, quantum eius fieri potest, ex quibus simul exemplum ratiocinans et inductio persuasoria formari possit, et practice s. pragmatica, foecunda deducendis inde porismatibus ad agendum impellentibus. § 721.
Examples, divisions, inductions, and distributions should be sufficiently known in this way, neither worn and customary illustrations, §741, nor, on the contrary, so vivid that by stronger light they obscure rather than illustrate their superior perception, contrary to the beautiful distribution of light and shade, §682. In this last law one must especially beware lest the difference, and that in the inferior concept which is not determined in the superior, receive so much light that the third of comparison, and the things suitable to the superior which you were laboring to paint more vividly in the concrete of the inferior, are shaded over, and thus the lesser example seems less to fit and to differ from that for whose declaration it was brought forward, §670. I do not dissuade touching the difference, but let it be the shade of the example, §684, not the light, §686. Let examples, much less inductions and distributions, not transcend the aesthetic horizon under the seductive appearance of erudition, §121; let them not, in illustrating, conciliate either βάθος or swelling, §§329, 331. Rather, as far as possible, let them be such that from them at the same time a reasoning example and a persuasive induction can be formed, and a practical or pragmatic one, fertile in deriving corollaries that impel to action, §721.
Exempla, divisiones, inductiones, distributionesque sic satis notae sint, neque tritae ac usitatae illustrationes § 741. nec e contrario adeo vividae, ut fortiori luce perceptionem suam superiorem obscurent potius, quam illustrent, contra pulcram lucis et umbrae dispensationem. § 682. In ultima lege praesertim cavendum est, ne differentia, et id in conceptu inferiori, quod non est determinatum in superiori, tantum lucis accipiat, ut tertia comparationis, et ea, quae superiori convenientia vividius in concreto inferioris pingere laborabas, obumbrentur, adeoque minus exemplum quadrare videatur, ac discrepare ab eo, cuius declarandi gratia proferebatur. § 670. Non dissuadeo differentiam tangere, sed umbra sit exempli, § 684. non lumen, § 686. Ne seducente sub eruditionis specie transcendant horizontem aestheticum exempla, multo minus inductiones et distributiones, § 121. ne illustrando vel βάθος, vel tumorem concilient, § 329, 331. sint potius, quantum eius fieri potest, ex quibus simul exemplum ratiocinans et inductio persuasoria formari possit, et practice s. pragmatica, foecunda deducendis inde porismatibus ad agendum impellentibus. § 721.
Examples, divisions, inductions, and distributions should be sufficiently known in this way, neither worn and customary illustrations, §741, nor, on the contrary, so vivid that by stronger light they obscure rather than illustrate their superior perception, contrary to the beautiful distribution of light and shade, §682. In this last law one must especially beware lest the difference, and that in the inferior concept which is not determined in the superior, receive so much light that the third of comparison, and the things suitable to the superior which you were laboring to paint more vividly in the concrete of the inferior, are shaded over, and thus the lesser example seems less to fit and to differ from that for whose declaration it was brought forward, §670. I do not dissuade touching the difference, but let it be the shade of the example, §684, not the light, §686. Let examples, much less inductions and distributions, not transcend the aesthetic horizon under the seductive appearance of erudition, §121; let them not, in illustrating, conciliate either βάθος or swelling, §§329, 331. Rather, as far as possible, let them be such that from them at the same time a reasoning example and a persuasive induction can be formed, and a practical or pragmatic one, fertile in deriving corollaries that impel to action, §721.
Exempla, divisiones, inductiones, distributionesque sic
Examples, divisions, inductions, and distributions should be sufficiently known
satis notae sint, neque tritae ac usitatae illustrationes § 741.
in this way, neither worn and customary illustrations, §741,
nec e contrario adeo vividae,
nor, on the contrary, so vivid
ut fortiori luce perceptionem suam superiorem obscurent potius,
that by stronger light they obscure rather
quam illustrent, contra
than illustrate their superior perception, contrary to the beautiful
pulcram lucis et umbrae dispensationem. § 682.
distribution of light and shade, §682.
In ultima lege praesertim cavendum est,
In this last law one must especially beware
ne differentia, et id in conceptu inferiori,
lest the difference, and that in the inferior
quod non est determinatum in superiori,
concept which is not determined in the superior,
tantum lucis accipiat, ut tertia comparationis,
receive so much light that the third of comparison,
et ea, quae superiori
and the things suitable to the superior which you
convenientia vividius in concreto inferioris
were laboring to paint more vividly in the concrete of the inferior,
pingere laborabas, obumbrentur, adeoque
are shaded over, and thus the lesser example seems
minus exemplum quadrare videatur, ac discrepare ab eo,
less to fit and to differ from that for
cuius declarandi gratia proferebatur. § 670.
whose declaration it was brought forward, §670.
Non dissuadeo differentiam tangere,
I do not dissuade touching the difference,
sed umbra sit exempli, § 684.
but let it be the shade of the example, §684,
non lumen, § 686. Ne seducente sub eruditionis specie
not the light, §686. Let
transcendant horizontem aestheticum exempla, multo minus inductiones et distributiones,
examples, much less inductions and distributions,
§ 121.
not transcend the aesthetic horizon under the seductive appearance of erudition, §121;
ne illustrando vel βάθος,
let them not, in illustrating, conciliate either βάθος
vel tumorem concilient, § 329, 331. sint potius,
or swelling, §§329, 331. Rather, as far
quantum eius fieri potest,
as possible, let them be such
ex quibus simul
that from them at the same time a reasoning
exemplum ratiocinans et inductio persuasoria formari possit,
example and a persuasive induction can be formed,
et practice s. pragmatica, foecunda
and a practical or pragmatic one,
deducendis inde porismatibus ad agendum impellentibus. § 721.
fertile in deriving corollaries that impel to action, §721.
Exempla, divisiones, inductiones, distributionesque sic satis notae sint, neque tritae ac usitatae illustrationes § 741. nec e contrario adeo vividae, ut fortiori luce perceptionem suam superiorem obscurent potius, quam illustrent, contra pulcram lucis et umbrae dispensationem. § 682. In ultima lege praesertim cavendum est, ne differentia, et id in conceptu inferiori, quod non est determinatum in superiori, tantum lucis accipiat, ut tertia comparationis, et ea, quae superiori convenientia vividius in concreto inferioris pingere laborabas, obumbrentur, adeoque minus exemplum quadrare videatur, ac discrepare ab eo, cuius declarandi gratia proferebatur. § 670. Non dissuadeo differentiam tangere, sed umbra sit exempli, § 684. non lumen, § 686. Ne seducente sub eruditionis specie transcendant horizontem aestheticum exempla, multo minus inductiones et distributiones, § 121. ne illustrando vel βάθος, vel tumorem concilient, § 329, 331. sint potius, quantum eius fieri potest, ex quibus simul exemplum ratiocinans et inductio persuasoria formari possit, et practice s. pragmatica, foecunda deducendis inde porismatibus ad agendum impellentibus. § 721. / Examples, divisions, inductions, and distributions should be sufficiently known in this way, neither worn and customary illustrations, §741, nor, on the contrary, so vivid that by stronger light they obscure rather than illustrate their superior perception, contrary to the beautiful distribution of light and shade, §682. In this last law one must especially beware lest the difference, and that in the inferior concept which is not determined in the superior, receive so much light that the third of comparison, and the things suitable to the superior which you were laboring to paint more vividly in the concrete of the inferior, are shaded over, and thus the lesser example seems less to fit and to differ from that for whose declaration it was brought forward, §670. I do not dissuade touching the difference, but let it be the shade of the example, §684, not the light, §686. Let examples, much less inductions and distributions, not transcend the aesthetic horizon under the seductive appearance of erudition, §121; let them not, in illustrating, conciliate either βάθος or swelling, §§329, 331. Rather, as far as possible, let them be such that from them at the same time a reasoning example and a persuasive induction can be formed, and a practical or pragmatic one, fertile in deriving corollaries that impel to action, §721.
§ 763
SECTIO XXXXV
ANTITHESIS
Comparatio latius dicta, § 735. sub se continet 3) comparationem oppositorum, M. § 549. quae figura § 26. sit ANTITHESIS. In antithesibus numero primam dissimilitudinem, illustrandum cum dissimili comparantem, ut illius ab hoc differentia magis eluceat. Cat. 5.
SECTION XXXXV
ANTITHESIS
Comparison broadly so called, §735, contains under itself 3) comparison of opposites, Metaphysics §549, which as a figure, §26, is ANTITHESIS. Among antitheses I number first dissimilarity, comparing what is to be illustrated with what is dissimilar, so that its difference from this may shine out more. Catullus 5:
Soles occidere et redire possunt,
Nobis quum semel occidit brevis lux,
Nox est perpetuo una dormienda.
"The Suns can westward sink again to rise
But we, extinguished once our tiny light,
Perforce shall slumber through one lasting night!"
Hac collatione totam suam odam I. 1. 1. Horatius illustravit, et eiusdem libri frontem ode 7.
By this collation Horace illustrated his whole ode I.1.1, and the front of the same book with Ode 7:
Laudabunt alii claram Rhodon, aut Mitylenen,
Aut Ephesum bimarive Corinthi
Moenia, vel Baccho Thebas, vel Apolline Delphos
Insignes, aut Thessala Tempe.
"Let others Rhodes or Mytilene sing,
Or Ephesus, or Corinth, set between
Two seas, or Thebes, or Delphi, for its king
Each famous, or Thessalian Tempe green;"
SECTIO XXXXV
ANTITHESIS
Comparatio latius dicta, § 735. sub se continet 3) comparationem oppositorum, M. § 549. quae figura § 26. sit ANTITHESIS.
SECTION XXXXV
ANTITHESIS
Comparison broadly so called, §735, contains under itself 3) comparison of opposites, Metaphysics §549, which as a figure, §26, is ANTITHESIS.
In antithesibus numero primam dissimilitudinem, illustrandum cum dissimili comparantem, ut illius ab hoc differentia magis eluceat.
Among antitheses I number first dissimilarity, comparing what is to be illustrated with what is dissimilar, so that its difference from this may shine out more.
Cat. 5.
Catullus 5:
Soles occidere et redire possunt,
Nobis quum semel occidit brevis lux,
Nox est perpetuo una dormienda.
"The Suns can westward sink again to rise
But we, extinguished once our tiny light,
Perforce shall slumber through one lasting night!"
Hac collatione totam suam odam I. 1. 1. Horatius illustravit, et eiusdem libri frontem ode 7.
By this collation Horace illustrated his whole ode I.1.1, and the front of the same book with Ode 7:
Laudabunt alii claram Rhodon, aut Mitylenen,
Aut Ephesum bimarive Corinthi
Moenia, vel Baccho Thebas, vel Apolline Delphos
Insignes, aut Thessala Tempe.
"Let others Rhodes or Mytilene sing,
Or Ephesus, or Corinth, set between
Two seas, or Thebes, or Delphi, for its king
Each famous, or Thessalian Tempe green;"
SECTIO XXXXV ANTITHESIS Comparatio latius dicta, § 735.
SECTION XXXXV ANTITHESIS Comparison broadly so called, §735,
sub se continet 3) comparationem oppositorum, M.
contains under itself 3) comparison of opposites, Metaphysics
§ 549. quae figura § 26. sit ANTITHESIS.
§549, which as a figure, §26, is ANTITHESIS.
In antithesibus numero primam dissimilitudinem,
Among antitheses I number first dissimilarity,
illustrandum cum dissimili
comparing what is to be illustrated with what is dissimilar,
comparantem, ut illius ab hoc differentia magis eluceat.
so that its difference from this may shine out more.
Cat. 5.
Catullus 5:
Soles occidere et redire possunt,
Nobis quum semel occidit brevis lux,
Nox est perpetuo una dormienda.
"The Suns can westward sink again to rise
But we, extinguished once our tiny light,
Perforce shall slumber through one lasting night!"
Hac collatione totam suam odam I. 1. 1.
By this collation Horace illustrated his whole ode I.1.1,
Horatius illustravit, et eiusdem libri frontem
and the front of the same
ode 7.
book with Ode 7:
Laudabunt alii claram Rhodon, aut Mitylenen,
Aut Ephesum bimarive Corinthi
Moenia, vel Baccho Thebas, vel Apolline Delphos
Insignes, aut Thessala Tempe.
"Let others Rhodes or Mytilene sing,
Or Ephesus, or Corinth, set between
Two seas, or Thebes, or Delphi, for its king
Each famous, or Thessalian Tempe green;"
SECTIO XXXXV ANTITHESIS Comparatio latius dicta, § 735. sub se continet 3) comparationem oppositorum, M. § 549. quae figura § 26. sit ANTITHESIS. / SECTION XXXXV ANTITHESIS Comparison broadly so called, §735, contains under itself 3) comparison of opposites, Metaphysics §549, which as a figure, §26, is ANTITHESIS.
In antithesibus numero primam dissimilitudinem, illustrandum cum dissimili comparantem, ut illius ab hoc differentia magis eluceat. / Among antitheses I number first dissimilarity, comparing what is to be illustrated with what is dissimilar, so that its difference from this may shine out more.
Cat. 5. / Catullus 5:
Soles occidere et redire possunt,
Nobis quum semel occidit brevis lux,
Nox est perpetuo una dormienda.
"The Suns can westward sink again to rise
But we, extinguished once our tiny light,
Perforce shall slumber through one lasting night!"
Hac collatione totam suam odam I. 1. 1. Horatius illustravit, et eiusdem libri frontem ode 7. / By this collation Horace illustrated his whole ode I.1.1, and the front of the same book with Ode 7:
Laudabunt alii claram Rhodon, aut Mitylenen,
Aut Ephesum bimarive Corinthi
Moenia, vel Baccho Thebas, vel Apolline Delphos
Insignes, aut Thessala Tempe.
"Let others Rhodes or Mytilene sing,
Or Ephesus, or Corinth, set between
Two seas, or Thebes, or Delphi, for its king
Each famous, or Thessalian Tempe green;"
§ 764
Deinde huc pertinet ANTAGOGE, quam compensationem dicunt, confessionis species, quae collustrandi quaedam praedicata, quae primario videantur contraria, sic in umbram locat, iuxta hoc primarium, ut eorum perceptiones heterogeneae, sed debiliores, praegressae subito sequens heterogeneum, sed maius ac illustrius, splendide pingant, et novitatis luce veluti circumfundant. § 659, 683. M. § 549. Jarbas apud Virgilium, Aen. IIII. furtivos Didonis et Aeneae amores primum satis honorifice videtur describere, tegens honestatis umbra, quicquid in iis indignum et turpe iudicabat: Dido
Next belongs here ANTAGOGE, which they call compensation, a species of confession. It places certain predicates to be illuminated, which at first seem contrary, into shade beside this primary one, so that their heterogeneous but weaker perceptions, having gone before, suddenly paint the following heterogeneous but greater and more illustrious one splendidly and pour around it, as it were, the light of novelty, §§659, 683; Metaphysics §549. In Virgil, Aeneid IV, Iarbas at first seems to describe the secret loves of Dido and Aeneas rather honorably, covering with a shade of honor whatever he judged unworthy and shameful in them: Dido
dominum Aenean in regna recepit,
"She has proclaimed
Aeneas partner of her bed and throne."
214. ut non ita multo post hoc acerbius in eundem Aenean, collectis quasi viribus, invehatur:
v.214, so that not much later, having gathered his powers, he may inveigh more bitterly against the same Aeneas:
Et nunc ille Paris, cum semiviro comitatu,
Maeonia mentum mitra, crinemque madentem
Subnexus, rapto potitur.
"And now that Paris, with his eunuch crew,
beneath his chin and fragrant, oozy hair
ties the soft Lydian bonnet, boasting well
his stolen prize."
217.
v.217.
Deinde huc pertinet ANTAGOGE, quam compensationem dicunt, confessionis species, quae collustrandi quaedam praedicata, quae primario videantur contraria, sic in umbram locat, iuxta hoc primarium, ut eorum perceptiones heterogeneae, sed debiliores, praegressae subito sequens heterogeneum, sed maius ac illustrius, splendide pingant, et novitatis luce veluti circumfundant. § 659, 683. M. § 549. Jarbas apud Virgilium, Aen. IIII. furtivos Didonis et Aeneae amores primum satis honorifice videtur describere, tegens honestatis umbra, quicquid in iis indignum et turpe iudicabat: Dido
Next belongs here ANTAGOGE, which they call compensation, a species of confession. It places certain predicates to be illuminated, which at first seem contrary, into shade beside this primary one, so that their heterogeneous but weaker perceptions, having gone before, suddenly paint the following heterogeneous but greater and more illustrious one splendidly and pour around it, as it were, the light of novelty, §§659, 683; Metaphysics §549. In Virgil, Aeneid IV, Iarbas at first seems to describe the secret loves of Dido and Aeneas rather honorably, covering with a shade of honor whatever he judged unworthy and shameful in them: Dido
dominum Aenean in regna recepit,
"She has proclaimed
Aeneas partner of her bed and throne."
214. ut non ita multo post hoc acerbius in eundem Aenean, collectis quasi viribus, invehatur:
v.214, so that not much later, having gathered his powers, he may inveigh more bitterly against the same Aeneas:
Et nunc ille Paris, cum semiviro comitatu,
Maeonia mentum mitra, crinemque madentem
Subnexus, rapto potitur.
"And now that Paris, with his eunuch crew,
beneath his chin and fragrant, oozy hair
ties the soft Lydian bonnet, boasting well
his stolen prize."
217.
v.217.
Deinde huc pertinet ANTAGOGE, quam compensationem dicunt,
Next belongs here ANTAGOGE, which they call compensation, a
confessionis species, quae collustrandi quaedam praedicata,
species of confession. It places certain predicates
quae primario videantur contraria,
to be illuminated, which at first seem contrary,
sic in umbram locat, iuxta hoc primarium,
into shade beside this primary one,
ut eorum perceptiones heterogeneae, sed
so that their heterogeneous but weaker perceptions,
debiliores, praegressae subito sequens heterogeneum,
having gone before, suddenly paint the following heterogeneous
sed maius ac illustrius, splendide pingant,
but greater and more illustrious one splendidly
et novitatis luce veluti circumfundant.
and pour around it, as it were, the
§ 659, 683. M. § 549.
light of novelty, §§659, 683; Metaphysics §549.
Jarbas apud Virgilium, Aen. IIII.
In Virgil, Aeneid IV, Iarbas at first seems to
furtivos Didonis et Aeneae amores primum satis
describe the secret loves of Dido and Aeneas rather honorably,
honorifice videtur describere, tegens honestatis umbra,
covering with a shade of honor
quicquid in iis indignum et turpe iudicabat: Dido
whatever he judged unworthy and shameful in them: Dido
dominum Aenean in regna recepit,
"She has proclaimed
Aeneas partner of her bed and throne."
214. ut non ita multo post hoc acerbius
v.214, so that not much later, having gathered his powers,
in eundem Aenean, collectis quasi viribus, invehatur:
he may inveigh more bitterly against the same Aeneas:
Et nunc ille Paris, cum semiviro comitatu,
Maeonia mentum mitra, crinemque madentem
Subnexus, rapto potitur.
"And now that Paris, with his eunuch crew,
beneath his chin and fragrant, oozy hair
ties the soft Lydian bonnet, boasting well
his stolen prize."
217.
v.217.
Deinde huc pertinet ANTAGOGE, quam compensationem dicunt, confessionis species, quae collustrandi quaedam praedicata, quae primario videantur contraria, sic in umbram locat, iuxta hoc primarium, ut eorum perceptiones heterogeneae, sed debiliores, praegressae subito sequens heterogeneum, sed maius ac illustrius, splendide pingant, et novitatis luce veluti circumfundant. § 659, 683. M. § 549. Jarbas apud Virgilium, Aen. IIII. furtivos Didonis et Aeneae amores primum satis honorifice videtur describere, tegens honestatis umbra, quicquid in iis indignum et turpe iudicabat: Dido / Next belongs here ANTAGOGE, which they call compensation, a species of confession. It places certain predicates to be illuminated, which at first seem contrary, into shade beside this primary one, so that their heterogeneous but weaker perceptions, having gone before, suddenly paint the following heterogeneous but greater and more illustrious one splendidly and pour around it, as it were, the light of novelty, §§659, 683; Metaphysics §549. In Virgil, Aeneid IV, Iarbas at first seems to describe the secret loves of Dido and Aeneas rather honorably, covering with a shade of honor whatever he judged unworthy and shameful in them: Dido
dominum Aenean in regna recepit,
"She has proclaimed
Aeneas partner of her bed and throne."
214. ut non ita multo post hoc acerbius in eundem Aenean, collectis quasi viribus, invehatur: / v.214, so that not much later, having gathered his powers, he may inveigh more bitterly against the same Aeneas:
Et nunc ille Paris, cum semiviro comitatu,
Maeonia mentum mitra, crinemque madentem
Subnexus, rapto potitur.
"And now that Paris, with his eunuch crew,
beneath his chin and fragrant, oozy hair
ties the soft Lydian bonnet, boasting well
his stolen prize."
217. / v.217.
§ 765
Antagogen si continuaveris, pulcrum inde nascetur CRAMA, quod mistam vituperio laudem dicunt; vere est congeries praedicatorum, apparenter saltim contrariorum, quorum una classis, mala, bona censeatur altera, sic tamen dispositorum, per artificium lucem et umbram bene dispensans, S. XXXX. ut secundum intentionem callide bona malis miscentium, vel haec ex oppositorum pulcritudine turpitudinis, vel illa ex oppositorum foeditate pulcritudinis incrementa nanciscantur, magnaque veracitatis, moralis veritatis, similitudo simul obtineatur. § 731, 455. Quantum materia permisit, laborat in effingenda hac figura Nasonis Trist. II. omnis paene prima elegia, culpam auctoris concedens ad illustriorem Caesaris veniam eo efficacius solicitandam, e. g.
If you continue antagoge, from it will be born a beautiful CRAMA, which they call praise mixed with blame. Truly it is a heap of predicates, at least apparently contrary, of which one class, the bad, is judged good by the other, arranged in such a way, through an art distributing light and shade well, Section XXXX, that, according to the intention of those cunningly mixing good things with bad, either the bad receive increase of ugliness from the beauty of opposites or the good receive increase of beauty from the foulness of opposites, and at the same time a great likeness of truth, of moral truth, is obtained, §§731, 455. As far as the material allowed, almost the whole first elegy of Ovid's Tristia II labors in forming this figure, conceding the author's fault in order to solicit Caesar's pardon more effectively, for example:
Cur modo damnatas repeto, mea crimina, Musas?
An semel est poenam commeruisse parum?
Deme mihi studium, vitae quoque crimina demes,
Acceptum refero versibus esse nocens.
Ira quidem iusta est, nec me meruisse negabo,
Non adeo nostro fugit ab ore pudor.
Sed tamen, ut fuso taurorum sanguine centum,
Sic capitur minimo thuris honore deus.
Et pia thura dedi pro te, cumque omnibus unus
Ipse quoque adiuvi publica vota meis.
"The published units are rearranged below only to follow Baumgarten's quotation order.
Why do I seek once again the Muses so recently condemned, the causes of my guilt? Or is one well-earned penalty not enough? ... Take away from me my pursuit and you will take away from my life also the charges against it. I lay the charge of guilt against my verse. ... Just indeed it is—I will not deny that I have deserved it, for shame has not so utterly fled my lips. ... but though a god be won by the outpoured blood of a hundred bulls, yet is he also won by the humblest offering of incense. ... loyal incense I offered in thy behalf and with all the rest I too aided the prayers of the state with my own."
Antagogen si continuaveris, pulcrum inde nascetur CRAMA, quod mistam vituperio laudem dicunt; vere est congeries praedicatorum, apparenter saltim contrariorum, quorum una classis, mala, bona censeatur altera, sic tamen dispositorum, per artificium lucem et umbram bene dispensans, S. XXXX. ut secundum intentionem callide bona malis miscentium, vel haec ex oppositorum pulcritudine turpitudinis, vel illa ex oppositorum foeditate pulcritudinis incrementa nanciscantur, magnaque veracitatis, moralis veritatis, similitudo simul obtineatur. § 731, 455. Quantum materia permisit, laborat in effingenda hac figura Nasonis Trist. II. omnis paene prima elegia, culpam auctoris concedens ad illustriorem Caesaris veniam eo efficacius solicitandam, e. g.
If you continue antagoge, from it will be born a beautiful CRAMA, which they call praise mixed with blame. Truly it is a heap of predicates, at least apparently contrary, of which one class, the bad, is judged good by the other, arranged in such a way, through an art distributing light and shade well, Section XXXX, that, according to the intention of those cunningly mixing good things with bad, either the bad receive increase of ugliness from the beauty of opposites or the good receive increase of beauty from the foulness of opposites, and at the same time a great likeness of truth, of moral truth, is obtained, §§731, 455. As far as the material allowed, almost the whole first elegy of Ovid's Tristia II labors in forming this figure, conceding the author's fault in order to solicit Caesar's pardon more effectively, for example:
Cur modo damnatas repeto, mea crimina, Musas?
An semel est poenam commeruisse parum?
Deme mihi studium, vitae quoque crimina demes,
Acceptum refero versibus esse nocens.
Ira quidem iusta est, nec me meruisse negabo,
Non adeo nostro fugit ab ore pudor.
Sed tamen, ut fuso taurorum sanguine centum,
Sic capitur minimo thuris honore deus.
Et pia thura dedi pro te, cumque omnibus unus
Ipse quoque adiuvi publica vota meis.
"The published units are rearranged below only to follow Baumgarten's quotation order.
Why do I seek once again the Muses so recently condemned, the causes of my guilt? Or is one well-earned penalty not enough? ... Take away from me my pursuit and you will take away from my life also the charges against it. I lay the charge of guilt against my verse. ... Just indeed it is—I will not deny that I have deserved it, for shame has not so utterly fled my lips. ... but though a god be won by the outpoured blood of a hundred bulls, yet is he also won by the humblest offering of incense. ... loyal incense I offered in thy behalf and with all the rest I too aided the prayers of the state with my own."
Antagogen si continuaveris, pulcrum inde
If you continue antagoge, from it will be
nascetur CRAMA, quod mistam vituperio laudem dicunt;
born a beautiful CRAMA, which they call praise mixed with
vere est congeries praedicatorum,
blame. Truly it is a heap of predicates,
apparenter saltim contrariorum, quorum una classis,
at least apparently contrary, of which one class,
mala, bona censeatur altera, sic
the bad, is judged good by the other,
tamen dispositorum, per artificium lucem
arranged in such a way, through an art distributing
et umbram bene dispensans, S. XXXX.
light and shade well, Section XXXX,
ut secundum intentionem callide bona malis miscentium,
that, according to the intention of those cunningly mixing good things with
vel haec ex
bad, either the bad receive increase of ugliness from
oppositorum pulcritudine turpitudinis,
the beauty of opposites or the
vel illa ex oppositorum
good receive increase of beauty from the foulness of opposites,
foeditate pulcritudinis incrementa nanciscantur, magnaque veracitatis,
and at the same time a great likeness of truth,
moralis veritatis, similitudo simul obtineatur. § 731, 455.
of moral truth, is obtained, §§731, 455.
Quantum materia permisit,
As far as the material allowed,
laborat in effingenda hac figura Nasonis Trist. II.
almost the whole first elegy of Ovid's Tristia II
omnis paene prima elegia, culpam auctoris concedens
labors in forming this figure, conceding the author's fault
ad illustriorem Caesaris veniam eo efficacius solicitandam, e. g.
in order to solicit Caesar's pardon more effectively, for example:
Cur modo damnatas repeto, mea crimina, Musas?
An semel est poenam commeruisse parum?
Deme mihi studium, vitae quoque crimina demes,
Acceptum refero versibus esse nocens.
Ira quidem iusta est, nec me meruisse negabo,
Non adeo nostro fugit ab ore pudor.
Sed tamen, ut fuso taurorum sanguine centum,
Sic capitur minimo thuris honore deus.
Et pia thura dedi pro te, cumque omnibus unus
Ipse quoque adiuvi publica vota meis.
"The published units are rearranged below only to follow Baumgarten's quotation order.
Why do I seek once again the Muses so recently condemned, the causes of my guilt? Or is one well-earned penalty not enough? ... Take away from me my pursuit and you will take away from my life also the charges against it. I lay the charge of guilt against my verse. ... Just indeed it is—I will not deny that I have deserved it, for shame has not so utterly fled my lips. ... but though a god be won by the outpoured blood of a hundred bulls, yet is he also won by the humblest offering of incense. ... loyal incense I offered in thy behalf and with all the rest I too aided the prayers of the state with my own."
Antagogen si continuaveris, pulcrum inde nascetur CRAMA, quod mistam vituperio laudem dicunt; vere est congeries praedicatorum, apparenter saltim contrariorum, quorum una classis, mala, bona censeatur altera, sic tamen dispositorum, per artificium lucem et umbram bene dispensans, S. XXXX. ut secundum intentionem callide bona malis miscentium, vel haec ex oppositorum pulcritudine turpitudinis, vel illa ex oppositorum foeditate pulcritudinis incrementa nanciscantur, magnaque veracitatis, moralis veritatis, similitudo simul obtineatur. § 731, 455. Quantum materia permisit, laborat in effingenda hac figura Nasonis Trist. II. omnis paene prima elegia, culpam auctoris concedens ad illustriorem Caesaris veniam eo efficacius solicitandam, e. g. / If you continue antagoge, from it will be born a beautiful CRAMA, which they call praise mixed with blame. Truly it is a heap of predicates, at least apparently contrary, of which one class, the bad, is judged good by the other, arranged in such a way, through an art distributing light and shade well, Section XXXX, that, according to the intention of those cunningly mixing good things with bad, either the bad receive increase of ugliness from the beauty of opposites or the good receive increase of beauty from the foulness of opposites, and at the same time a great likeness of truth, of moral truth, is obtained, §§731, 455. As far as the material allowed, almost the whole first elegy of Ovid's Tristia II labors in forming this figure, conceding the author's fault in order to solicit Caesar's pardon more effectively, for example:
Cur modo damnatas repeto, mea crimina, Musas?
An semel est poenam commeruisse parum?
Deme mihi studium, vitae quoque crimina demes,
Acceptum refero versibus esse nocens.
Ira quidem iusta est, nec me meruisse negabo,
Non adeo nostro fugit ab ore pudor.
Sed tamen, ut fuso taurorum sanguine centum,
Sic capitur minimo thuris honore deus.
Et pia thura dedi pro te, cumque omnibus unus
Ipse quoque adiuvi publica vota meis.
"The published units are rearranged below only to follow Baumgarten's quotation order.
Why do I seek once again the Muses so recently condemned, the causes of my guilt? Or is one well-earned penalty not enough? ... Take away from me my pursuit and you will take away from my life also the charges against it. I lay the charge of guilt against my verse. ... Just indeed it is—I will not deny that I have deserved it, for shame has not so utterly fled my lips. ... but though a god be won by the outpoured blood of a hundred bulls, yet is he also won by the humblest offering of incense. ... loyal incense I offered in thy behalf and with all the rest I too aided the prayers of the state with my own."
§ 766
Non est, cur antithesin et antitheton, vel antitheta distinguere velimus, quoties antitheta comparantur elegantius, quod tunc plerumque fit,
There is no reason for us to want to distinguish antithesis and antitheton or antitheta whenever antitheta are compared more elegantly, which usually happens
si fiat sine industria, naturalique quadam necessitate, sic fieri debere videatur.
In these forms of expression every circumstance is so aptly referred to some other circumstance, that the regular turn of them does not appear to have been studied, but to result entirely from the sense. ... This contrasting of opposite circumstances, which the Greeks call an Antithesis, will necessarily produce what is styled rhetorical metre, even without our intending it.,
Cic. or. 166. Alias si studiosius quaesita lucernam olent, fucus erunt, inanius argutantium, § 688. M. § 576. in quem vere Persius et graviter:
Cicero, Orator 166. Otherwise, if they are too studiously sought and smell of the lamp, they will be false coloring of empty cleverness, §688; Metaphysics §576, against which Persius speaks truly and gravely:
Nonne pudet capiti non posse pericula cano
Pellere, quin lepidum hoc optet audire: decenter?
Fur es, ait Pedius; Pedius quid? crimina rasis
Librat in antithetis. Doctas posuisse figuras
Laudatur: bellum hoc! Hoc bellum?
"Are you not ashamed to be unable to ward off danger from some hoary head without wishing to hear some trifling word of commendation? “You are a thief!” says the accused to Pedius: how does Pedius reply? He balances the charges against each other in smooth antitheses, and is praised for his artistic tropes: “How fine!” they say. What, Romulus? Do you call that fine?"
Non est, cur antithesin et antitheton, vel antitheta distinguere velimus, quoties antitheta comparantur elegantius, quod tunc plerumque fit,
There is no reason for us to want to distinguish antithesis and antitheton or antitheta whenever antitheta are compared more elegantly, which usually happens
si fiat sine industria, naturalique quadam necessitate, sic fieri debere videatur.
In these forms of expression every circumstance is so aptly referred to some other circumstance, that the regular turn of them does not appear to have been studied, but to result entirely from the sense. ... This contrasting of opposite circumstances, which the Greeks call an Antithesis, will necessarily produce what is styled rhetorical metre, even without our intending it.,
Cic. or. 166. Alias si studiosius quaesita lucernam olent, fucus erunt, inanius argutantium, § 688. M. § 576. in quem vere Persius et graviter:
Cicero, Orator 166. Otherwise, if they are too studiously sought and smell of the lamp, they will be false coloring of empty cleverness, §688; Metaphysics §576, against which Persius speaks truly and gravely:
Nonne pudet capiti non posse pericula cano
Pellere, quin lepidum hoc optet audire: decenter?
Fur es, ait Pedius; Pedius quid? crimina rasis
Librat in antithetis. Doctas posuisse figuras
Laudatur: bellum hoc! Hoc bellum?
"Are you not ashamed to be unable to ward off danger from some hoary head without wishing to hear some trifling word of commendation? “You are a thief!” says the accused to Pedius: how does Pedius reply? He balances the charges against each other in smooth antitheses, and is praised for his artistic tropes: “How fine!” they say. What, Romulus? Do you call that fine?"
Non est, cur
There is no reason for us to want to
antithesin et antitheton, vel antitheta distinguere velimus,
distinguish antithesis and antitheton or antitheta
quoties antitheta comparantur elegantius, quod tunc plerumque fit,
whenever antitheta are compared more elegantly, which usually happens
si fiat sine industria, naturalique quadam necessitate, sic fieri debere videatur.
In these forms of expression every circumstance is so aptly referred to some other circumstance, that the regular turn of them does not appear to have been studied, but to result entirely from the sense. ... This contrasting of opposite circumstances, which the Greeks call an Antithesis, will necessarily produce what is styled rhetorical metre, even without our intending it.,
Cic. or. 166. Alias si studiosius
Cicero, Orator 166. Otherwise, if they are too studiously
quaesita lucernam olent, fucus erunt, inanius argutantium,
sought and smell of the lamp, they will be false
§ 688. M. § 576.
coloring of empty cleverness, §688; Metaphysics §576,
in quem vere Persius et graviter:
against which Persius speaks truly and gravely:
Nonne pudet capiti non posse pericula cano
Pellere, quin lepidum hoc optet audire: decenter?
Fur es, ait Pedius; Pedius quid? crimina rasis
Librat in antithetis. Doctas posuisse figuras
Laudatur: bellum hoc! Hoc bellum?
"Are you not ashamed to be unable to ward off danger from some hoary head without wishing to hear some trifling word of commendation? “You are a thief!” says the accused to Pedius: how does Pedius reply? He balances the charges against each other in smooth antitheses, and is praised for his artistic tropes: “How fine!” they say. What, Romulus? Do you call that fine?"
Non est, cur antithesin et antitheton, vel antitheta distinguere velimus, quoties antitheta comparantur elegantius, quod tunc plerumque fit, / There is no reason for us to want to distinguish antithesis and antitheton or antitheta whenever antitheta are compared more elegantly, which usually happens
si fiat sine industria, naturalique quadam necessitate, sic fieri debere videatur.
In these forms of expression every circumstance is so aptly referred to some other circumstance, that the regular turn of them does not appear to have been studied, but to result entirely from the sense. ... This contrasting of opposite circumstances, which the Greeks call an Antithesis, will necessarily produce what is styled rhetorical metre, even without our intending it.,
Cic. or. 166. Alias si studiosius quaesita lucernam olent, fucus erunt, inanius argutantium, § 688. M. § 576. in quem vere Persius et graviter: / Cicero, Orator 166. Otherwise, if they are too studiously sought and smell of the lamp, they will be false coloring of empty cleverness, §688; Metaphysics §576, against which Persius speaks truly and gravely:
Nonne pudet capiti non posse pericula cano
Pellere, quin lepidum hoc optet audire: decenter?
Fur es, ait Pedius; Pedius quid? crimina rasis
Librat in antithetis. Doctas posuisse figuras
Laudatur: bellum hoc! Hoc bellum?
"Are you not ashamed to be unable to ward off danger from some hoary head without wishing to hear some trifling word of commendation? “You are a thief!” says the accused to Pedius: how does Pedius reply? He balances the charges against each other in smooth antitheses, and is praised for his artistic tropes: “How fine!” they say. What, Romulus? Do you call that fine?"
§ 767
Hoc genere antiqui iam ante Isocratem delectabantur, et maxime Gorgias.
The ancient Orators, a considerable time before it was practised and recommended by Isocrates, were fond of using it; and particularly Gorgias, whose measured cadences are generally owing to the mere concinnity of his language.,
Cic. or. 167. Antithetis delectabantur, sed non male locatis, non anxie corractis, non recoctis sexcenties, quorum cautus imitator esto, non simia.
Cicero, Orator 167. They delighted in antitheses, but not badly placed, not anxiously scraped together, not cooked over six hundred times; be a cautious imitator of them, not an ape.
Quod si quis parce et quum res poscet, utetur, velut adsperso quodam condimento, iucundior erit. At, qui nimium affectaverit, ipsam illam gratiam varietatis amittet.
If a speaker use them sparingly and only as occasion demands, they will serve as a seasoning to his style and increase its attractions. If, on the other hand, he strains after them overmuch, he will lose that very charm of variety which they confer..
Quemadmodum illustrantes omnes figurae, sic antitheses secretae et extra vulgarem usum positae, ideoque magis nobiles,
Like all illustrative figures, so also antitheses that are hidden and set outside common use, and therefore nobler,
ut novitate aurem excitant, ita copia satiant, nec se obvias fuisse dicenti, sed conquisitas, et ex omnibus latebris extractas congestasque declarant.
For abnormal figures lying outside the range of common speech, while they are for that very reason more striking, and stimulate the ear by their novelty, prove cloying if used too lavishly, and make it quite clear that they did not present themselves naturally to the speaker, but were hunted out by him, dragged from obscure corners and artificially piled together.,
Quint. VIII. 3. Fabius hoc ipso capite mentionem etiam antitheti iniicit, quod contrapositum dicit, et ab aliis nominari contentionem. De quo praesertim verum est eius, quod iam legimus, iudicium, et tunc maxime, quando simul idem figura quaedam dictionis comitatur vocabulorum vel similitudine, vel repetitione, vel transpositione. § 26.
Quintilian VIII.3. In this very chapter Fabius also mentions the antitheton, which he calls counterposition, and which others call contention. His judgment just read is especially true of this, and above all when at the same time some figure of diction accompanies it by likeness, repetition, or transposition of words, §26.
Hoc genere antiqui iam ante Isocratem delectabantur, et maxime Gorgias.
The ancient Orators, a considerable time before it was practised and recommended by Isocrates, were fond of using it; and particularly Gorgias, whose measured cadences are generally owing to the mere concinnity of his language.,
Cic. or. 167. Antithetis delectabantur, sed non male locatis, non anxie corractis, non recoctis sexcenties, quorum cautus imitator esto, non simia.
Cicero, Orator 167. They delighted in antitheses, but not badly placed, not anxiously scraped together, not cooked over six hundred times; be a cautious imitator of them, not an ape.
Quod si quis parce et quum res poscet, utetur, velut adsperso quodam condimento, iucundior erit. At, qui nimium affectaverit, ipsam illam gratiam varietatis amittet.
If a speaker use them sparingly and only as occasion demands, they will serve as a seasoning to his style and increase its attractions. If, on the other hand, he strains after them overmuch, he will lose that very charm of variety which they confer..
Quemadmodum illustrantes omnes figurae, sic antitheses secretae et extra vulgarem usum positae, ideoque magis nobiles,
Like all illustrative figures, so also antitheses that are hidden and set outside common use, and therefore nobler,
ut novitate aurem excitant, ita copia satiant, nec se obvias fuisse dicenti, sed conquisitas, et ex omnibus latebris extractas congestasque declarant.
For abnormal figures lying outside the range of common speech, while they are for that very reason more striking, and stimulate the ear by their novelty, prove cloying if used too lavishly, and make it quite clear that they did not present themselves naturally to the speaker, but were hunted out by him, dragged from obscure corners and artificially piled together.,
Quint. VIII. 3. Fabius hoc ipso capite mentionem etiam antitheti iniicit, quod contrapositum dicit, et ab aliis nominari contentionem.
Quintilian VIII.3. In this very chapter Fabius also mentions the antitheton, which he calls counterposition, and which others call contention.
De quo praesertim verum est eius, quod iam legimus, iudicium, et tunc maxime, quando simul idem figura quaedam dictionis comitatur vocabulorum vel similitudine, vel repetitione, vel transpositione. § 26.
His judgment just read is especially true of this, and above all when at the same time some figure of diction accompanies it by likeness, repetition, or transposition of words, §26.
Hoc genere antiqui iam ante Isocratem delectabantur, et maxime Gorgias.
The ancient Orators, a considerable time before it was practised and recommended by Isocrates, were fond of using it; and particularly Gorgias, whose measured cadences are generally owing to the mere concinnity of his language.,
Cic. or. 167. Antithetis delectabantur,
Cicero, Orator 167. They delighted in antitheses,
sed non male locatis, non anxie corractis,
but not badly placed, not anxiously scraped together,
non recoctis sexcenties,
not cooked over six hundred times;
quorum cautus imitator esto, non simia.
be a cautious imitator of them, not an ape.
Quod si quis parce et quum res poscet, utetur, velut adsperso quodam condimento, iucundior erit. At, qui nimium affectaverit, ipsam illam gratiam varietatis amittet.
If a speaker use them sparingly and only as occasion demands, they will serve as a seasoning to his style and increase its attractions. If, on the other hand, he strains after them overmuch, he will lose that very charm of variety which they confer..
Quemadmodum illustrantes omnes figurae, sic antitheses secretae
Like all illustrative figures, so also antitheses that
et extra vulgarem usum positae, ideoque magis nobiles,
are hidden and set outside common use, and therefore nobler,
ut novitate aurem excitant, ita copia satiant, nec se obvias fuisse dicenti, sed conquisitas, et ex omnibus latebris extractas congestasque declarant.
For abnormal figures lying outside the range of common speech, while they are for that very reason more striking, and stimulate the ear by their novelty, prove cloying if used too lavishly, and make it quite clear that they did not present themselves naturally to the speaker, but were hunted out by him, dragged from obscure corners and artificially piled together.,
Quint. VIII. 3. Fabius hoc ipso capite mentionem etiam antitheti
Quintilian VIII.3. In this very chapter Fabius also mentions the antitheton,
iniicit, quod contrapositum dicit, et ab aliis nominari contentionem.
which he calls counterposition, and which others call contention.
De quo praesertim verum est eius, quod iam legimus,
His judgment just read is especially true of this,
iudicium, et tunc maxime,
and above all when at
quando simul idem figura quaedam dictionis comitatur vocabulorum vel similitudine,
the same time some figure of diction accompanies it by likeness,
vel repetitione, vel transpositione. § 26.
repetition, or transposition of words, §26.
Hoc genere antiqui iam ante Isocratem delectabantur, et maxime Gorgias.
The ancient Orators, a considerable time before it was practised and recommended by Isocrates, were fond of using it; and particularly Gorgias, whose measured cadences are generally owing to the mere concinnity of his language.,
Cic. or. 167. Antithetis delectabantur, sed non male locatis, non anxie corractis, non recoctis sexcenties, quorum cautus imitator esto, non simia. / Cicero, Orator 167. They delighted in antitheses, but not badly placed, not anxiously scraped together, not cooked over six hundred times; be a cautious imitator of them, not an ape.
Quod si quis parce et quum res poscet, utetur, velut adsperso quodam condimento, iucundior erit. At, qui nimium affectaverit, ipsam illam gratiam varietatis amittet.
If a speaker use them sparingly and only as occasion demands, they will serve as a seasoning to his style and increase its attractions. If, on the other hand, he strains after them overmuch, he will lose that very charm of variety which they confer..
Quemadmodum illustrantes omnes figurae, sic antitheses secretae et extra vulgarem usum positae, ideoque magis nobiles, / Like all illustrative figures, so also antitheses that are hidden and set outside common use, and therefore nobler,
ut novitate aurem excitant, ita copia satiant, nec se obvias fuisse dicenti, sed conquisitas, et ex omnibus latebris extractas congestasque declarant.
For abnormal figures lying outside the range of common speech, while they are for that very reason more striking, and stimulate the ear by their novelty, prove cloying if used too lavishly, and make it quite clear that they did not present themselves naturally to the speaker, but were hunted out by him, dragged from obscure corners and artificially piled together.,
Quint. VIII. 3. Fabius hoc ipso capite mentionem etiam antitheti iniicit, quod contrapositum dicit, et ab aliis nominari contentionem. / Quintilian VIII.3. In this very chapter Fabius also mentions the antitheton, which he calls counterposition, and which others call contention.
De quo praesertim verum est eius, quod iam legimus, iudicium, et tunc maxime, quando simul idem figura quaedam dictionis comitatur vocabulorum vel similitudine, vel repetitione, vel transpositione. § 26. / His judgment just read is especially true of this, and above all when at the same time some figure of diction accompanies it by likeness, repetition, or transposition of words, §26.
§ 768
Nam et hic locum habet, quod iam § 145. monuimus, schema vocabulorum et habitum vel situm extraordinarium, si figuris utaris mascule, nonnunquam accessorium tantum esse, ac veluti fortuitum in figuris, quae non ideo contemnendae sunt, quia sint figurae dictionis, sed ideo, quia cogitationibus ipsis et praecipuam quidem elegantiam conciliant, non fuissent in figuris dictionis habendae. Sic non pauci totam ad figuras dictionis referunt antithesin, quasi vero vocabulorum esset praecipua, non significatuum oppositio. Aliis quaedam saltim antitheseos species in meris dictionum figuris collocantur a non minus iniquis elegantiarum arbitris, § 15. Proferam exempla.
Here too there is room for what we already warned in §145: an extraordinary pattern of words, habit, or position, if you use figures manfully, is sometimes only accessory and as it were accidental in figures. They are not to be despised because they are figures of diction, but because they conciliate a principal elegance to the thoughts themselves, they should not have been counted among mere figures of diction. Thus not a few refer the whole of antithesis to figures of diction, as if the opposition of words, not of meanings, were chief. Others place at least certain species of antithesis among mere verbal figures, being no less unjust judges of elegances, §15. I shall bring forward examples.
Nam et hic locum habet, quod iam § 145. monuimus, schema vocabulorum et habitum vel situm extraordinarium, si figuris utaris mascule, nonnunquam accessorium tantum esse, ac veluti fortuitum in figuris, quae non ideo contemnendae sunt, quia sint figurae dictionis, sed ideo, quia cogitationibus ipsis et praecipuam quidem elegantiam conciliant, non fuissent in figuris dictionis habendae.
Here too there is room for what we already warned in §145: an extraordinary pattern of words, habit, or position, if you use figures manfully, is sometimes only accessory and as it were accidental in figures. They are not to be despised because they are figures of diction, but because they conciliate a principal elegance to the thoughts themselves, they should not have been counted among mere figures of diction.
Sic non pauci totam ad figuras dictionis referunt antithesin, quasi vero vocabulorum esset praecipua, non significatuum oppositio.
Thus not a few refer the whole of antithesis to figures of diction, as if the opposition of words, not of meanings, were chief.
Aliis quaedam saltim antitheseos species in meris dictionum figuris collocantur a non minus iniquis elegantiarum arbitris, § 15. Proferam exempla.
Others place at least certain species of antithesis among mere verbal figures, being no less unjust judges of elegances, §15. I shall bring forward examples.
Nam et hic locum habet, quod iam § 145.
Here too there is room for what we already warned in §145:
monuimus, schema vocabulorum et habitum vel situm extraordinarium,
an extraordinary pattern of words, habit, or position,
si figuris utaris mascule, nonnunquam accessorium tantum esse,
if you use figures manfully, is sometimes only accessory
ac veluti fortuitum in figuris,
and as it were accidental in figures.
quae non ideo contemnendae sunt,
They are not to be despised
quia sint figurae dictionis, sed ideo,
because they are figures of diction, but
quia cogitationibus ipsis et praecipuam quidem elegantiam
because they conciliate a principal elegance to the thoughts themselves,
conciliant, non fuissent in figuris dictionis habendae.
they should not have been counted among mere figures of diction.
Sic non pauci totam
Thus not a few refer the whole of antithesis
ad figuras dictionis referunt antithesin, quasi vero vocabulorum esset praecipua,
to figures of diction, as if the opposition of words,
non significatuum oppositio.
not of meanings, were chief.
Aliis quaedam saltim antitheseos species
Others place at least certain species of
in meris dictionum figuris collocantur a non minus
antithesis among mere verbal figures, being no less
iniquis elegantiarum arbitris, § 15. Proferam exempla.
unjust judges of elegances, §15. I shall bring forward examples.
Nam et hic locum habet, quod iam § 145. monuimus, schema vocabulorum et habitum vel situm extraordinarium, si figuris utaris mascule, nonnunquam accessorium tantum esse, ac veluti fortuitum in figuris, quae non ideo contemnendae sunt, quia sint figurae dictionis, sed ideo, quia cogitationibus ipsis et praecipuam quidem elegantiam conciliant, non fuissent in figuris dictionis habendae. / Here too there is room for what we already warned in §145: an extraordinary pattern of words, habit, or position, if you use figures manfully, is sometimes only accessory and as it were accidental in figures. They are not to be despised because they are figures of diction, but because they conciliate a principal elegance to the thoughts themselves, they should not have been counted among mere figures of diction.
Sic non pauci totam ad figuras dictionis referunt antithesin, quasi vero vocabulorum esset praecipua, non significatuum oppositio. / Thus not a few refer the whole of antithesis to figures of diction, as if the opposition of words, not of meanings, were chief.
Aliis quaedam saltim antitheseos species in meris dictionum figuris collocantur a non minus iniquis elegantiarum arbitris, § 15. Proferam exempla. / Others place at least certain species of antithesis among mere verbal figures, being no less unjust judges of elegances, §15. I shall bring forward examples.
§ 769
Antitheton cum aliqua perceptionum occurrentium in utroque oppositorum conversione, s. ANTIMETABOLE, sane ideo non potest excludi ex figuris sententiae, § 765. quoniam inter eloquendum potest contingere, ut vocabula, quibus utrumque membrum oppositionis exprimitur, aliquam etiam conversionem subeant. In figuris autem dictionis ipse Quintilianus habet
An antitheton with some conversion of the perceptions occurring in both opposites, or ANTIMETABOLE, certainly cannot for that reason be excluded from figures of thought, §765, because in expression it can happen that the words by which each member of the opposition is expressed undergo some conversion too. Among figures of diction Quintilian himself has
illam figuram, qua verba declinata repetuntur: Non, ut edam, vivo, sed, ut vivam, edo.
Antithesis may also be effected by employing that figure, known as ἀντιμεταβολή, by which words are repeated in different cases, tenses, moods, etc., as for instance when we say, non ut edam, vivo, sed ut vivam, edo (I do not live to eat, but eat to live)..
Bella, profecto, non tam dictio, quam sententia Epicuri est, quam vere dicas philosopham:
This is indeed a beautiful saying of Epicurus, not so much diction as thought, and truly philosophical.
Esse sapienter infortunatum satius est, quam fortunatum insipienter esse.
thinking it better to be unfortunate in accordance with reason, than to be fortunate irrationally;
Huc, qua materiam, etiam dictum Simonidis, quod est apud Plutarchum:
To this belongs, in material, Simonides' saying in Plutarch:
Poesis est pictura loquens, et pictura est tacita poesis.
Though indeed Simonides calls painting silent poetry, and poetry speaking painting.
Huc illud Salviani de Bagoardis:
To this belongs Salvian on the Bagaudae:
Malunt sub specie captivitatis esse liberi, quam sub specie libertatis esse captivi.
for they would rather live as free men, though in seeming captivity, than as captives in seeming liberty.
Huc tandem dictum Catonis et post eum Musonii:
Finally to this belongs the saying of Cato and after him Musonius:
Si quid per laborem recte feceris, laborabit; recte factum tecum permanet; si quid turpiter feceris cum voluptate, turpe manet; voluptas perit.
If you accomplish anything noble with toil, the toil passes, but the noble deed endures. If you do anything shameful with pleasure, the pleasure passes, but the shame endures.
Gell. XVI. 1.
Gellius XVI.1.
Antitheton cum aliqua perceptionum occurrentium in utroque oppositorum conversione, s. ANTIMETABOLE, sane ideo non potest excludi ex figuris sententiae, § 765. quoniam inter eloquendum potest contingere, ut vocabula, quibus utrumque membrum oppositionis exprimitur, aliquam etiam conversionem subeant.
An antitheton with some conversion of the perceptions occurring in both opposites, or ANTIMETABOLE, certainly cannot for that reason be excluded from figures of thought, §765, because in expression it can happen that the words by which each member of the opposition is expressed undergo some conversion too.
In figuris autem dictionis ipse Quintilianus habet
Among figures of diction Quintilian himself has
illam figuram, qua verba declinata repetuntur: Non, ut edam, vivo, sed, ut vivam, edo.
Antithesis may also be effected by employing that figure, known as ἀντιμεταβολή, by which words are repeated in different cases, tenses, moods, etc., as for instance when we say, non ut edam, vivo, sed ut vivam, edo (I do not live to eat, but eat to live)..
Bella, profecto, non tam dictio, quam sententia Epicuri est, quam vere dicas philosopham:
This is indeed a beautiful saying of Epicurus, not so much diction as thought, and truly philosophical.
Esse sapienter infortunatum satius est, quam fortunatum insipienter esse.
thinking it better to be unfortunate in accordance with reason, than to be fortunate irrationally;
Huc, qua materiam, etiam dictum Simonidis, quod est apud Plutarchum:
To this belongs, in material, Simonides' saying in Plutarch:
Poesis est pictura loquens, et pictura est tacita poesis.
Though indeed Simonides calls painting silent poetry, and poetry speaking painting.
Huc illud Salviani de Bagoardis:
To this belongs Salvian on the Bagaudae:
Malunt sub specie captivitatis esse liberi, quam sub specie libertatis esse captivi.
for they would rather live as free men, though in seeming captivity, than as captives in seeming liberty.
Huc tandem dictum Catonis et post eum Musonii:
Finally to this belongs the saying of Cato and after him Musonius:
Si quid per laborem recte feceris, laborabit; recte factum tecum permanet; si quid turpiter feceris cum voluptate, turpe manet; voluptas perit.
If you accomplish anything noble with toil, the toil passes, but the noble deed endures. If you do anything shameful with pleasure, the pleasure passes, but the shame endures.
Gell. XVI. 1.
Gellius XVI.1.
Antitheton cum aliqua perceptionum occurrentium in utroque oppositorum
An antitheton with some conversion of the perceptions occurring in both opposites,
conversione, s. ANTIMETABOLE, sane ideo non potest
or ANTIMETABOLE, certainly cannot for that reason be
excludi ex figuris sententiae, § 765.
excluded from figures of thought, §765,
quoniam inter eloquendum potest contingere, ut vocabula,
because in expression it can happen that the words by
quibus utrumque membrum oppositionis exprimitur, aliquam etiam conversionem subeant.
which each member of the opposition is expressed undergo some conversion too.
In figuris autem dictionis ipse Quintilianus habet
Among figures of diction Quintilian himself has
illam figuram, qua verba declinata repetuntur: Non, ut edam, vivo, sed, ut vivam, edo.
Antithesis may also be effected by employing that figure, known as ἀντιμεταβολή, by which words are repeated in different cases, tenses, moods, etc., as for instance when we say, non ut edam, vivo, sed ut vivam, edo (I do not live to eat, but eat to live)..
Bella, profecto, non tam dictio, quam sententia Epicuri
This is indeed a beautiful saying of Epicurus,
est, quam vere dicas philosopham:
not so much diction as thought, and truly philosophical.
Esse sapienter infortunatum satius est, quam fortunatum insipienter esse.
thinking it better to be unfortunate in accordance with reason, than to be fortunate irrationally;
Huc, qua materiam, etiam dictum Simonidis, quod est apud Plutarchum:
To this belongs, in material, Simonides' saying in Plutarch:
Poesis est pictura loquens, et pictura est tacita poesis.
Though indeed Simonides calls painting silent poetry, and poetry speaking painting.
Huc illud Salviani de Bagoardis:
To this belongs Salvian on the Bagaudae:
Malunt sub specie captivitatis esse liberi, quam sub specie libertatis esse captivi.
for they would rather live as free men, though in seeming captivity, than as captives in seeming liberty.
Huc tandem dictum Catonis et post eum Musonii:
Finally to this belongs the saying of Cato and after him Musonius:
Si quid per laborem recte feceris, laborabit; recte factum tecum permanet; si quid turpiter feceris cum voluptate, turpe manet; voluptas perit.
If you accomplish anything noble with toil, the toil passes, but the noble deed endures. If you do anything shameful with pleasure, the pleasure passes, but the shame endures.
Gell. XVI. 1.
Gellius XVI.1.
Antitheton cum aliqua perceptionum occurrentium in utroque oppositorum conversione, s. ANTIMETABOLE, sane ideo non potest excludi ex figuris sententiae, § 765. quoniam inter eloquendum potest contingere, ut vocabula, quibus utrumque membrum oppositionis exprimitur, aliquam etiam conversionem subeant. / An antitheton with some conversion of the perceptions occurring in both opposites, or ANTIMETABOLE, certainly cannot for that reason be excluded from figures of thought, §765, because in expression it can happen that the words by which each member of the opposition is expressed undergo some conversion too.
In figuris autem dictionis ipse Quintilianus habet / Among figures of diction Quintilian himself has
illam figuram, qua verba declinata repetuntur: Non, ut edam, vivo, sed, ut vivam, edo.
Antithesis may also be effected by employing that figure, known as ἀντιμεταβολή, by which words are repeated in different cases, tenses, moods, etc., as for instance when we say, non ut edam, vivo, sed ut vivam, edo (I do not live to eat, but eat to live)..
Bella, profecto, non tam dictio, quam sententia Epicuri est, quam vere dicas philosopham: / This is indeed a beautiful saying of Epicurus, not so much diction as thought, and truly philosophical.
Esse sapienter infortunatum satius est, quam fortunatum insipienter esse.
thinking it better to be unfortunate in accordance with reason, than to be fortunate irrationally;
Huc, qua materiam, etiam dictum Simonidis, quod est apud Plutarchum: / To this belongs, in material, Simonides' saying in Plutarch:
Poesis est pictura loquens, et pictura est tacita poesis.
Though indeed Simonides calls painting silent poetry, and poetry speaking painting.
Huc illud Salviani de Bagoardis: / To this belongs Salvian on the Bagaudae:
Malunt sub specie captivitatis esse liberi, quam sub specie libertatis esse captivi.
for they would rather live as free men, though in seeming captivity, than as captives in seeming liberty.
Huc tandem dictum Catonis et post eum Musonii: / Finally to this belongs the saying of Cato and after him Musonius:
Si quid per laborem recte feceris, laborabit; recte factum tecum permanet; si quid turpiter feceris cum voluptate, turpe manet; voluptas perit.
If you accomplish anything noble with toil, the toil passes, but the noble deed endures. If you do anything shameful with pleasure, the pleasure passes, but the shame endures.
Gell. XVI. 1. / Gellius XVI.1.
§ 770
Collatio pulcre cogitandi cum diversis ab eodem, quibuscum facile confundi posset, ad illustrandam eius differentiam, s. PARADIASTOLE, et contradistinctio, est antithesis non vocabulorum tantum perperam habitorum in synonymis, sed etiam, et maxime quidem, significatuum, vere differentium, quorum tamen attendi plerumque non solet, hinc eleganter indicatur aliquando, si momentum habet, diversitas. § 768. Contentioni, § 767.
The collation of beautiful thinking with things different from it, with which it could easily be confused, to illustrate its difference, or PARADIASTOLE and contradistinction, is an antithesis not merely of words wrongly taken as synonyms, but also, and especially, of meanings truly different, whose difference is usually not attended to; hence the diversity is sometimes elegantly indicated if it has weight, §768. To contention, §767,
commodissime subiicitur et illa species, quam distinctionem diximus.
Next to this another form may appropriately be placed, namely that which we have styled distinction,
Quint. l. c. Ovidius de edicto, quo Tomos adire iubebatur:
Quintilian. Ovid on the edict by which he was ordered to go to Tomis:
Quippe relegatus, non exsul, dicor in illo,
Parcaque fortunae sunt data verba meae.
"And thy command, though severe and threatening, was yet mild in naming my punishment, for it calls me relegatus, not exile, and thou dost use therein language especially adapted to my fate."
Trist. II. 1. 137.
Tristia II.1.137.
Nec semper, quod adversum est, contrapponitur.
Again the contrast is not always expressed antithetically, as is shown by the following passage from Rutilius:,
Quint. l. c. Non opus est ad antithesin, ut vera adsit oppositio, quam logici contradictionem vere talem dicimus; sufficit ut apparens contradictio, ut contrarietas, subcontrarietas adsit, et quicquid vel aesthetice, primo saltim obtutu pugnare frontibus adversis sit verisimile. In dictis: Homo potuit non mori, potuit mori, nunc non potest non mori naturaliter, sed instat tempus, quo non poterit mori, contradictionis nihil est, elegantius tamen exornata dare possent antithesin. § 763.
Quintilian. For antithesis there is no need for true opposition, which logicians call contradiction truly such; apparent contradiction, contrariety, subcontrariety, and whatever aesthetically, at least at first glance, is likely to fight with opposed brows, suffice. In the sayings: man could not die, could die, now cannot not die naturally, but a time approaches when he will not be able to die, there is no contradiction; yet more elegantly adorned they could give an antithesis, §763.
Collatio pulcre cogitandi cum diversis ab eodem, quibuscum facile confundi posset, ad illustrandam eius differentiam, s. PARADIASTOLE, et contradistinctio, est antithesis non vocabulorum tantum perperam habitorum in synonymis, sed etiam, et maxime quidem, significatuum, vere differentium, quorum tamen attendi plerumque non solet, hinc eleganter indicatur aliquando, si momentum habet, diversitas. § 768. Contentioni, § 767.
The collation of beautiful thinking with things different from it, with which it could easily be confused, to illustrate its difference, or PARADIASTOLE and contradistinction, is an antithesis not merely of words wrongly taken as synonyms, but also, and especially, of meanings truly different, whose difference is usually not attended to; hence the diversity is sometimes elegantly indicated if it has weight, §768. To contention, §767,
commodissime subiicitur et illa species, quam distinctionem diximus.
Next to this another form may appropriately be placed, namely that which we have styled distinction,
Quint. l. c. Ovidius de edicto, quo Tomos adire iubebatur:
Quintilian. Ovid on the edict by which he was ordered to go to Tomis:
Quippe relegatus, non exsul, dicor in illo,
Parcaque fortunae sunt data verba meae.
"And thy command, though severe and threatening, was yet mild in naming my punishment, for it calls me relegatus, not exile, and thou dost use therein language especially adapted to my fate."
Trist. II. 1. 137.
Tristia II.1.137.
Nec semper, quod adversum est, contrapponitur.
Again the contrast is not always expressed antithetically, as is shown by the following passage from Rutilius:,
Quint. l. c. Non opus est ad antithesin, ut vera adsit oppositio, quam logici contradictionem vere talem dicimus; sufficit ut apparens contradictio, ut contrarietas, subcontrarietas adsit, et quicquid vel aesthetice, primo saltim obtutu pugnare frontibus adversis sit verisimile.
Quintilian. For antithesis there is no need for true opposition, which logicians call contradiction truly such; apparent contradiction, contrariety, subcontrariety, and whatever aesthetically, at least at first glance, is likely to fight with opposed brows, suffice.
In dictis: Homo potuit non mori, potuit mori, nunc non potest non mori naturaliter, sed instat tempus, quo non poterit mori, contradictionis nihil est, elegantius tamen exornata dare possent antithesin. § 763.
In the sayings: man could not die, could die, now cannot not die naturally, but a time approaches when he will not be able to die, there is no contradiction; yet more elegantly adorned they could give an antithesis, §763.
Collatio pulcre cogitandi cum diversis ab eodem,
The collation of beautiful thinking with things different from
quibuscum facile confundi posset,
it, with which it could easily be confused,
ad illustrandam eius differentiam, s. PARADIASTOLE, et contradistinctio,
to illustrate its difference, or PARADIASTOLE and contradistinction,
est antithesis non vocabulorum tantum perperam habitorum in synonymis,
is an antithesis not merely of words wrongly taken as synonyms,
sed etiam, et maxime quidem, significatuum, vere differentium,
but also, and especially, of meanings truly different,
quorum tamen attendi plerumque non solet,
whose difference is usually not attended to;
hinc eleganter indicatur aliquando, si momentum habet, diversitas.
hence the diversity is sometimes elegantly indicated if it has weight,
§ 768. Contentioni, § 767.
§768. To contention, §767,
commodissime subiicitur et illa species, quam distinctionem diximus.
Next to this another form may appropriately be placed, namely that which we have styled distinction,
Quint. l. c. Ovidius de edicto,
Quintilian. Ovid on the edict
quo Tomos adire iubebatur:
by which he was ordered to go to Tomis:
Quippe relegatus, non exsul, dicor in illo,
Parcaque fortunae sunt data verba meae.
"And thy command, though severe and threatening, was yet mild in naming my punishment, for it calls me relegatus, not exile, and thou dost use therein language especially adapted to my fate."
Trist. II. 1. 137.
Tristia II.1.137.
Nec semper, quod adversum est, contrapponitur.
Again the contrast is not always expressed antithetically, as is shown by the following passage from Rutilius:,
Quint. l. c. Non opus est ad antithesin,
Quintilian. For antithesis there is no need for
ut vera adsit oppositio, quam logici contradictionem vere talem
true opposition, which logicians call contradiction truly such;
dicimus; sufficit ut apparens contradictio, ut contrarietas, subcontrarietas adsit,
apparent contradiction, contrariety, subcontrariety,
et quicquid vel aesthetice,
and whatever aesthetically, at least at first glance,
primo saltim obtutu pugnare frontibus adversis sit verisimile.
is likely to fight with opposed brows, suffice.
In dictis: Homo potuit non mori, potuit mori,
In the sayings: man could not die, could die,
nunc non potest non mori naturaliter,
now cannot not die naturally,
sed instat tempus, quo non poterit mori,
but a time approaches when he will not be able to
contradictionis nihil est, elegantius tamen
die, there is no contradiction; yet more elegantly adorned
exornata dare possent antithesin. § 763.
they could give an antithesis, §763.
Collatio pulcre cogitandi cum diversis ab eodem, quibuscum facile confundi posset, ad illustrandam eius differentiam, s. PARADIASTOLE, et contradistinctio, est antithesis non vocabulorum tantum perperam habitorum in synonymis, sed etiam, et maxime quidem, significatuum, vere differentium, quorum tamen attendi plerumque non solet, hinc eleganter indicatur aliquando, si momentum habet, diversitas. § 768. Contentioni, § 767. / The collation of beautiful thinking with things different from it, with which it could easily be confused, to illustrate its difference, or PARADIASTOLE and contradistinction, is an antithesis not merely of words wrongly taken as synonyms, but also, and especially, of meanings truly different, whose difference is usually not attended to; hence the diversity is sometimes elegantly indicated if it has weight, §768. To contention, §767,
commodissime subiicitur et illa species, quam distinctionem diximus.
Next to this another form may appropriately be placed, namely that which we have styled distinction,
Quint. l. c. Ovidius de edicto, quo Tomos adire iubebatur: / Quintilian. Ovid on the edict by which he was ordered to go to Tomis:
Quippe relegatus, non exsul, dicor in illo,
Parcaque fortunae sunt data verba meae.
"And thy command, though severe and threatening, was yet mild in naming my punishment, for it calls me relegatus, not exile, and thou dost use therein language especially adapted to my fate."
Trist. II. 1. 137. / Tristia II.1.137.
Nec semper, quod adversum est, contrapponitur.
Again the contrast is not always expressed antithetically, as is shown by the following passage from Rutilius:,
Quint. l. c. Non opus est ad antithesin, ut vera adsit oppositio, quam logici contradictionem vere talem dicimus; sufficit ut apparens contradictio, ut contrarietas, subcontrarietas adsit, et quicquid vel aesthetice, primo saltim obtutu pugnare frontibus adversis sit verisimile. / Quintilian. For antithesis there is no need for true opposition, which logicians call contradiction truly such; apparent contradiction, contrariety, subcontrariety, and whatever aesthetically, at least at first glance, is likely to fight with opposed brows, suffice.
In dictis: Homo potuit non mori, potuit mori, nunc non potest non mori naturaliter, sed instat tempus, quo non poterit mori, contradictionis nihil est, elegantius tamen exornata dare possent antithesin. § 763. / In the sayings: man could not die, could die, now cannot not die naturally, but a time approaches when he will not be able to die, there is no contradiction; yet more elegantly adorned they could give an antithesis, §763.
§ 771
Quo vero iam nomine commendem oxymoron? Ennii:
By what name shall I now commend oxymoron? Ennius'
memet dementem;
myself mad;
Terentii:
Terence's
cum ratione insanire,
if you expect to render these things, naturally uncertain, certain by dint of reason, you wouldn't effect it a bit the more than if you were to use your endeavors to be mad with reason.,
et:
and
id aliquid nihil est;
in the mean time, something will turn up, I trust.
That something is nothing.;
Ciceronis:
Cicero's
dum tacent, clamant;
But to you, Catiline, while they are quiet they approve, while they permit me to speak they vote, while they are silent they are loud and eloquent.;
Virgilii:
Virgil's
Num capti potuere capi?
"Did no one die
on Troy's embattled plain? Could captured slaves
not be enslaved again? Was Ilium's flame
no warrior's funeral pyre?";
Horatii, sed et heic iocati:
Horace's, though joking here,
Insanientis dum sapientiae
Consultus erro.
"My prayers were scant, my offerings few,
While witless wisdom fool'd my mind;
But now I trim my sails anew,
And trace the course I left behind.";
Ovidii iniusta iusta et:
Ovid's unjust justice and
Ut quaeque pia est, hortatibus impia prima est,
Et, ne sit scelerata, facit scelus,
"Through these persuasions which of them so ever went about
To shewe hirselfe most naturall, became the first that wrought
Against all nature: and for feare she should be wicked thought,
She executes the wickednesse which most to shun she sought."
quod miserrimum est fatum errantis conscientiae,
which is the most miserable fate of erring conscience,
Impietate pia est.
"But better sister ginneth she than mother for to be.
And to th'intent hir brothers ghostes with bloud to honor, she
In meaning to be one way kinde, doth worke another way
Against kinde.";
illud multorum:
the saying of many:
male olent, qui semper bene olent;
How shall I explain this, that your kisses smell of myrrh, and that there is about you invariably some foreign odour? This is suspect to me, your being well-scented, Postumus, always. Postumus, he is not well scented who always is well-scented!
haec, inquam, omnia, quantis auctoritatibus bellam figuram, si taceo, clamant? Interim ingenue fateor, in omnibus figuris sententiae quae mihi minime placeat, hanc esse. Caussam puto frigidissimum abusum eiusdem, et trita exempla, tritissimorumque parodias magis inficetas, quibus circumsonant, qui nesciunt acumen aliud, quam paradoxes huius furfuris foecundum.
All these, I say, with how many authorities would cry out, if I were silent, that this is a beautiful figure? Meanwhile I honestly confess that among all figures of thought this is the one that pleases me least. I think the cause is the very cold abuse of it, and the worn examples and still more tasteless parodies of the most worn examples with which those resound who know no other acuteness than one fertile in paradoxes of this bran.
Quo vero iam nomine commendem oxymoron?
By what name shall I now commend oxymoron?
Ennii:
Ennius'
memet dementem;
myself mad;
Terentii:
Terence's
cum ratione insanire,
if you expect to render these things, naturally uncertain, certain by dint of reason, you wouldn't effect it a bit the more than if you were to use your endeavors to be mad with reason.,
et:
and
id aliquid nihil est;
in the mean time, something will turn up, I trust.
That something is nothing.;
Ciceronis:
Cicero's
dum tacent, clamant;
But to you, Catiline, while they are quiet they approve, while they permit me to speak they vote, while they are silent they are loud and eloquent.;
Virgilii:
Virgil's
Num capti potuere capi?
"Did no one die
on Troy's embattled plain? Could captured slaves
not be enslaved again? Was Ilium's flame
no warrior's funeral pyre?";
Horatii, sed et heic iocati:
Horace's, though joking here,
Insanientis dum sapientiae
Consultus erro.
"My prayers were scant, my offerings few,
While witless wisdom fool'd my mind;
But now I trim my sails anew,
And trace the course I left behind.";
Ovidii iniusta iusta et:
Ovid's unjust justice and
Ut quaeque pia est, hortatibus impia prima est,
Et, ne sit scelerata, facit scelus,
"Through these persuasions which of them so ever went about
To shewe hirselfe most naturall, became the first that wrought
Against all nature: and for feare she should be wicked thought,
She executes the wickednesse which most to shun she sought."
quod miserrimum est fatum errantis conscientiae,
which is the most miserable fate of erring conscience,
Impietate pia est.
"But better sister ginneth she than mother for to be.
And to th'intent hir brothers ghostes with bloud to honor, she
In meaning to be one way kinde, doth worke another way
Against kinde.";
illud multorum:
the saying of many:
male olent, qui semper bene olent;
How shall I explain this, that your kisses smell of myrrh, and that there is about you invariably some foreign odour? This is suspect to me, your being well-scented, Postumus, always. Postumus, he is not well scented who always is well-scented!
haec, inquam, omnia, quantis auctoritatibus bellam figuram, si taceo, clamant?
All these, I say, with how many authorities would cry out, if I were silent, that this is a beautiful figure?
Interim ingenue fateor, in omnibus figuris sententiae quae mihi minime placeat, hanc esse.
Meanwhile I honestly confess that among all figures of thought this is the one that pleases me least.
Caussam puto frigidissimum abusum eiusdem, et trita exempla, tritissimorumque parodias magis inficetas, quibus circumsonant, qui nesciunt acumen aliud, quam paradoxes huius furfuris foecundum.
I think the cause is the very cold abuse of it, and the worn examples and still more tasteless parodies of the most worn examples with which those resound who know no other acuteness than one fertile in paradoxes of this bran.
Quo vero iam nomine commendem oxymoron?
By what name shall I now commend oxymoron?
Ennii:
Ennius'
memet dementem;
myself mad;
Terentii:
Terence's
cum ratione insanire,
if you expect to render these things, naturally uncertain, certain by dint of reason, you wouldn't effect it a bit the more than if you were to use your endeavors to be mad with reason.,
et:
and
id aliquid nihil est;
in the mean time, something will turn up, I trust.
That something is nothing.;
Ciceronis:
Cicero's
dum tacent, clamant;
But to you, Catiline, while they are quiet they approve, while they permit me to speak they vote, while they are silent they are loud and eloquent.;
Virgilii:
Virgil's
Num capti potuere capi?
"Did no one die
on Troy's embattled plain? Could captured slaves
not be enslaved again? Was Ilium's flame
no warrior's funeral pyre?";
Horatii, sed et heic iocati:
Horace's, though joking here,
Insanientis dum sapientiae
Consultus erro.
"My prayers were scant, my offerings few,
While witless wisdom fool'd my mind;
But now I trim my sails anew,
And trace the course I left behind.";
Ovidii iniusta iusta et:
Ovid's unjust justice and
Ut quaeque pia est, hortatibus impia prima est,
Et, ne sit scelerata, facit scelus,
"Through these persuasions which of them so ever went about
To shewe hirselfe most naturall, became the first that wrought
Against all nature: and for feare she should be wicked thought,
She executes the wickednesse which most to shun she sought."
quod miserrimum est fatum errantis conscientiae,
which is the most miserable fate of erring conscience,
Impietate pia est.
"But better sister ginneth she than mother for to be.
And to th'intent hir brothers ghostes with bloud to honor, she
In meaning to be one way kinde, doth worke another way
Against kinde.";
illud multorum:
the saying of many:
male olent, qui semper bene olent;
How shall I explain this, that your kisses smell of myrrh, and that there is about you invariably some foreign odour? This is suspect to me, your being well-scented, Postumus, always. Postumus, he is not well scented who always is well-scented!
haec, inquam, omnia, quantis auctoritatibus bellam figuram,
All these, I say, with how many authorities would cry out,
si taceo, clamant?
if I were silent, that this is a beautiful figure?
Interim ingenue fateor, in omnibus figuris
Meanwhile I honestly confess that among all figures of
sententiae quae mihi minime placeat, hanc esse.
thought this is the one that pleases me least.
Caussam puto frigidissimum abusum eiusdem,
I think the cause is the very cold abuse of
et trita exempla, tritissimorumque parodias magis inficetas,
it, and the worn examples and still more tasteless parodies of the
quibus circumsonant,
most worn examples with which those
qui nesciunt acumen aliud,
resound who know no other acuteness than
quam paradoxes huius furfuris foecundum.
one fertile in paradoxes of this bran.
Quo vero iam nomine commendem oxymoron? / By what name shall I now commend oxymoron?
Ennii: / Ennius'
memet dementem;
myself mad;
Terentii: / Terence's
cum ratione insanire,
if you expect to render these things, naturally uncertain, certain by dint of reason, you wouldn't effect it a bit the more than if you were to use your endeavors to be mad with reason.,
et: / and
id aliquid nihil est;
in the mean time, something will turn up, I trust.
That something is nothing.;
Ciceronis: / Cicero's
dum tacent, clamant;
But to you, Catiline, while they are quiet they approve, while they permit me to speak they vote, while they are silent they are loud and eloquent.;
Virgilii: / Virgil's
Num capti potuere capi?
"Did no one die
on Troy's embattled plain? Could captured slaves
not be enslaved again? Was Ilium's flame
no warrior's funeral pyre?";
Horatii, sed et heic iocati: / Horace's, though joking here,
Insanientis dum sapientiae
Consultus erro.
"My prayers were scant, my offerings few,
While witless wisdom fool'd my mind;
But now I trim my sails anew,
And trace the course I left behind.";
Ovidii iniusta iusta et: / Ovid's unjust justice and
Ut quaeque pia est, hortatibus impia prima est,
Et, ne sit scelerata, facit scelus,
"Through these persuasions which of them so ever went about
To shewe hirselfe most naturall, became the first that wrought
Against all nature: and for feare she should be wicked thought,
She executes the wickednesse which most to shun she sought."
quod miserrimum est fatum errantis conscientiae, / which is the most miserable fate of erring conscience,
Impietate pia est.
"But better sister ginneth she than mother for to be.
And to th'intent hir brothers ghostes with bloud to honor, she
In meaning to be one way kinde, doth worke another way
Against kinde.";
illud multorum: / the saying of many:
male olent, qui semper bene olent;
How shall I explain this, that your kisses smell of myrrh, and that there is about you invariably some foreign odour? This is suspect to me, your being well-scented, Postumus, always. Postumus, he is not well scented who always is well-scented!
haec, inquam, omnia, quantis auctoritatibus bellam figuram, si taceo, clamant? / All these, I say, with how many authorities would cry out, if I were silent, that this is a beautiful figure?
Interim ingenue fateor, in omnibus figuris sententiae quae mihi minime placeat, hanc esse. / Meanwhile I honestly confess that among all figures of thought this is the one that pleases me least.
Caussam puto frigidissimum abusum eiusdem, et trita exempla, tritissimorumque parodias magis inficetas, quibus circumsonant, qui nesciunt acumen aliud, quam paradoxes huius furfuris foecundum. / I think the cause is the very cold abuse of it, and the worn examples and still more tasteless parodies of the most worn examples with which those resound who know no other acuteness than one fertile in paradoxes of this bran.
§ 772
Simpliciorem ad antithesin liceat relabi, quam sub dissimilitudine, § 763. complecti solent, vere tamen inaequalitatem potius dicere deberemus, quando convenientia inter se in aliquo tertio, ideo comparantur, ut eorum illustretur inaequalitas, aut, hac concessa, declaretur illud minus esse, quod obiecto meo personali videbatur maius, vel vice versa. Talem antithesin Romuli et Augusti Ovidius habet, ad hunc illi praeferendum, Fast. II.
Let it be permitted to fall back to a simpler antithesis, which they usually include under dissimilarity, §763, though truly we ought rather to call it inequality, when things agreeing with one another in some third are compared so that their inequality may be illustrated, or, once this is conceded, so that what seemed greater to my personal object may be declared lesser, or vice versa. Ovid has such an antithesis of Romulus and Augustus in order to prefer Augustus to Romulus, Fasti II:
Romule, concedas. Facit hic tua magna tuendo
Moenia, tu dederas transilienda Remo.
Te Tatius, parvique Cures, Caeninaque sensit,
Hoc duce romanum est solis utrumque latus.
Tu breve, nescio quid, victae telluris habebas,
Quodcunque est alto sub Iove, Caesar habet.
Tu raptas, hic castas duce se iubet esse maritas;
Tu recipis luco, submovet ille nefas.
Vis tibi grata fuit, florent sub Caesare leges,
Tu domini nomen, principis ille tenet.
Te Remus accusat, veniam dedit hostibus ille,
Caelestem fecit te pater, ille patrem.
"Romulus, thou must give way, for 'tis he who makes thy walls great by defending them; while thou hadst left them so low as to be overleapt by Remus. Thee indeed, Tatius felt, and humble Cures, and Caenina; but under this chief each region of the sun is Roman. Thou didst possess a trifling piece of conquered ground. Over all that is beneath supreme Jove, does Caesar hold sway. Thou actest the ravisher's part: he bids wives to be virtuous under his rule. Thou shelterest the guilty in the asylum of the grove; he removes afar all guilt. Violence was thy delight; under Caesar the laws are in force. Thou hadst the name of Master, he has that of chief citizen. Remus upbraids thee with murder; he has forgiven even his enemies. Thy sire raised thee to the skies, it is he who has raised his father."
Sic Cicero iuris et armorum peritum inter se comparat, ut huius illustret excellentiam.
Thus Cicero compares the expert in law and the expert in arms so as to illustrate the excellence of the latter.
Simpliciorem ad antithesin liceat relabi, quam sub dissimilitudine, § 763. complecti solent, vere tamen inaequalitatem potius dicere deberemus, quando convenientia inter se in aliquo tertio, ideo comparantur, ut eorum illustretur inaequalitas, aut, hac concessa, declaretur illud minus esse, quod obiecto meo personali videbatur maius, vel vice versa.
Let it be permitted to fall back to a simpler antithesis, which they usually include under dissimilarity, §763, though truly we ought rather to call it inequality, when things agreeing with one another in some third are compared so that their inequality may be illustrated, or, once this is conceded, so that what seemed greater to my personal object may be declared lesser, or vice versa.
Talem antithesin Romuli et Augusti Ovidius habet, ad hunc illi praeferendum, Fast. II.
Ovid has such an antithesis of Romulus and Augustus in order to prefer Augustus to Romulus, Fasti II:
Romule, concedas. Facit hic tua magna tuendo
Moenia, tu dederas transilienda Remo.
Te Tatius, parvique Cures, Caeninaque sensit,
Hoc duce romanum est solis utrumque latus.
Tu breve, nescio quid, victae telluris habebas,
Quodcunque est alto sub Iove, Caesar habet.
Tu raptas, hic castas duce se iubet esse maritas;
Tu recipis luco, submovet ille nefas.
Vis tibi grata fuit, florent sub Caesare leges,
Tu domini nomen, principis ille tenet.
Te Remus accusat, veniam dedit hostibus ille,
Caelestem fecit te pater, ille patrem.
"Romulus, thou must give way, for 'tis he who makes thy walls great by defending them; while thou hadst left them so low as to be overleapt by Remus. Thee indeed, Tatius felt, and humble Cures, and Caenina; but under this chief each region of the sun is Roman. Thou didst possess a trifling piece of conquered ground. Over all that is beneath supreme Jove, does Caesar hold sway. Thou actest the ravisher's part: he bids wives to be virtuous under his rule. Thou shelterest the guilty in the asylum of the grove; he removes afar all guilt. Violence was thy delight; under Caesar the laws are in force. Thou hadst the name of Master, he has that of chief citizen. Remus upbraids thee with murder; he has forgiven even his enemies. Thy sire raised thee to the skies, it is he who has raised his father."
Sic Cicero iuris et armorum peritum inter se comparat, ut huius illustret excellentiam.
Thus Cicero compares the expert in law and the expert in arms so as to illustrate the excellence of the latter.
Simpliciorem ad antithesin
Let it be permitted to fall back to a simpler antithesis,
liceat relabi, quam sub dissimilitudine, § 763.
which they usually include under dissimilarity, §763,
complecti solent, vere tamen inaequalitatem
though truly we ought rather to call it inequality,
potius dicere deberemus, quando convenientia inter se in aliquo tertio,
when things agreeing with one another in some third
ideo comparantur, ut eorum illustretur inaequalitas, aut,
are compared so that their inequality may be
hac concessa, declaretur illud minus esse,
illustrated, or, once this is conceded,
quod obiecto meo personali videbatur maius,
so that what seemed greater to my personal object may be
vel vice versa.
declared lesser, or vice versa.
Talem antithesin Romuli et Augusti Ovidius habet,
Ovid has such an antithesis of Romulus and Augustus in order
ad hunc illi praeferendum, Fast. II.
to prefer Augustus to Romulus, Fasti II:
Romule, concedas. Facit hic tua magna tuendo
Moenia, tu dederas transilienda Remo.
Te Tatius, parvique Cures, Caeninaque sensit,
Hoc duce romanum est solis utrumque latus.
Tu breve, nescio quid, victae telluris habebas,
Quodcunque est alto sub Iove, Caesar habet.
Tu raptas, hic castas duce se iubet esse maritas;
Tu recipis luco, submovet ille nefas.
Vis tibi grata fuit, florent sub Caesare leges,
Tu domini nomen, principis ille tenet.
Te Remus accusat, veniam dedit hostibus ille,
Caelestem fecit te pater, ille patrem.
"Romulus, thou must give way, for 'tis he who makes thy walls great by defending them; while thou hadst left them so low as to be overleapt by Remus. Thee indeed, Tatius felt, and humble Cures, and Caenina; but under this chief each region of the sun is Roman. Thou didst possess a trifling piece of conquered ground. Over all that is beneath supreme Jove, does Caesar hold sway. Thou actest the ravisher's part: he bids wives to be virtuous under his rule. Thou shelterest the guilty in the asylum of the grove; he removes afar all guilt. Violence was thy delight; under Caesar the laws are in force. Thou hadst the name of Master, he has that of chief citizen. Remus upbraids thee with murder; he has forgiven even his enemies. Thy sire raised thee to the skies, it is he who has raised his father."
Sic Cicero iuris et armorum
Thus Cicero compares the expert in law and the
peritum inter se comparat, ut huius illustret excellentiam.
expert in arms so as to illustrate the excellence of the latter.
Simpliciorem ad antithesin liceat relabi, quam sub dissimilitudine, § 763. complecti solent, vere tamen inaequalitatem potius dicere deberemus, quando convenientia inter se in aliquo tertio, ideo comparantur, ut eorum illustretur inaequalitas, aut, hac concessa, declaretur illud minus esse, quod obiecto meo personali videbatur maius, vel vice versa. / Let it be permitted to fall back to a simpler antithesis, which they usually include under dissimilarity, §763, though truly we ought rather to call it inequality, when things agreeing with one another in some third are compared so that their inequality may be illustrated, or, once this is conceded, so that what seemed greater to my personal object may be declared lesser, or vice versa.
Talem antithesin Romuli et Augusti Ovidius habet, ad hunc illi praeferendum, Fast. II. / Ovid has such an antithesis of Romulus and Augustus in order to prefer Augustus to Romulus, Fasti II:
Romule, concedas. Facit hic tua magna tuendo
Moenia, tu dederas transilienda Remo.
Te Tatius, parvique Cures, Caeninaque sensit,
Hoc duce romanum est solis utrumque latus.
Tu breve, nescio quid, victae telluris habebas,
Quodcunque est alto sub Iove, Caesar habet.
Tu raptas, hic castas duce se iubet esse maritas;
Tu recipis luco, submovet ille nefas.
Vis tibi grata fuit, florent sub Caesare leges,
Tu domini nomen, principis ille tenet.
Te Remus accusat, veniam dedit hostibus ille,
Caelestem fecit te pater, ille patrem.
"Romulus, thou must give way, for 'tis he who makes thy walls great by defending them; while thou hadst left them so low as to be overleapt by Remus. Thee indeed, Tatius felt, and humble Cures, and Caenina; but under this chief each region of the sun is Roman. Thou didst possess a trifling piece of conquered ground. Over all that is beneath supreme Jove, does Caesar hold sway. Thou actest the ravisher's part: he bids wives to be virtuous under his rule. Thou shelterest the guilty in the asylum of the grove; he removes afar all guilt. Violence was thy delight; under Caesar the laws are in force. Thou hadst the name of Master, he has that of chief citizen. Remus upbraids thee with murder; he has forgiven even his enemies. Thy sire raised thee to the skies, it is he who has raised his father."
Sic Cicero iuris et armorum peritum inter se comparat, ut huius illustret excellentiam. / Thus Cicero compares the expert in law and the expert in arms so as to illustrate the excellence of the latter.
§ 773
SECTIO XXXXVI
COMPARATIO STRICTIUS DICTA
Comparatio latius dicta, § 734. cum illustrando conferens ideam quamcunque sociam, coniunctam et connexam, quae neque simile, § 735. nec pars, nec totum, nec illius superius, nec inferius, S. XXXXIIII. nec oppositum sit, S. XXXXV. quoniam peculiare nomen non accepit, generale retineat: 4) COMPARATIO STRICTIUS DICTA. Iam hinc patet iniri numerum huc pertinentium illustrationum non posse, nec diversis insigniri quamlibet denominationibus. Satius est apertos servari quosdam carceres, quibus includi queant promotura rem venustae meditationis, in occlusos iam et limitibus suis circumscriptos locos non intromittenda. Huc ergo refer exempli gratia comparationem a) caussatorum cum caussis, quas schola dicit externas, efficientibus et finalibus. Internas enim materiam et formam comparatio maioris ac minoris sibi vindicaverit, § 742.
SECTION XXXXVI
COMPARISON MORE STRICTLY SO CALLED
Comparison broadly so called, §734, when in illustrating it brings together any associated, conjoined, and connected idea which is neither similar, §735, nor part, whole, superior or inferior of it, Section XXXXIIII, nor opposite, Section XXXXV, should retain the general name because it has received no special one: 4) COMPARISON STRICTLY SO CALLED. From this it is already clear that the number of illustrations belonging here cannot be counted, nor each marked with different names. It is better that certain open starting gates be preserved, within which things that will advance the business of graceful meditation can be included, than that they be excluded from places already closed and circumscribed by their limits. Refer here, therefore, for example, comparison a) of effects with causes, which the school calls external, efficient and final. Internal causes, matter and form, comparison of greater and lesser will claim for itself, §742.
SECTIO XXXXVI
COMPARATIO STRICTIUS DICTA
Comparatio latius dicta, § 734. cum illustrando conferens ideam quamcunque sociam, coniunctam et connexam, quae neque simile, § 735. nec pars, nec totum, nec illius superius, nec inferius, S. XXXXIIII. nec oppositum sit, S. XXXXV. quoniam peculiare nomen non accepit, generale retineat: 4) COMPARATIO STRICTIUS DICTA.
SECTION XXXXVI
COMPARISON MORE STRICTLY SO CALLED
Comparison broadly so called, §734, when in illustrating it brings together any associated, conjoined, and connected idea which is neither similar, §735, nor part, whole, superior or inferior of it, Section XXXXIIII, nor opposite, Section XXXXV, should retain the general name because it has received no special one: 4) COMPARISON STRICTLY SO CALLED.
Iam hinc patet iniri numerum huc pertinentium illustrationum non posse, nec diversis insigniri quamlibet denominationibus.
From this it is already clear that the number of illustrations belonging here cannot be counted, nor each marked with different names.
Satius est apertos servari quosdam carceres, quibus includi queant promotura rem venustae meditationis, in occlusos iam et limitibus suis circumscriptos locos non intromittenda.
It is better that certain open starting gates be preserved, within which things that will advance the business of graceful meditation can be included, than that they be excluded from places already closed and circumscribed by their limits.
Huc ergo refer exempli gratia comparationem a) caussatorum cum caussis, quas schola dicit externas, efficientibus et finalibus.
Refer here, therefore, for example, comparison a) of effects with causes, which the school calls external, efficient and final.
Internas enim materiam et formam comparatio maioris ac minoris sibi vindicaverit, § 742.
Internal causes, matter and form, comparison of greater and lesser will claim for itself, §742.
SECTIO XXXXVI COMPARATIO STRICTIUS DICTA Comparatio latius dicta, § 734.
SECTION XXXXVI COMPARISON MORE STRICTLY SO CALLED Comparison broadly so called, §734,
cum illustrando conferens ideam quamcunque sociam, coniunctam
when in illustrating it brings together any associated, conjoined,
et connexam, quae neque simile, § 735.
and connected idea which is neither similar, §735,
nec pars, nec totum, nec illius superius, nec inferius, S.
nor part, whole, superior or inferior of it, Section
XXXXIIII. nec oppositum sit, S. XXXXV.
XXXXIIII, nor opposite, Section XXXXV,
quoniam peculiare nomen non accepit, generale retineat:
should retain the general name because it has received no special one:
4) COMPARATIO STRICTIUS DICTA.
4) COMPARISON STRICTLY SO CALLED.
Iam hinc patet iniri numerum
From this it is already clear that the number
huc pertinentium illustrationum non posse, nec
of illustrations belonging here cannot be counted,
diversis insigniri quamlibet denominationibus.
nor each marked with different names.
Satius est apertos servari quosdam carceres,
It is better that certain open starting gates be preserved,
quibus includi queant promotura rem venustae meditationis,
within which things that will advance the business of graceful meditation
in occlusos iam
can be included, than that they be excluded from
et limitibus suis circumscriptos locos non intromittenda.
places already closed and circumscribed by their limits.
Huc ergo refer exempli
Refer here, therefore, for example,
gratia comparationem a) caussatorum cum caussis,
comparison a) of effects with causes,
quas schola dicit externas, efficientibus et finalibus.
which the school calls external, efficient and final.
Internas enim materiam et formam comparatio maioris ac
Internal causes, matter and form, comparison of greater and
minoris sibi vindicaverit, § 742.
lesser will claim for itself, §742.
SECTIO XXXXVI COMPARATIO STRICTIUS DICTA Comparatio latius dicta, § 734. cum illustrando conferens ideam quamcunque sociam, coniunctam et connexam, quae neque simile, § 735. nec pars, nec totum, nec illius superius, nec inferius, S. XXXXIIII. nec oppositum sit, S. XXXXV. quoniam peculiare nomen non accepit, generale retineat: 4) COMPARATIO STRICTIUS DICTA. / SECTION XXXXVI COMPARISON MORE STRICTLY SO CALLED Comparison broadly so called, §734, when in illustrating it brings together any associated, conjoined, and connected idea which is neither similar, §735, nor part, whole, superior or inferior of it, Section XXXXIIII, nor opposite, Section XXXXV, should retain the general name because it has received no special one: 4) COMPARISON STRICTLY SO CALLED.
Iam hinc patet iniri numerum huc pertinentium illustrationum non posse, nec diversis insigniri quamlibet denominationibus. / From this it is already clear that the number of illustrations belonging here cannot be counted, nor each marked with different names.
Satius est apertos servari quosdam carceres, quibus includi queant promotura rem venustae meditationis, in occlusos iam et limitibus suis circumscriptos locos non intromittenda. / It is better that certain open starting gates be preserved, within which things that will advance the business of graceful meditation can be included, than that they be excluded from places already closed and circumscribed by their limits.
Huc ergo refer exempli gratia comparationem a) caussatorum cum caussis, quas schola dicit externas, efficientibus et finalibus. / Refer here, therefore, for example, comparison a) of effects with causes, which the school calls external, efficient and final.
Internas enim materiam et formam comparatio maioris ac minoris sibi vindicaverit, § 742. / Internal causes, matter and form, comparison of greater and lesser will claim for itself, §742.
§ 774
Habes hinc illustrationem α) effectus a caussa efficiente:
Hence you have illustration α) of an effect from the efficient cause:
Pocula, caelatum divini opus Alcimedontis.
"But I will stake,
seeing you are so mad, what you yourself
will own more priceless far—two beechen cups
by the divine art of Alcimedon
wrought and embossed,"
Virg. ecl. 3. 37. β) caussae efficientis ab effectu:
Virgil, Eclogue 3.37. β) Of the efficient cause from the effect:
Conon, et quis fuit alter,
Descripsit radio totum qui gentibus orbem,
Tempora quae messor, quae curvus arator haberet?
"Two figures, one Conon, in the midst he set,
and one—how call you him, who with his wand
marked out for all men the whole round of heaven,
that they who reap, or stoop behind the plough,
might know their several seasons?"
v. 42. γ) medii a fine:
v.42. γ) Of the means from the end:
Daphnidi, arcum
Fregisti et calamos, quae tu, perverse Menalca,
Et quum vidisti puero donata, dolebas,
Et, si non aliqua nocuisses, mortuus esses.
"Or here by these old beeches, when you broke
the bow and arrows of Damon; for you chafed
when first you saw them given to the boy,
cross-grained Menalcas, ay, and had you not
done him some mischief, would have chafed to death."
v. 15. δ) finis a medio:
v.15. δ) Of the end from the means:
Parta meae Veneri sunt munera. Namque notavi
Ipse locum, aeriae quo congessere palumbes.
M. Quod potui, puero silvestri ex arbore lecta
Aurea mala decem misi, cras altera mittam.
"“Gifts for my love I've found; mine eyes have marked
where the wood-pigeons build their airy nests.”
“Ten golden apples have I sent my boy,
all that I could, to-morrow as many more.”"
71. En! tibi pastores, qui
v.71. Behold shepherds for you, who
Felices poterant rerum cognoscere caussas!
"Happy, who had the skill to understand
Nature's hid causes,"
Habes hinc illustrationem α) effectus a caussa efficiente:
Hence you have illustration α) of an effect from the efficient cause:
Pocula, caelatum divini opus Alcimedontis.
"But I will stake,
seeing you are so mad, what you yourself
will own more priceless far—two beechen cups
by the divine art of Alcimedon
wrought and embossed,"
Virg. ecl. 3. 37. β) caussae efficientis ab effectu:
Virgil, Eclogue 3.37. β) Of the efficient cause from the effect:
Conon, et quis fuit alter,
Descripsit radio totum qui gentibus orbem,
Tempora quae messor, quae curvus arator haberet?
"Two figures, one Conon, in the midst he set,
and one—how call you him, who with his wand
marked out for all men the whole round of heaven,
that they who reap, or stoop behind the plough,
might know their several seasons?"
v. 42. γ) medii a fine:
v.42. γ) Of the means from the end:
Daphnidi, arcum
Fregisti et calamos, quae tu, perverse Menalca,
Et quum vidisti puero donata, dolebas,
Et, si non aliqua nocuisses, mortuus esses.
"Or here by these old beeches, when you broke
the bow and arrows of Damon; for you chafed
when first you saw them given to the boy,
cross-grained Menalcas, ay, and had you not
done him some mischief, would have chafed to death."
v. 15. δ) finis a medio:
v.15. δ) Of the end from the means:
Parta meae Veneri sunt munera. Namque notavi
Ipse locum, aeriae quo congessere palumbes.
M. Quod potui, puero silvestri ex arbore lecta
Aurea mala decem misi, cras altera mittam.
"“Gifts for my love I've found; mine eyes have marked
where the wood-pigeons build their airy nests.”
“Ten golden apples have I sent my boy,
all that I could, to-morrow as many more.”"
71. En! tibi pastores, qui
v.71. Behold shepherds for you, who
Felices poterant rerum cognoscere caussas!
"Happy, who had the skill to understand
Nature's hid causes,"
Habes hinc illustrationem α) effectus a caussa efficiente:
Hence you have illustration α) of an effect from the efficient cause:
Pocula, caelatum divini opus Alcimedontis.
"But I will stake,
seeing you are so mad, what you yourself
will own more priceless far—two beechen cups
by the divine art of Alcimedon
wrought and embossed,"
Virg. ecl. 3. 37. β) caussae efficientis ab effectu:
Virgil, Eclogue 3.37. β) Of the efficient cause from the effect:
Conon, et quis fuit alter,
Descripsit radio totum qui gentibus orbem,
Tempora quae messor, quae curvus arator haberet?
"Two figures, one Conon, in the midst he set,
and one—how call you him, who with his wand
marked out for all men the whole round of heaven,
that they who reap, or stoop behind the plough,
might know their several seasons?"
v. 42. γ) medii a fine:
v.42. γ) Of the means from the end:
Daphnidi, arcum
Fregisti et calamos, quae tu, perverse Menalca,
Et quum vidisti puero donata, dolebas,
Et, si non aliqua nocuisses, mortuus esses.
"Or here by these old beeches, when you broke
the bow and arrows of Damon; for you chafed
when first you saw them given to the boy,
cross-grained Menalcas, ay, and had you not
done him some mischief, would have chafed to death."
v. 15. δ) finis a medio:
v.15. δ) Of the end from the means:
Parta meae Veneri sunt munera. Namque notavi
Ipse locum, aeriae quo congessere palumbes.
M. Quod potui, puero silvestri ex arbore lecta
Aurea mala decem misi, cras altera mittam.
"“Gifts for my love I've found; mine eyes have marked
where the wood-pigeons build their airy nests.”
“Ten golden apples have I sent my boy,
all that I could, to-morrow as many more.”"
71. En! tibi pastores, qui
v.71. Behold shepherds for you, who
Felices poterant rerum cognoscere caussas!
"Happy, who had the skill to understand
Nature's hid causes,"
Habes hinc illustrationem α) effectus a caussa efficiente: / Hence you have illustration α) of an effect from the efficient cause:
Pocula, caelatum divini opus Alcimedontis.
"But I will stake,
seeing you are so mad, what you yourself
will own more priceless far—two beechen cups
by the divine art of Alcimedon
wrought and embossed,"
Virg. ecl. 3. 37. β) caussae efficientis ab effectu: / Virgil, Eclogue 3.37. β) Of the efficient cause from the effect:
Conon, et quis fuit alter,
Descripsit radio totum qui gentibus orbem,
Tempora quae messor, quae curvus arator haberet?
"Two figures, one Conon, in the midst he set,
and one—how call you him, who with his wand
marked out for all men the whole round of heaven,
that they who reap, or stoop behind the plough,
might know their several seasons?"
v. 42. γ) medii a fine: / v.42. γ) Of the means from the end:
Daphnidi, arcum
Fregisti et calamos, quae tu, perverse Menalca,
Et quum vidisti puero donata, dolebas,
Et, si non aliqua nocuisses, mortuus esses.
"Or here by these old beeches, when you broke
the bow and arrows of Damon; for you chafed
when first you saw them given to the boy,
cross-grained Menalcas, ay, and had you not
done him some mischief, would have chafed to death."
v. 15. δ) finis a medio: / v.15. δ) Of the end from the means:
Parta meae Veneri sunt munera. Namque notavi
Ipse locum, aeriae quo congessere palumbes.
M. Quod potui, puero silvestri ex arbore lecta
Aurea mala decem misi, cras altera mittam.
"“Gifts for my love I've found; mine eyes have marked
where the wood-pigeons build their airy nests.”
“Ten golden apples have I sent my boy,
all that I could, to-morrow as many more.”"
71. En! tibi pastores, qui / v.71. Behold shepherds for you, who
Felices poterant rerum cognoscere caussas!
"Happy, who had the skill to understand
Nature's hid causes,"
§ 775
Comparatio strictius dicta est b) signi et signati, § 773. Unde illustratio α) signi ex signato. Signa mortem Caesaris portendentia descripserat Virgilius Georg. I. 464–488, et illustrat ex signato, secundum verisimilitudinem aestheticam:
Strict comparison is b) of sign and signified, §773. Hence illustration α) of the sign from the signified. Virgil had described the signs portending Caesar's death, Georgics I.464–488, and illustrates them from the signified according to aesthetic verisimilitude:
Ergo inter sese paribus concurrere telis
Romanas acies iterum videre Philippi,
Nec fuit indignum superis, bis sanguine nostro
Emathiam et latos Haemi pinguescere campos.
"Therefore a second time Philippi saw
The Roman hosts with kindred weapons rush
To battle, nor did the high gods deem it hard
That twice Emathia and the wide champaign
Of Haemus should be fattening with our blood."
Addit statim illustrationem poeta huius β) signati ex signo iam rememorativo s. mnemonico, tunc futuro:
The poet immediately adds an illustration β) of the signified from a sign, now recollective or mnemonic, then future:
Scilicet et tempus veniet, quum finibus illis
Agricola, incurvo terram molitus aratro,
Exesa inveniet scabra rubigine pila,
Aut gravibus rastris galeas pulsabit inanes
Grandiaque effossis mirabitur ossa sepulcris.
"Ay, and the time will come when there anigh,
Heaving the earth up with his curved plough,
Some swain will light on javelins by foul rust
Corroded, or with ponderous harrow strike
On empty helmets, while he gapes to see
Bones as of giants from the trench untombed."
Comparatio strictius dicta est b) signi et signati, § 773. Unde illustratio α) signi ex signato.
Strict comparison is b) of sign and signified, §773. Hence illustration α) of the sign from the signified.
Signa mortem Caesaris portendentia descripserat Virgilius Georg. I. 464–488, et illustrat ex signato, secundum verisimilitudinem aestheticam:
Virgil had described the signs portending Caesar's death, Georgics I.464–488, and illustrates them from the signified according to aesthetic verisimilitude:
Ergo inter sese paribus concurrere telis
Romanas acies iterum videre Philippi,
Nec fuit indignum superis, bis sanguine nostro
Emathiam et latos Haemi pinguescere campos.
"Therefore a second time Philippi saw
The Roman hosts with kindred weapons rush
To battle, nor did the high gods deem it hard
That twice Emathia and the wide champaign
Of Haemus should be fattening with our blood."
Addit statim illustrationem poeta huius β) signati ex signo iam rememorativo s. mnemonico, tunc futuro:
The poet immediately adds an illustration β) of the signified from a sign, now recollective or mnemonic, then future:
Scilicet et tempus veniet, quum finibus illis
Agricola, incurvo terram molitus aratro,
Exesa inveniet scabra rubigine pila,
Aut gravibus rastris galeas pulsabit inanes
Grandiaque effossis mirabitur ossa sepulcris.
"Ay, and the time will come when there anigh,
Heaving the earth up with his curved plough,
Some swain will light on javelins by foul rust
Corroded, or with ponderous harrow strike
On empty helmets, while he gapes to see
Bones as of giants from the trench untombed."
Comparatio strictius dicta est b) signi et signati, § 773.
Strict comparison is b) of sign and signified, §773.
Unde illustratio α) signi ex signato.
Hence illustration α) of the sign from the signified.
Signa mortem Caesaris portendentia descripserat Virgilius Georg.
Virgil had described the signs portending Caesar's death, Georgics
I. 464–488, et illustrat ex signato, secundum verisimilitudinem aestheticam:
I.464–488, and illustrates them from the signified according to aesthetic verisimilitude:
Ergo inter sese paribus concurrere telis
Romanas acies iterum videre Philippi,
Nec fuit indignum superis, bis sanguine nostro
Emathiam et latos Haemi pinguescere campos.
"Therefore a second time Philippi saw
The Roman hosts with kindred weapons rush
To battle, nor did the high gods deem it hard
That twice Emathia and the wide champaign
Of Haemus should be fattening with our blood."
Addit statim illustrationem poeta huius β)
The poet immediately adds an illustration β)
signati ex signo iam rememorativo s. mnemonico, tunc futuro:
of the signified from a sign, now recollective or mnemonic, then future:
Scilicet et tempus veniet, quum finibus illis
Agricola, incurvo terram molitus aratro,
Exesa inveniet scabra rubigine pila,
Aut gravibus rastris galeas pulsabit inanes
Grandiaque effossis mirabitur ossa sepulcris.
"Ay, and the time will come when there anigh,
Heaving the earth up with his curved plough,
Some swain will light on javelins by foul rust
Corroded, or with ponderous harrow strike
On empty helmets, while he gapes to see
Bones as of giants from the trench untombed."
Comparatio strictius dicta est b) signi et signati, § 773. Unde illustratio α) signi ex signato. / Strict comparison is b) of sign and signified, §773. Hence illustration α) of the sign from the signified.
Signa mortem Caesaris portendentia descripserat Virgilius Georg. I. 464–488, et illustrat ex signato, secundum verisimilitudinem aestheticam: / Virgil had described the signs portending Caesar's death, Georgics I.464–488, and illustrates them from the signified according to aesthetic verisimilitude:
Ergo inter sese paribus concurrere telis
Romanas acies iterum videre Philippi,
Nec fuit indignum superis, bis sanguine nostro
Emathiam et latos Haemi pinguescere campos.
"Therefore a second time Philippi saw
The Roman hosts with kindred weapons rush
To battle, nor did the high gods deem it hard
That twice Emathia and the wide champaign
Of Haemus should be fattening with our blood."
Addit statim illustrationem poeta huius β) signati ex signo iam rememorativo s. mnemonico, tunc futuro: / The poet immediately adds an illustration β) of the signified from a sign, now recollective or mnemonic, then future:
Scilicet et tempus veniet, quum finibus illis
Agricola, incurvo terram molitus aratro,
Exesa inveniet scabra rubigine pila,
Aut gravibus rastris galeas pulsabit inanes
Grandiaque effossis mirabitur ossa sepulcris.
"Ay, and the time will come when there anigh,
Heaving the earth up with his curved plough,
Some swain will light on javelins by foul rust
Corroded, or with ponderous harrow strike
On empty helmets, while he gapes to see
Bones as of giants from the trench untombed."