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Alexander Gottlieb Baumgarten

Aesthetica

Interlinear Beta v2 · §§751–775

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§ 751

Idem generalibus suis assertis:

The same Lucretius, for his general assertions,

Sourced quotation · Lucretius [857]

saepius olim
Relligio peperit scelerosa atque impia facta,
Tantum relligio potuit suadere malorum,

"But 'tis that same religion oftener far
Hath bred the foul impieties of men:
...
Such are the crimes to which Religion leads."

non species superstitionum innumeras includit exempli gratia, sed unum aliquod atrox factum:

and "so great evils could religion persuade," does not include innumerable species of superstitions by way of example, but one atrocious deed:

Sourced quotation · Lucretius [858]

Aulide quo pacto Triviai virginis aram
Iphianassai turparunt sanguine foede
Ductores Danaum delecti,

"As once at Aulis, the elected chiefs,
Foremost of heroes, Danaan counsellors,
Defiled Diana's altar, virgin queen,
With Agamemnon's daughter, foully slain."

e. c.
Nec Homerus subsistit in enarrandis navium Troiam petentium aliquibus speciebus singularum in enumerationem descendens.

and so on. Nor does Homer stop in narrating some species of ships seeking Troy, descending into enumeration of individual ones.

Virgilius sibi non satisfacit generali quadam distributione per Italiam bellum Aeneae parantium:

Virgil does not satisfy himself with a certain general distribution through Italy of those preparing war against Aeneas:

Sourced quotation · Virgil [859]

Ardet inexcita Ausonia atque immobilis ante.
Pars pedes ire parat campis, pars arduus altis
Pulverulentus equis furit; omnes arma requirunt.
Pars laeves clipeos et spicula lucida tergent
Arvina pingui, subiguntque in cote secures,
Signaque ferre iuvat sonitusque audire tubarum.

"ausonia from its old tranquillity
bursts forth in flame. Foot-soldiers through the field
run to and fro; and mounted on tall steeds
the cavaliers in clouds of dust whirl by.
All arm in haste. Some oil the glittering shield
or javelin bright, or on the whetstone wear
good axes to an edge, while joyful bands
uplift the standards or the trumpets blow."

VII. 628. Sed progreditur descendendo ad singularia, v. 630–817.

VII.628. But he proceeds by descending to singulars, vv.630–817.

§ 752

Cuius altius rimati sumus rationem, § 556–565. ex qua deduximus, § 569, 575. quam genus cogitandi tum simpliciter dilucidum in aestheticis, tum splendidum inprimis postulat § 625. regulam illam heic, suo maxime loco, liceat denuo commendare, generatim et terminis in schola receptis expressam: Si genus cogitandi logicum et scientificum obiecta sua primaria, ne exceptis ipsis quidem individuis, ubi caetera paria sint, lubentius in abstracto considerat: pulcre cogitaturus analogo rationis suas materias praecipuas non in concreto solum, sed etiam in determinatissimis, in quibus potest, hinc in singularibus, suppositis, personis, factis, quoties datur, lubentissime contempletur. M. § 149.

We have examined more deeply the reason for this, §§556–565, and from it deduced, §§569, 575, the rule that the kind of thinking both simply clear in aesthetics and especially splendid requires, §625. Let it be permitted here, in its most proper place, to commend that rule again, expressed generally and in terms received in the schools: if the logical and scientific kind of thinking considers its primary objects more willingly in the abstract, not even excepting individuals where other things are equal, one who will think beautifully should contemplate his principal materials for the analogue of reason not only in the concrete, but also in the most determinate things in which he can, and hence in singulars, supposits, persons, and deeds, whenever possible, Metaphysics §149.

§ 753

Hinc comparatio adscendens non temere penetrabit sese in tota maxima, et summa rerum genera, quando subiectum comparationis aeque bene non illustrari solum, sed etiam probari potest comparato toto quodam propiori, specie, vel genere minus remotis, § 575, 752; quoniam haec sine ratione transiliendo produceres argumentum longius petitum, § 741. et primariis tuis spectatoribus forte minus cognitum eligeres terminum comparationis, ac huius subiectum est. § 736, 739. quoniam superiorum generum, totorumque maximorum notitia plerumque scientiis in abstractiores considerantibus solum acquiritur. § 567. Sic in comparatione adscendente, quam § 743. exhibet, Virgilius non provocat ad necessariam rerum omnium diversitatem, M. § 269–272. quae ne tunc quidem erat incognita, sed in tellure subsistit, eiusque diversitate fructuum.

Hence ascending comparison will not rashly press itself into the greatest wholes and highest genera of things when the subject of comparison can equally well not only be illustrated but also proved by some nearer compared whole, species, or less remote genus, §§575, 752. By leaping over these without reason you would produce a far-fetched argument, §741, and choose a term of comparison perhaps less known to your principal spectators than the subject of comparison is, §§736, 739, since knowledge of superior genera and greatest wholes is usually acquired only by sciences considering things more abstractly, §567. Thus, in the ascending comparison which §743 exhibits, Virgil does not appeal to the necessary diversity of all things, Metaphysics §§269–272, which even then was not unknown, but stops in the earth and its diversity of fruits.

§ 754

Hinc comparatio adscendens commemorato toto vel superiori lubentissime suam facit occasionem ex hoc toto vel universali descendendi denuo in quasdam compartes subiecti comparationis et alia congenera, vel conspecies, § 745. quoniam sic totum et genus magis in concreto sistitur, § 752. Abstractis suis quantuliscunque l. c. Virgilius statim subnectit determinatiora, quibuscum, ut ita dicam, possint intra mentem in vividius quoddam concrescere:

Hence, when an ascending comparison has mentioned the whole or the superior, it most willingly takes occasion from this whole or universal to descend again into certain co-parts of the subject of comparison and other co-genera or co-species, §745, because in this way the whole and genus are set forth more concretely, §752. To his abstractions, such as they are in the cited place, Virgil immediately subjoins more determinate things, with which they can, so to speak, grow together within the mind into something more vivid:

Sourced quotation · Virgil [860]

Nonne vides, croceos ut Tmolus odores,
India mittat ebur, molles sua thura Sabaei,
At Chalybes nudi ferrum, virosaque Pontus
Castorea, Eliadum palmas Epiros equarum?

"See how from Tmolus comes
The saffron's fragrance, ivory from Ind,
From Saba's weakling sons their frankincense,
Iron from the naked Chalybs, castor rank
From Pontus, from Epirus the prize-palms
O' the mares of Elis."

§ 755

Hinc § 752. comparatio descendens partibus in abstracto tantum distinguendis, e. g. per limites mensoria ratione constitutos, notis et characteribus mente sola per intellectum concipiendis, differentiis genericis, vel etiam specificis, quae semper aliquid relinquunt indeterminati, caetera si fuerint paria, praeferet partes in concreto sensibus ipsis observabiles, quales in agris arcifiniis, notas et characteres sentiendo imaginandoque simul probe assequendos, differentias generis inferioris, prae differentiis superioris, speciei s. specificas prae differentiis genericis, et his omnibus numericas praeferet, si pulcre cogitari volet, ut barbare loquar, haecceitatis apprime studiosa. M. § 517.

Hence, §752, descending comparison, if it wishes to be beautifully thought, will prefer to parts distinguished only in the abstract, for example by boundaries established by measurement, parts observable in concrete by the senses themselves, such as in unfenced fields; to marks and characters conceived by the mind alone through intellect, it will prefer marks and characters to be well attained by sensing and imagining together; to generic differences, or even specific differences, which always leave something indeterminate, it will prefer differences of the lower genus before those of the superior, species or specific differences before generic differences, and before all these numerical differences, as I may speak barbarously, especially zealous for haecceities, Metaphysics §517.

§ 756

Exempla, inductiones, divisiones et distributiones, § 749. genus superius illustrantes per inferius, sunt bonae; per species, sunt meliores; per individua, sunt optimae, § 755. Apud Ovidium habes Metam. III. 206:

Examples, inductions, divisions, and distributions, §749, illustrating a superior genus through an inferior, are good; through species, better; through individuals, best, §755. In Ovid, Metamorphoses III.206, you have:

Sourced quotation · Ovid [861]

Dum dubitat, videre canes.

"While doubting thus he stayd.
His houndes espyde him where he was,"

Horum sunt genera, sunt species, sed genera negliguntur, species determinatissimae, neque tamen nisi propriis innexae nominibus recensentur:

Of these there are genera and species, but the genera are neglected; the most determinate species are counted, and yet only joined with their proper names:

Sourced quotation · Ovid [862]

primusque Melampus
Ichnobatesque sagax latratu signa dedere,
Gnossius Ichnobates, Spartana gente Melampus.

"His houndes espyde him where he was, and Blackfoote first of all
And Stalker speciall good of scent began aloud to call.
This latter was a hounde of Crete, the other was of Spart."

Ad hos postquam 35 nominaverat, non sine differentiis quibusdam numericis, tamen addit:

After he had named thirty-five, not without certain numerical differences, he nevertheless adds:

Sourced quotation · Ovid [863]

Quosque referre mora est.

"With divers mo whose names to tell it were but losse of tyme."

225. § 747.

v.225, §747.

§ 757

Utinam tot antiquorum exemplis, quae sane non inadvertentibus excidisse difficultas idem ausum satis docebit, excitari possint pulcra ingenia, ut in hac potissimum arte quaerant excellere, si rationibus minus moveantur § 752. Nobis ad alias exemplorum distributionumque regulas festinandum est.

Would that beautiful talents could be aroused by so many examples of the ancients, which the difficulty of the same attempt proves certainly did not slip out inadvertently, so that they might seek to excel especially in this art, if they are less moved by reasons, §752. We must hasten to other rules of examples and distributions.

Exempla, divisiones, inductiones et distributiones si recte notiora postulantur, ac illustrandum per easdem superius, § 739. relative ad obiectum pulcre cogitaturo personalium primarium legem intellectam tantum admittimus, § 740. Ovidius bene suo voto, Trist. I. 1. 2, 3:

If examples, divisions, inductions, and distributions are rightly required to be better known than the superior to be illustrated by them, §739, we admit this rule understood only relatively to the primary personal object of the beautiful thinker, §740. Ovid well, in his wish, Tristia I.1.2–3,

Sourced quotation · Ovid [864]

Neve, precor, magni subscribite Caesaris irae

"and second not, I implore, the wrath of mighty Caesar!"

primo comparationem adscendentem, quae simul color sit, § 745, 545. adiungit:

first adds an ascending comparison which is also color, §§745, 545:

Sourced quotation · Ovid [865]

Saepe premente deo fert deus alter opem.

"Oft when a god presses hard another god brings succour."

Nunc dictum suum illustrat exemplorum inductione, quae voti fiunt similia:

Now he illustrates his saying by an induction of examples which become similar to the wish:

Sourced quotation · Ovid [866]

Mulciber in Troiam, pro Troia stabat Apollo,
Aequaque Venus Teucris, Pallas iniqua fuit.
Oderat Aenean propior Saturnia Turno,
Ille tamen Veneris numine tutus erat.
Saepe ferox cautum petiit Neptunus Ulyssem,
Eripuit patruo saepe Minerva suo.
Et nobis aliquod, quamvis distamus ab illis,
Quid vetat irato numen adesse deo?

"Mulciber was opposed to Troy, but in Troy's defence stood Apollo; Venus favoured the Teucrians, Pallas favoured them not. There was hate for Aeneas on the part of Saturnia who stood closely by Turnus; yet that hero was safe through Venus' power. Ofttimes unruly Neptune assailed the wily Ulysses; ofttimes Minerva saved him from her own uncle. And different though I am from them, who forbids a divine power from being of some avail to me against the angry god?"

Suis enim primariis spectatoribus quid rebus Troianis notius erat, et deorum per easdem ministeriis? § 740.

For what was better known to his primary spectators than Trojan affairs and the offices of the gods through them? §740.

§ 758

Quoniam nova antiquis, loco propiora remotioribus notiora exemplis supponi generatim possunt, M. § 512. caetera si sint paria, praeferantur antiquis recentia, peregrinis patria, et spectatori, quem inprimis optas, domestica. § 757. Dialogus de oratoribus, quem alii Tacito, Quintiliano quidam tribuunt, 8.

Since new examples can generally be supposed better known than ancient ones, nearer places than remote ones, Metaphysics §512, other things being equal, recent examples should be preferred to ancient, native to foreign, and domestic to the spectator whom you especially desire, §757. The Dialogue on Orators, which some attribute to Tacitus, some to Quintilian, says in chapter 8:

Sourced quotation · Dialogus de oratoribus (standardly attributed to Tacitus; historically also assigned to Quintilian) [867]

Lubentius, ait, novis et recentibus, quam remotis ac oblitteratis exemplis utor.

I cite living examples, in preference to the names of a former day..

Quae ita sunt antiqua, simul ut obsoleta, oblitterata, vel usu longo trita et antiquata videri possint, pulcre postponuntur ita novis, ut simul habeant, quo iustum novitatis studium excitare queant, ac alere. § 741. Virgilius laudes vitae rusticae illustraturus exemplis non graeca petit, nec Asiam, nec Aegyptum, sed romanis potissimum scribens patrias antiquitates consulit, Georg. II. 532:

Things that are so ancient that at the same time they can seem obsolete, forgotten, or worn and antiquated by long use are beautifully postponed to new ones, provided the new examples also have what can excite and nourish a just zeal for novelty, §741. Virgil, about to illustrate the praises of rural life by examples, does not seek Greek examples, nor Asia, nor Egypt, but, writing chiefly for Romans, consults native antiquities, Georgics II.532:

Sourced quotation · Virgil [868]

Hanc olim veteres vitam coluere Sabini,
Hanc Remus et frater. Sic fortis Hetruria crevit,
Scilicet, et rerum facta est pulcerrima Roma,
Septemque una sibi muro circumdedit arces.
Aureus hanc vitam in terris Saturnus agebat.

"Such life of yore the ancient Sabines led,
Such Remus and his brother: Etruria thus,
Doubt not, to greatness grew, and Rome became
The fair world's fairest, and with circling wall
Clasped to her single breast the sevenfold hills.
...
Such life on earth did golden Saturn lead."

§ 759

In hac lege probe notandum est, adiectum illi: caetera si sint paria. § 758. In recentibus enim exemplis multae possunt esse rationes non raro, cur postponenda sint auctori prudenti vetustioribus. e. g. 1) si recentia vel vere non habeant eximium illud, quod per eadem illustrandum est, in tanta luce, in quanta vetustas habuerat, vel saltim ob invidiam nondum intermortuam et solitas acti temporis laudationes aequare prisca statueretur contra verisimilitudinem, saltim eam, de qua § 486. Hinc est apud Virgilium loco citato satis altum silentium de agricultura italica sui temporis, simul autem consilium, ut in tali casu domestica tamen, licet olim facta, praeferantur, si potest fieri, vetustis et peregrinis simul.

In this law one must carefully note the added condition: other things being equal, §758. For in recent examples there can often be many reasons why a prudent author should postpone them to older ones: for example, 1) if recent examples either truly do not have that excellence which is to be illustrated through them in so great a light as antiquity had, or if, because envy has not yet died away and because of the usual praises of time past, to set them equal to ancient examples would be contrary to verisimilitude, at least that mentioned in §486. Hence in Virgil's cited place there is a sufficiently deep silence about the Italian agriculture of his own time, and at the same time the counsel that in such a case domestic examples, even if done long ago, be preferred, if possible, to examples both ancient and foreign.

Tempore praesentia beatae vitae rusticae exempla prolaturus, in ecstasi philosophicopoetica, v. 475–485. quoniam aulae proxima non potest optare, tamen optat minus remota:

When he would bring forward present-time examples of blessed rural life, in a philosophical-poetic ecstasy, vv.475–485, since he cannot wish for those closest to court, he nevertheless wishes for less remote ones:

Sourced quotation · Virgil [869]

Rura mihi et rigui placeant in vallibus amnes,
Flumina amem silvasque inglorius. O! ubi campi,
Sperchiusque et virginibus bacchata Lacaenis
Taygeta! O! qui me gelidis in montibus Haemi
Sistat, et ingenti ramorum protegat umbra.

"then be fields
And stream-washed vales my solace, let me love
Rivers and woods, inglorious. Oh for you
Plains, and Spercheius, and Taygete,
By Spartan maids o'er-revelled! Oh, for one,
Would set me in deep dells of Haemus cool,
And shield me with his boughs' o'ershadowing might!"

§ 760

Exempla recentia sunt aliquando 2) periculosa, quorum veritas odium parit, et calumnia potius et conspurcatio nominum illustrissimorum falsissima diceretur, quam illustratio.

Recent examples are sometimes 2) dangerous, because their truth produces hatred, and they would be called calumny and a most false smearing of most illustrious names rather than illustration:

Sourced quotation · Horace [870]

Cervius iratus leges minitatur et urnam,
Canidia Albuci, quibus est inimica, venenum,
Grande malum Turius, si quid se iudice certes.

"Cervius, when he is offended, threatens one with the laws and the [judiciary] urn; Canidia, Albutius' poison to those with whom she is at enmity; Turius [threatens] great damages, if you contest any thing while he is judge."

Hor. Sat.

Horace, Satires I.1.49.

I. 1. 49. Nec hic semper licet ad artificium Virgilii recurrere, § 759. et in mortuos quidem, sed cives tamen et loco propiores scribere vel acriter, at venustius, irasci:

Nor is it always permissible here to return to Virgil's artifice, §759, and to write, indeed against the dead, yet still citizens and nearer in place, sharply but more gracefully, in anger:

Sourced quotation · Horace [871]

maiorum ne quis amicus
Frigore te feriat.

"O my child, I fear you can not be long-lived; and that some creature of the great ones will strike you with the cold of death."

Hanc ob caussam in legendis exemplis suis aliquando satyricos ultra Sauromatas fugere libet, in mundum poeticum, § 513. in quo tamen fictiones prorsus ignotas denuo, § 518. analogicis postponunt. § 516.

For this reason, in choosing their examples, satirists sometimes wish to flee beyond the Sauromatae into the poetic world, §513, in which nevertheless they again postpone wholly unknown fictions, §518, to analogical ones, §516.

§ 761

Exempla recentia et domestica sunt 3) satis nonnunquam incognita, etiam relative, § 757. quoties scilicet, vel eius sunt indolis, quam non nisi longa dies plurium ob oculos ponere soleat, e. g. praesentia principum consilia; vel ipsi spectatorum nostrorum primarii domestica negligere solent exterorum avidissimi, vel recentia et ante pedes posita fastidire, toti in eruendis quibusvis antiquissimis.

Recent and domestic examples are 3) sometimes not sufficiently known, even relatively, §757, whenever they are of a kind that only long time usually places before the eyes of many, for example the present counsels of princes; or when our own primary spectators usually neglect domestic things, greedy for foreign ones, or disdain recent and nearby things, wholly occupied with digging up the most ancient things.

Quanquam enim hic mos non est optimi saporis, tamen obiectum suum personale debet attendere pulcre cogitaturus, uti est, non uti debeat esse, hinc anticipationibus destitutum et cognoscendi studio, si domestica protuleris et

Although this custom is not of the best taste, nevertheless one who will think beautifully must attend to his personal object as it is, not as it ought to be. Hence, lacking anticipations and zeal for knowing, they may fail you if you bring forward domestic things

Sourced quotation · Horace [872]

Antiquis non exaudita Cethegis.

"you must frame words never heard of by the old-fashioned Cethegi"

§ 484.

§484.

§ 762

Exempla, divisiones, inductiones, distributionesque sic satis notae sint, neque tritae ac usitatae illustrationes § 741. nec e contrario adeo vividae, ut fortiori luce perceptionem suam superiorem obscurent potius, quam illustrent, contra pulcram lucis et umbrae dispensationem. § 682. In ultima lege praesertim cavendum est, ne differentia, et id in conceptu inferiori, quod non est determinatum in superiori, tantum lucis accipiat, ut tertia comparationis, et ea, quae superiori convenientia vividius in concreto inferioris pingere laborabas, obumbrentur, adeoque minus exemplum quadrare videatur, ac discrepare ab eo, cuius declarandi gratia proferebatur. § 670. Non dissuadeo differentiam tangere, sed umbra sit exempli, § 684. non lumen, § 686. Ne seducente sub eruditionis specie transcendant horizontem aestheticum exempla, multo minus inductiones et distributiones, § 121. ne illustrando vel βάθος, vel tumorem concilient, § 329, 331. sint potius, quantum eius fieri potest, ex quibus simul exemplum ratiocinans et inductio persuasoria formari possit, et practice s. pragmatica, foecunda deducendis inde porismatibus ad agendum impellentibus. § 721.

Examples, divisions, inductions, and distributions should be sufficiently known in this way, neither worn and customary illustrations, §741, nor, on the contrary, so vivid that by stronger light they obscure rather than illustrate their superior perception, contrary to the beautiful distribution of light and shade, §682. In this last law one must especially beware lest the difference, and that in the inferior concept which is not determined in the superior, receive so much light that the third of comparison, and the things suitable to the superior which you were laboring to paint more vividly in the concrete of the inferior, are shaded over, and thus the lesser example seems less to fit and to differ from that for whose declaration it was brought forward, §670. I do not dissuade touching the difference, but let it be the shade of the example, §684, not the light, §686. Let examples, much less inductions and distributions, not transcend the aesthetic horizon under the seductive appearance of erudition, §121; let them not, in illustrating, conciliate either βάθος or swelling, §§329, 331. Rather, as far as possible, let them be such that from them at the same time a reasoning example and a persuasive induction can be formed, and a practical or pragmatic one, fertile in deriving corollaries that impel to action, §721.

§ 763

SECTIO XXXXV
ANTITHESIS
Comparatio latius dicta, § 735. sub se continet 3) comparationem oppositorum, M. § 549. quae figura § 26. sit ANTITHESIS.

SECTION XXXXV
ANTITHESIS
Comparison broadly so called, §735, contains under itself 3) comparison of opposites, Metaphysics §549, which as a figure, §26, is ANTITHESIS.

In antithesibus numero primam dissimilitudinem, illustrandum cum dissimili comparantem, ut illius ab hoc differentia magis eluceat.

Among antitheses I number first dissimilarity, comparing what is to be illustrated with what is dissimilar, so that its difference from this may shine out more.

Cat. 5.

Catullus 5:

Sourced quotation · Catullus [873]

Soles occidere et redire possunt,
Nobis quum semel occidit brevis lux,
Nox est perpetuo una dormienda.

"The Suns can westward sink again to rise
But we, extinguished once our tiny light,
Perforce shall slumber through one lasting night!"

Hac collatione totam suam odam I. 1. 1. Horatius illustravit, et eiusdem libri frontem ode 7.

By this collation Horace illustrated his whole ode I.1.1, and the front of the same book with Ode 7:

Sourced quotation · Horace [874]

Laudabunt alii claram Rhodon, aut Mitylenen,
Aut Ephesum bimarive Corinthi
Moenia, vel Baccho Thebas, vel Apolline Delphos
Insignes, aut Thessala Tempe.

"Let others Rhodes or Mytilene sing,
Or Ephesus, or Corinth, set between
Two seas, or Thebes, or Delphi, for its king
Each famous, or Thessalian Tempe green;"

§ 764

Deinde huc pertinet ANTAGOGE, quam compensationem dicunt, confessionis species, quae collustrandi quaedam praedicata, quae primario videantur contraria, sic in umbram locat, iuxta hoc primarium, ut eorum perceptiones heterogeneae, sed debiliores, praegressae subito sequens heterogeneum, sed maius ac illustrius, splendide pingant, et novitatis luce veluti circumfundant. § 659, 683. M. § 549. Jarbas apud Virgilium, Aen. IIII. furtivos Didonis et Aeneae amores primum satis honorifice videtur describere, tegens honestatis umbra, quicquid in iis indignum et turpe iudicabat: Dido

Next belongs here ANTAGOGE, which they call compensation, a species of confession. It places certain predicates to be illuminated, which at first seem contrary, into shade beside this primary one, so that their heterogeneous but weaker perceptions, having gone before, suddenly paint the following heterogeneous but greater and more illustrious one splendidly and pour around it, as it were, the light of novelty, §§659, 683; Metaphysics §549. In Virgil, Aeneid IV, Iarbas at first seems to describe the secret loves of Dido and Aeneas rather honorably, covering with a shade of honor whatever he judged unworthy and shameful in them: Dido

Sourced quotation · Virgil [875]

dominum Aenean in regna recepit,

"She has proclaimed
Aeneas partner of her bed and throne."

214. ut non ita multo post hoc acerbius in eundem Aenean, collectis quasi viribus, invehatur:

v.214, so that not much later, having gathered his powers, he may inveigh more bitterly against the same Aeneas:

Sourced quotation · Virgil [876]

Et nunc ille Paris, cum semiviro comitatu,
Maeonia mentum mitra, crinemque madentem
Subnexus, rapto potitur.

"And now that Paris, with his eunuch crew,
beneath his chin and fragrant, oozy hair
ties the soft Lydian bonnet, boasting well
his stolen prize."

217.

v.217.

§ 765

Antagogen si continuaveris, pulcrum inde nascetur CRAMA, quod mistam vituperio laudem dicunt; vere est congeries praedicatorum, apparenter saltim contrariorum, quorum una classis, mala, bona censeatur altera, sic tamen dispositorum, per artificium lucem et umbram bene dispensans, S. XXXX. ut secundum intentionem callide bona malis miscentium, vel haec ex oppositorum pulcritudine turpitudinis, vel illa ex oppositorum foeditate pulcritudinis incrementa nanciscantur, magnaque veracitatis, moralis veritatis, similitudo simul obtineatur. § 731, 455. Quantum materia permisit, laborat in effingenda hac figura Nasonis Trist. II. omnis paene prima elegia, culpam auctoris concedens ad illustriorem Caesaris veniam eo efficacius solicitandam, e. g.

If you continue antagoge, from it will be born a beautiful CRAMA, which they call praise mixed with blame. Truly it is a heap of predicates, at least apparently contrary, of which one class, the bad, is judged good by the other, arranged in such a way, through an art distributing light and shade well, Section XXXX, that, according to the intention of those cunningly mixing good things with bad, either the bad receive increase of ugliness from the beauty of opposites or the good receive increase of beauty from the foulness of opposites, and at the same time a great likeness of truth, of moral truth, is obtained, §§731, 455. As far as the material allowed, almost the whole first elegy of Ovid's Tristia II labors in forming this figure, conceding the author's fault in order to solicit Caesar's pardon more effectively, for example:

Sourced quotation · Ovid [877]

Cur modo damnatas repeto, mea crimina, Musas?
An semel est poenam commeruisse parum?
Deme mihi studium, vitae quoque crimina demes,
Acceptum refero versibus esse nocens.
Ira quidem iusta est, nec me meruisse negabo,
Non adeo nostro fugit ab ore pudor.
Sed tamen, ut fuso taurorum sanguine centum,
Sic capitur minimo thuris honore deus.
Et pia thura dedi pro te, cumque omnibus unus
Ipse quoque adiuvi publica vota meis.

"The published units are rearranged below only to follow Baumgarten's quotation order.
Why do I seek once again the Muses so recently condemned, the causes of my guilt? Or is one well-earned penalty not enough? ... Take away from me my pursuit and you will take away from my life also the charges against it. I lay the charge of guilt against my verse. ... Just indeed it is—I will not deny that I have deserved it, for shame has not so utterly fled my lips. ... but though a god be won by the outpoured blood of a hundred bulls, yet is he also won by the humblest offering of incense. ... loyal incense I offered in thy behalf and with all the rest I too aided the prayers of the state with my own."

§ 766

Non est, cur antithesin et antitheton, vel antitheta distinguere velimus, quoties antitheta comparantur elegantius, quod tunc plerumque fit,

There is no reason for us to want to distinguish antithesis and antitheton or antitheta whenever antitheta are compared more elegantly, which usually happens

Sourced quotation · Cicero [878]

si fiat sine industria, naturalique quadam necessitate, sic fieri debere videatur.

In these forms of expression every circumstance is so aptly referred to some other circumstance, that the regular turn of them does not appear to have been studied, but to result entirely from the sense. ... This contrasting of opposite circumstances, which the Greeks call an Antithesis, will necessarily produce what is styled rhetorical metre, even without our intending it.,

Cic. or. 166. Alias si studiosius quaesita lucernam olent, fucus erunt, inanius argutantium, § 688. M. § 576. in quem vere Persius et graviter:

Cicero, Orator 166. Otherwise, if they are too studiously sought and smell of the lamp, they will be false coloring of empty cleverness, §688; Metaphysics §576, against which Persius speaks truly and gravely:

Sourced quotation · Persius [879]

Nonne pudet capiti non posse pericula cano
Pellere, quin lepidum hoc optet audire: decenter?
Fur es, ait Pedius; Pedius quid? crimina rasis
Librat in antithetis. Doctas posuisse figuras
Laudatur: bellum hoc! Hoc bellum?

"Are you not ashamed to be unable to ward off danger from some hoary head without wishing to hear some trifling word of commendation? “You are a thief!” says the accused to Pedius: how does Pedius reply? He balances the charges against each other in smooth antitheses, and is praised for his artistic tropes: “How fine!” they say. What, Romulus? Do you call that fine?"

§ 767

Sourced quotation · Cicero [880]

Hoc genere antiqui iam ante Isocratem delectabantur, et maxime Gorgias.

The ancient Orators, a considerable time before it was practised and recommended by Isocrates, were fond of using it; and particularly Gorgias, whose measured cadences are generally owing to the mere concinnity of his language.,

Cic. or. 167. Antithetis delectabantur, sed non male locatis, non anxie corractis, non recoctis sexcenties, quorum cautus imitator esto, non simia.

Cicero, Orator 167. They delighted in antitheses, but not badly placed, not anxiously scraped together, not cooked over six hundred times; be a cautious imitator of them, not an ape.

Sourced quotation · Quintilian [881]

Quod si quis parce et quum res poscet, utetur, velut adsperso quodam condimento, iucundior erit. At, qui nimium affectaverit, ipsam illam gratiam varietatis amittet.

If a speaker use them sparingly and only as occasion demands, they will serve as a seasoning to his style and increase its attractions. If, on the other hand, he strains after them overmuch, he will lose that very charm of variety which they confer..

Quemadmodum illustrantes omnes figurae, sic antitheses secretae et extra vulgarem usum positae, ideoque magis nobiles,

Like all illustrative figures, so also antitheses that are hidden and set outside common use, and therefore nobler,

Sourced quotation · Quintilian [882]

ut novitate aurem excitant, ita copia satiant, nec se obvias fuisse dicenti, sed conquisitas, et ex omnibus latebris extractas congestasque declarant.

For abnormal figures lying outside the range of common speech, while they are for that very reason more striking, and stimulate the ear by their novelty, prove cloying if used too lavishly, and make it quite clear that they did not present themselves naturally to the speaker, but were hunted out by him, dragged from obscure corners and artificially piled together.,

Quint. VIII. 3. Fabius hoc ipso capite mentionem etiam antitheti iniicit, quod contrapositum dicit, et ab aliis nominari contentionem.

Quintilian VIII.3. In this very chapter Fabius also mentions the antitheton, which he calls counterposition, and which others call contention.

De quo praesertim verum est eius, quod iam legimus, iudicium, et tunc maxime, quando simul idem figura quaedam dictionis comitatur vocabulorum vel similitudine, vel repetitione, vel transpositione. § 26.

His judgment just read is especially true of this, and above all when at the same time some figure of diction accompanies it by likeness, repetition, or transposition of words, §26.

§ 768

Nam et hic locum habet, quod iam § 145. monuimus, schema vocabulorum et habitum vel situm extraordinarium, si figuris utaris mascule, nonnunquam accessorium tantum esse, ac veluti fortuitum in figuris, quae non ideo contemnendae sunt, quia sint figurae dictionis, sed ideo, quia cogitationibus ipsis et praecipuam quidem elegantiam conciliant, non fuissent in figuris dictionis habendae.

Here too there is room for what we already warned in §145: an extraordinary pattern of words, habit, or position, if you use figures manfully, is sometimes only accessory and as it were accidental in figures. They are not to be despised because they are figures of diction, but because they conciliate a principal elegance to the thoughts themselves, they should not have been counted among mere figures of diction.

Sic non pauci totam ad figuras dictionis referunt antithesin, quasi vero vocabulorum esset praecipua, non significatuum oppositio.

Thus not a few refer the whole of antithesis to figures of diction, as if the opposition of words, not of meanings, were chief.

Aliis quaedam saltim antitheseos species in meris dictionum figuris collocantur a non minus iniquis elegantiarum arbitris, § 15. Proferam exempla.

Others place at least certain species of antithesis among mere verbal figures, being no less unjust judges of elegances, §15. I shall bring forward examples.

§ 769

Antitheton cum aliqua perceptionum occurrentium in utroque oppositorum conversione, s. ANTIMETABOLE, sane ideo non potest excludi ex figuris sententiae, § 765. quoniam inter eloquendum potest contingere, ut vocabula, quibus utrumque membrum oppositionis exprimitur, aliquam etiam conversionem subeant.

An antitheton with some conversion of the perceptions occurring in both opposites, or ANTIMETABOLE, certainly cannot for that reason be excluded from figures of thought, §765, because in expression it can happen that the words by which each member of the opposition is expressed undergo some conversion too.

In figuris autem dictionis ipse Quintilianus habet

Among figures of diction Quintilian himself has

Sourced quotation · Quintilian [883]

illam figuram, qua verba declinata repetuntur: Non, ut edam, vivo, sed, ut vivam, edo.

Antithesis may also be effected by employing that figure, known as ἀντιμεταβολή, by which words are repeated in different cases, tenses, moods, etc., as for instance when we say, non ut edam, vivo, sed ut vivam, edo (I do not live to eat, but eat to live)..

Bella, profecto, non tam dictio, quam sententia Epicuri est, quam vere dicas philosopham:

This is indeed a beautiful saying of Epicurus, not so much diction as thought, and truly philosophical.

Sourced quotation · Epicurus [884]

Esse sapienter infortunatum satius est, quam fortunatum insipienter esse.

thinking it better to be unfortunate in accordance with reason, than to be fortunate irrationally;

Huc, qua materiam, etiam dictum Simonidis, quod est apud Plutarchum:

To this belongs, in material, Simonides' saying in Plutarch:

Sourced quotation · Simonides (reported by Plutarch) [885]

Poesis est pictura loquens, et pictura est tacita poesis.

Though indeed Simonides calls painting silent poetry, and poetry speaking painting.

Huc illud Salviani de Bagoardis:

To this belongs Salvian on the Bagaudae:

Sourced quotation · Salvian [886]

Malunt sub specie captivitatis esse liberi, quam sub specie libertatis esse captivi.

for they would rather live as free men, though in seeming captivity, than as captives in seeming liberty.

Huc tandem dictum Catonis et post eum Musonii:

Finally to this belongs the saying of Cato and after him Musonius:

Sourced quotation · Cato and Musonius (reported by Aulus Gellius) [887]

Si quid per laborem recte feceris, laborabit; recte factum tecum permanet; si quid turpiter feceris cum voluptate, turpe manet; voluptas perit.

If you accomplish anything noble with toil, the toil passes, but the noble deed endures. If you do anything shameful with pleasure, the pleasure passes, but the shame endures.

Gell. XVI. 1.

Gellius XVI.1.

§ 770

Collatio pulcre cogitandi cum diversis ab eodem, quibuscum facile confundi posset, ad illustrandam eius differentiam, s. PARADIASTOLE, et contradistinctio, est antithesis non vocabulorum tantum perperam habitorum in synonymis, sed etiam, et maxime quidem, significatuum, vere differentium, quorum tamen attendi plerumque non solet, hinc eleganter indicatur aliquando, si momentum habet, diversitas. § 768. Contentioni, § 767.

The collation of beautiful thinking with things different from it, with which it could easily be confused, to illustrate its difference, or PARADIASTOLE and contradistinction, is an antithesis not merely of words wrongly taken as synonyms, but also, and especially, of meanings truly different, whose difference is usually not attended to; hence the diversity is sometimes elegantly indicated if it has weight, §768. To contention, §767,

Sourced quotation · Quintilian [888]

commodissime subiicitur et illa species, quam distinctionem diximus.

Next to this another form may appropriately be placed, namely that which we have styled distinction,

Quint. l. c. Ovidius de edicto, quo Tomos adire iubebatur:

Quintilian. Ovid on the edict by which he was ordered to go to Tomis:

Sourced quotation · Ovid [889]

Quippe relegatus, non exsul, dicor in illo,
Parcaque fortunae sunt data verba meae.

"And thy command, though severe and threatening, was yet mild in naming my punishment, for it calls me relegatus, not exile, and thou dost use therein language especially adapted to my fate."

Trist. II. 1. 137.

Tristia II.1.137.

Sourced quotation · Quintilian [890]

Nec semper, quod adversum est, contrapponitur.

Again the contrast is not always expressed antithetically, as is shown by the following passage from Rutilius:,

Quint. l. c. Non opus est ad antithesin, ut vera adsit oppositio, quam logici contradictionem vere talem dicimus; sufficit ut apparens contradictio, ut contrarietas, subcontrarietas adsit, et quicquid vel aesthetice, primo saltim obtutu pugnare frontibus adversis sit verisimile.

Quintilian. For antithesis there is no need for true opposition, which logicians call contradiction truly such; apparent contradiction, contrariety, subcontrariety, and whatever aesthetically, at least at first glance, is likely to fight with opposed brows, suffice.

In dictis: Homo potuit non mori, potuit mori, nunc non potest non mori naturaliter, sed instat tempus, quo non poterit mori, contradictionis nihil est, elegantius tamen exornata dare possent antithesin. § 763.

In the sayings: man could not die, could die, now cannot not die naturally, but a time approaches when he will not be able to die, there is no contradiction; yet more elegantly adorned they could give an antithesis, §763.

§ 771

Quo vero iam nomine commendem oxymoron?

By what name shall I now commend oxymoron?

Ennii:

Ennius'

Retained quotation · Ennius [891]

memet dementem;

myself mad;

Terentii:

Terence's

Sourced quotation · Terence [892]

cum ratione insanire,

if you expect to render these things, naturally uncertain, certain by dint of reason, you wouldn't effect it a bit the more than if you were to use your endeavors to be mad with reason.,

et:

and

Sourced quotation · Terence [893]

id aliquid nihil est;

in the mean time, something will turn up, I trust.
That something is nothing.;

Ciceronis:

Cicero's

Sourced quotation · Cicero [894]

dum tacent, clamant;

But to you, Catiline, while they are quiet they approve, while they permit me to speak they vote, while they are silent they are loud and eloquent.;

Virgilii:

Virgil's

Sourced quotation · Virgil [895]

Num capti potuere capi?

"Did no one die
on Troy's embattled plain? Could captured slaves
not be enslaved again? Was Ilium's flame
no warrior's funeral pyre?";

Horatii, sed et heic iocati:

Horace's, though joking here,

Sourced quotation · Horace [896]

Insanientis dum sapientiae
Consultus erro.

"My prayers were scant, my offerings few,
While witless wisdom fool'd my mind;
But now I trim my sails anew,
And trace the course I left behind.";

Ovidii iniusta iusta et:

Ovid's unjust justice and

Sourced quotation · Ovid [897]

Ut quaeque pia est, hortatibus impia prima est,
Et, ne sit scelerata, facit scelus,

"Through these persuasions which of them so ever went about
To shewe hirselfe most naturall, became the first that wrought
Against all nature: and for feare she should be wicked thought,
She executes the wickednesse which most to shun she sought."

quod miserrimum est fatum errantis conscientiae,

which is the most miserable fate of erring conscience,

Sourced quotation · Ovid [898]

Impietate pia est.

"But better sister ginneth she than mother for to be.
And to th'intent hir brothers ghostes with bloud to honor, she
In meaning to be one way kinde, doth worke another way
Against kinde.";

illud multorum:

the saying of many:

Sourced quotation · Martial (source analogue; Baumgarten himself calls the saying illud multorum) [899]

male olent, qui semper bene olent;

How shall I explain this, that your kisses smell of myrrh, and that there is about you invariably some foreign odour? This is suspect to me, your being well-scented, Postumus, always. Postumus, he is not well scented who always is well-scented!

haec, inquam, omnia, quantis auctoritatibus bellam figuram, si taceo, clamant?

All these, I say, with how many authorities would cry out, if I were silent, that this is a beautiful figure?

Interim ingenue fateor, in omnibus figuris sententiae quae mihi minime placeat, hanc esse.

Meanwhile I honestly confess that among all figures of thought this is the one that pleases me least.

Caussam puto frigidissimum abusum eiusdem, et trita exempla, tritissimorumque parodias magis inficetas, quibus circumsonant, qui nesciunt acumen aliud, quam paradoxes huius furfuris foecundum.

I think the cause is the very cold abuse of it, and the worn examples and still more tasteless parodies of the most worn examples with which those resound who know no other acuteness than one fertile in paradoxes of this bran.

§ 772

Simpliciorem ad antithesin liceat relabi, quam sub dissimilitudine, § 763. complecti solent, vere tamen inaequalitatem potius dicere deberemus, quando convenientia inter se in aliquo tertio, ideo comparantur, ut eorum illustretur inaequalitas, aut, hac concessa, declaretur illud minus esse, quod obiecto meo personali videbatur maius, vel vice versa.

Let it be permitted to fall back to a simpler antithesis, which they usually include under dissimilarity, §763, though truly we ought rather to call it inequality, when things agreeing with one another in some third are compared so that their inequality may be illustrated, or, once this is conceded, so that what seemed greater to my personal object may be declared lesser, or vice versa.

Talem antithesin Romuli et Augusti Ovidius habet, ad hunc illi praeferendum, Fast. II.

Ovid has such an antithesis of Romulus and Augustus in order to prefer Augustus to Romulus, Fasti II:

Sourced quotation · Ovid [900]

Romule, concedas. Facit hic tua magna tuendo
Moenia, tu dederas transilienda Remo.
Te Tatius, parvique Cures, Caeninaque sensit,
Hoc duce romanum est solis utrumque latus.
Tu breve, nescio quid, victae telluris habebas,
Quodcunque est alto sub Iove, Caesar habet.
Tu raptas, hic castas duce se iubet esse maritas;
Tu recipis luco, submovet ille nefas.
Vis tibi grata fuit, florent sub Caesare leges,
Tu domini nomen, principis ille tenet.
Te Remus accusat, veniam dedit hostibus ille,
Caelestem fecit te pater, ille patrem.

"Romulus, thou must give way, for 'tis he who makes thy walls great by defending them; while thou hadst left them so low as to be overleapt by Remus. Thee indeed, Tatius felt, and humble Cures, and Caenina; but under this chief each region of the sun is Roman. Thou didst possess a trifling piece of conquered ground. Over all that is beneath supreme Jove, does Caesar hold sway. Thou actest the ravisher's part: he bids wives to be virtuous under his rule. Thou shelterest the guilty in the asylum of the grove; he removes afar all guilt. Violence was thy delight; under Caesar the laws are in force. Thou hadst the name of Master, he has that of chief citizen. Remus upbraids thee with murder; he has forgiven even his enemies. Thy sire raised thee to the skies, it is he who has raised his father."

Sic Cicero iuris et armorum peritum inter se comparat, ut huius illustret excellentiam.

Thus Cicero compares the expert in law and the expert in arms so as to illustrate the excellence of the latter.

§ 773

SECTIO XXXXVI
COMPARATIO STRICTIUS DICTA
Comparatio latius dicta, § 734. cum illustrando conferens ideam quamcunque sociam, coniunctam et connexam, quae neque simile, § 735. nec pars, nec totum, nec illius superius, nec inferius, S. XXXXIIII. nec oppositum sit, S. XXXXV. quoniam peculiare nomen non accepit, generale retineat: 4) COMPARATIO STRICTIUS DICTA.

SECTION XXXXVI
COMPARISON MORE STRICTLY SO CALLED
Comparison broadly so called, §734, when in illustrating it brings together any associated, conjoined, and connected idea which is neither similar, §735, nor part, whole, superior or inferior of it, Section XXXXIIII, nor opposite, Section XXXXV, should retain the general name because it has received no special one: 4) COMPARISON STRICTLY SO CALLED.

Iam hinc patet iniri numerum huc pertinentium illustrationum non posse, nec diversis insigniri quamlibet denominationibus.

From this it is already clear that the number of illustrations belonging here cannot be counted, nor each marked with different names.

Satius est apertos servari quosdam carceres, quibus includi queant promotura rem venustae meditationis, in occlusos iam et limitibus suis circumscriptos locos non intromittenda.

It is better that certain open starting gates be preserved, within which things that will advance the business of graceful meditation can be included, than that they be excluded from places already closed and circumscribed by their limits.

Huc ergo refer exempli gratia comparationem a) caussatorum cum caussis, quas schola dicit externas, efficientibus et finalibus.

Refer here, therefore, for example, comparison a) of effects with causes, which the school calls external, efficient and final.

Internas enim materiam et formam comparatio maioris ac minoris sibi vindicaverit, § 742.

Internal causes, matter and form, comparison of greater and lesser will claim for itself, §742.

§ 774

Habes hinc illustrationem α) effectus a caussa efficiente:

Hence you have illustration α) of an effect from the efficient cause:

Sourced quotation · Virgil [901]

Pocula, caelatum divini opus Alcimedontis.

"But I will stake,
seeing you are so mad, what you yourself
will own more priceless far—two beechen cups
by the divine art of Alcimedon
wrought and embossed,"

Virg. ecl. 3. 37. β) caussae efficientis ab effectu:

Virgil, Eclogue 3.37. β) Of the efficient cause from the effect:

Sourced quotation · Virgil [902]

Conon, et quis fuit alter,
Descripsit radio totum qui gentibus orbem,
Tempora quae messor, quae curvus arator haberet?

"Two figures, one Conon, in the midst he set,
and one—how call you him, who with his wand
marked out for all men the whole round of heaven,
that they who reap, or stoop behind the plough,
might know their several seasons?"

v. 42. γ) medii a fine:

v.42. γ) Of the means from the end:

Sourced quotation · Virgil [903]

Daphnidi, arcum
Fregisti et calamos, quae tu, perverse Menalca,
Et quum vidisti puero donata, dolebas,
Et, si non aliqua nocuisses, mortuus esses.

"Or here by these old beeches, when you broke
the bow and arrows of Damon; for you chafed
when first you saw them given to the boy,
cross-grained Menalcas, ay, and had you not
done him some mischief, would have chafed to death."

v. 15. δ) finis a medio:

v.15. δ) Of the end from the means:

Sourced quotation · Virgil [904]

Parta meae Veneri sunt munera. Namque notavi
Ipse locum, aeriae quo congessere palumbes.
M. Quod potui, puero silvestri ex arbore lecta
Aurea mala decem misi, cras altera mittam.

"“Gifts for my love I've found; mine eyes have marked
where the wood-pigeons build their airy nests.”
“Ten golden apples have I sent my boy,
all that I could, to-morrow as many more.”"

71. En! tibi pastores, qui

v.71. Behold shepherds for you, who

Sourced quotation · Virgil [905]

Felices poterant rerum cognoscere caussas!

"Happy, who had the skill to understand
Nature's hid causes,"

§ 775

Comparatio strictius dicta est b) signi et signati, § 773. Unde illustratio α) signi ex signato.

Strict comparison is b) of sign and signified, §773. Hence illustration α) of the sign from the signified.

Signa mortem Caesaris portendentia descripserat Virgilius Georg. I. 464–488, et illustrat ex signato, secundum verisimilitudinem aestheticam:

Virgil had described the signs portending Caesar's death, Georgics I.464–488, and illustrates them from the signified according to aesthetic verisimilitude:

Sourced quotation · Virgil [906]

Ergo inter sese paribus concurrere telis
Romanas acies iterum videre Philippi,
Nec fuit indignum superis, bis sanguine nostro
Emathiam et latos Haemi pinguescere campos.

"Therefore a second time Philippi saw
The Roman hosts with kindred weapons rush
To battle, nor did the high gods deem it hard
That twice Emathia and the wide champaign
Of Haemus should be fattening with our blood."

Addit statim illustrationem poeta huius β) signati ex signo iam rememorativo s. mnemonico, tunc futuro:

The poet immediately adds an illustration β) of the signified from a sign, now recollective or mnemonic, then future:

Sourced quotation · Virgil [907]

Scilicet et tempus veniet, quum finibus illis
Agricola, incurvo terram molitus aratro,
Exesa inveniet scabra rubigine pila,
Aut gravibus rastris galeas pulsabit inanes
Grandiaque effossis mirabitur ossa sepulcris.

"Ay, and the time will come when there anigh,
Heaving the earth up with his curved plough,
Some swain will light on javelins by foul rust
Corroded, or with ponderous harrow strike
On empty helmets, while he gapes to see
Bones as of giants from the trench untombed."

Sources and textual notes

[857] Lucretius, De rerum natura 1.82-83 and 1.101. Baumgarten joins verse 101 directly to verse 83, omitting the seventeen-verse account of Iphigenia's sacrifice. William Ellery Leonard, On the Nature of Things: A Metrical Translation (E. P. Dutton, 1916), Book 1, Project Gutenberg eBook 785. Source 1

Baumgarten starts after quod contra, replaces source illa with olim (changing “that same” to “formerly”), and prints the doubled-l forms Relligio and relligio where the comparison text has religio. He then attaches 1.101 after the omitted Iphigenia narrative, capitalizes Tantum, and changes source periods to commas. Leonard follows source illa with “that same” and translates the two non-contiguous passages; the ellipsis is editorial and prevents the selection from implying continuity.

Reuse information

Leonard's translation was published in 1916 and is in the United States public domain. The linked Project Gutenberg record expressly marks the eBook public domain in the United States.

[858] Lucretius, De rerum natura 1.84-86. William Ellery Leonard, On the Nature of Things: A Metrical Translation (E. P. Dutton, 1916), Book 1, Project Gutenberg eBook 785. Source 1

Baumgarten capitalizes Ductores, stops after delecti, and leaves the source comma as the terminal mark of his excerpt, thereby omitting prima virorum. Leonard's reordered verse translation renders the omitted phrase as “Foremost of heroes”; the full four-line English unit is retained so the source syntax remains intelligible, but that phrase must not be treated as part of Baumgarten's quotation.

Reuse information

Leonard's translation was published in 1916 and is in the United States public domain. The linked Project Gutenberg record expressly marks the eBook public domain in the United States.

[859] Virgil, Aeneid 7.623-628. Theodore C. Williams, The Aeneid of Virgil (Boston: Houghton Mifflin, 1910), Book 7, lines 623-628, as encoded by the Perseus Digital Library. Source 1

Baumgarten changes the semicolon after ante to a period, prints laeves where the comparison text has levis, inserts a comma after pingui, changes the semicolon after secures to a comma, and capitalizes the new line openings Pulverulentus, Arvina, and Signaque. Williams freely recasts the six Latin verses while preserving their sequence. The selected English reproduces the linked XML's lowercase ausonia exactly; that lowercase form appears to be a digital-text capitalization defect.

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Williams's translation was published in 1910 and is in the United States public domain. The linked Perseus file identifies the translator, title, publisher, and year.

[860] Virgil, Georgics 1.56-59. James Rhoades, The Poems of Vergil (London: Oxford University Press, 1921), Georgics 1.56-59, as encoded by the Perseus Digital Library. Source 1

Baumgarten changes source indicative mittit to subjunctive mittat, prints the aspirated spelling thura for tura, capitalizes At and Castorea at his line openings, and uses a question mark where the comparison text has a period. Rhoades turns the rhetorical Nonne vides into the imperative “See how” and distributes the shared Latin verb idiomatically; his wording therefore does not expose Baumgarten's mood change.

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Rhoades's translation was published in 1921 and is in the United States public domain. The linked Perseus file identifies the translator, title, publisher, and year.

[861] Ovid, Metamorphoses 3.206. Arthur Golding, Metamorphoses (London: W. Seres, 1567), Book 3, as encoded by the Perseus Digital Library. Source 1

Baumgarten reproduces Ovid's complete short sentence with its capitalization and period and stops before the catalogue begins with Primumque Melampus. Golding expands the compact Latin for metre and rhyme: “thus he stayd” and “where he was” have no separate Latin counterparts. Those additions belong to the historical translation, not to Baumgarten's quotation.

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Golding's translation was published in 1567 and is in the public domain. The linked Perseus file identifies Golding, the London publisher W. Seres, and the year.

[862] Ovid, Metamorphoses 3.206-208. Arthur Golding, The XV Bookes of P. Ouidius Naso, Entytuled Metamorphosis (London: William Seres, 1567), Book 3, lines corresponding to Ovid 3.206-208; Wikisource transcription. Source 1

Baumgarten omits the governing sentence Dum dubitat, videre canes. Against the comparison text's plural primique, which presents Melampus and Ichnobates together as first, he prints singular primusque. His Gnossius is an orthographic form of the comparison text's Cnosius, and he adds capitalization and commas. Golding domesticates the two speaking dog names as “Blackfoote” and “Stalker” and retains their Spartan and Cretan origins; these are historical translation choices, not Baumgartenian wording.

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Golding's translation was published in 1567 and is in the public domain. The linked Wikisource page supplies the Book 3 transcription and edition history.

[863] Ovid, Metamorphoses 3.225, at the end of the catalogue of Actaeon's hounds. Arthur Golding, The XV Bookes of P. Ouidius Naso, Entytuled Metamorphosis (London: William Seres, 1567), Book 3, line corresponding to Ovid 3.225; Wikisource transcription. Source 1

Baumgarten capitalizes the extracted clause and changes the source colon to a period, suppressing the following ea turba cupidine praedae. The words themselves otherwise agree. Golding expands the compact impersonal phrase mora est into the idiomatic “it were but losse of tyme.”

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Golding's translation was published in 1567 and is in the public domain. The linked Wikisource page supplies the Book 3 transcription and edition history.

[864] Ovid, Tristia 1.2.3. Baumgarten's compact citation is to Book 1, elegy 2, not to line 2 of elegy 1. Arthur Leslie Wheeler, Ovid: Tristia, Ex Ponto (Loeb Classical Library 151; London: William Heinemann; New York: G. P. Putnam's Sons, 1924), p. 13. Source 1

Baumgarten capitalizes the opening and drops Ovid's exclamation point, but makes no lexical change. Wheeler's “and” reflects the enclitic force of initial neve and connects the line to Ovid's preceding prayer for the shattered ship, which Baumgarten omits.

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Wheeler's translation was published in 1924 and is in the United States public domain. The linked Internet Archive page reproduces the 1924 edition.

[865] Ovid, Tristia 1.2.4. Arthur Leslie Wheeler, Ovid: Tristia, Ex Ponto (Loeb Classical Library 151; London: William Heinemann; New York: G. P. Putnam's Sons, 1924), p. 13. Source 1

Baumgarten quotes the complete pentameter without lexical or syntactic adaptation; only the opening capitalization reflects extraction. Wheeler's prose sentence is a direct rendering of the maxim.

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Wheeler's translation was published in 1924 and is in the United States public domain. The linked Internet Archive page reproduces the 1924 edition.

[866] Ovid, Tristia 1.2.5-12. Arthur Leslie Wheeler, Ovid: Tristia, Ex Ponto (Loeb Classical Library 151; London: William Heinemann; New York: G. P. Putnam's Sons, 1924), p. 13. Source 1

Baumgarten capitalizes each displayed line and changes the source's semicolons after Apollo, Turno, and Ulixen. He substitutes the Greek-derived form Ulyssem for Ovid's Ulixen. More substantially, the source's personal interrogative quis vetat (“who forbids?”) becomes neuter Quid vetat (“what prevents?”). Wheeler translates the source reading “who forbids” and therefore does not directly represent Baumgarten's final substitution.

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Wheeler's translation was published in 1924 and is in the United States public domain. The linked Internet Archive page reproduces the 1924 edition.

[867] Tacitus, Dialogus de oratoribus 8, in Aper's discussion of Eprius Marcellus and Vibius Crispus. Arthur Murphy, The Works of Cornelius Tacitus, vol. 8, A Dialogue Concerning Oratory (London: John Stockdale, 1811), section 8; Project Gutenberg eBook 15017. Source 1

Baumgarten prints the historically common form Lubentius for the comparison text's libentius, omits explanatory enim, adds a comma after recentibus, and replaces the second et with ac. Murphy translates the parenthesis freely: “living” compresses novis et recentibus, while “names of a former day” compresses remotis et oblitteratis exemplis. The work's attribution was disputed in Baumgarten's tradition, but modern editions conventionally include it among Tacitus's works.

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Murphy's translation was published in 1811 and is in the public domain. Project Gutenberg labels eBook 15017 public domain in the United States.

[868] Virgil, Georgics 2.532-535 and 2.538. Baumgarten silently skips lines 536-537. James Rhoades, The Poems of Vergil (London: Oxford University Press, 1921), Georgics 2.532-538, as encoded by the Perseus Digital Library. Source 1

Baumgarten makes a sentence break after frater, adds a comma after Scilicet, prints older Hetruria for Etruria, and has pulcerrima for source pulcherrima. He then jumps over Virgil's lines about the reign of the Dictaean king and the impious eating of slaughtered bullocks to join line 538 directly to line 535. The ellipsis in the selected English makes that suppression explicit; Rhoades's intervening lines are not quoted here.

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Rhoades's translation was published in 1921 and is in the United States public domain. The linked Perseus file identifies the translator, title, publisher, and year.

[869] Virgil, Georgics 2.485-489. James Rhoades, The Poems of Vergil (London: Oxford University Press, 1921), Georgics 2.485-489, as encoded by the Perseus Digital Library. Source 1

Baumgarten prints Sperchiusque for Virgil's Greek accusative Spercheosque and, more significantly, replaces gelidis convallibus Haemi (“in Haemus's cool dells”) with gelidis in montibus Haemi (“in Haemus's cool mountains”). His repeated O! and added commas also alter the punctuation. Rhoades's “deep dells” translates Virgil's convallibus, not Baumgarten's substituted in montibus.

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Rhoades's translation was published in 1921 and is in the United States public domain. The linked Perseus file identifies the translator, title, publisher, and year.

[870] Horace, Satires 2.1.47-49. Christopher Smart, The Works of Horace, vol. 2 (Philadelphia: Joseph Whetham, 1836), Satires 2.1.47-49; revised printing edited by Theodore Alois Buckley (New York: Harper & Brothers, 1863), Perseus Digital Library text. Source 1

Baumgarten capitalizes the final verse opening, writes source siquid as two words si quid, and changes the presentation punctuation; the remaining words agree. Smart's square-bracketed “judiciary” and “threatens” are his editorial clarifications of Horace's compressed syntax, not words added by Baumgarten.

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[871] Horace, Satires 2.1.61-62. Christopher Smart, The Works of Horace, vol. 2 (Philadelphia: Joseph Whetham, 1836), Satires 2.1.60-62; revised printing edited by Theodore Alois Buckley (New York: Harper & Brothers, 1863), Perseus Digital Library text. Source 1

Baumgarten removes Trebatius's opening address and fear for Horace's longevity, begins at maiorum, separates source nequis into ne quis, capitalizes Frigore, and changes the closing quotation punctuation to a period. Smart translates the full warning and interprets frigore as the “cold of death”; the bracket-free selected English therefore contains the omitted opening as necessary context.

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[872] Horace, Ars poetica 50. Christopher Smart, The Works of Horace, ed. Theodore Alois Buckley (New York: Harper and Brothers, 1863), translation of Ars poetica 50; Perseus Digital Library text. Source 1

Baumgarten extracts the end of Horace's infinitive phrase, omitting governing fingere, and replaces the unusual adjective cinctutis (literally “girdled,” hence old-fashioned) with the interpretive synonym Antiquis. He capitalizes the new opening and changes Horace's comma to a period. Smart translates the unadapted Horatian line, so his “old-fashioned” renders cinctutis rather than Baumgarten's substituted Antiquis.

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[873] Catullus, Carmina 5.4-6. Sir Richard Francis Burton (metrical translation), The Carmina of Gaius Valerius Catullus, with Leonard C. Smithers (London: Printed for the Translators, 1894), poem 5; Perseus Digital Library text. Source 1

Baumgarten uses the early-modern spelling quum for cum, changes the source's feminine predicate adjective perpetua to adverbial or non-agreeing perpetuo, removes the comma after nobis, and changes the colon after the first verse to a comma. Capitalization reflects extraction. Burton translates the standard source text and freely expands its solar and nocturnal imagery in verse.

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[874] Horace, Odes 1.7.1-4. John Conington, The Odes and Carmen Saeculare of Horace (London: George Bell and Sons, 1882), ode 1.7.1-4; Perseus Digital Library text. Source 1

Against the comparison text, Baumgarten prints Mitylenen for Mytilenen, Ephesum for Greek-form Epheson, bimarive for bimarisve, and regular accusative-plural Insignes for poetic insignis. He also adds commas, capitalizes the displayed lines, and turns the source's semicolon into a period. Conington translates the standard forms, explicitly rendering bimaris as Corinth “set between / Two seas.”

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[875] Virgil, Aeneid 4.214, spoken by Iarbas about Dido. Theodore C. Williams, The Aeneid of Virgil (Boston: Houghton Mifflin, 1910), Book 4, translation corresponding to line 214; Perseus Digital Library text. Source 1

Baumgarten omits the opening reppulit, ac (“she rejected [our marriage], and”), begins at the verse's contrasting second action, lowers the extracted opening, and replaces Virgil's period with a comma so the phrase can function in his own sentence. Williams renders the complete source thought idiomatically: “partner ... of her ... throne” corresponds to dominum ... in regna recepit, while “bed” also reflects the rejected and accepted marriage described across the surrounding verses.

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[876] Virgil, Aeneid 4.215-217, spoken by Iarbas about Aeneas. Theodore C. Williams, The Aeneid of Virgil (Boston: Houghton Mifflin, 1910), Book 4, translation corresponding to lines 215-217; Perseus Digital Library text. Source 1

Baumgarten adds commas after Paris and mitra, capitalizes the extracted line beginnings, and stops at potitur, changing Virgil's colon to a period and omitting the continuation nos munera templis. There is no lexical substitution within the excerpt. Williams expands Maeonia mitra as “soft Lydian bonnet” and conveys subnexus by making Aeneas tie it beneath his chin and hair.

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[877] Ovid, Tristia 2.3-4, 9-10, 29-30, 75-76, and 59-60, in that Baumgartenian order. The last two source couplets are reversed relative to Ovid's poem. Arthur Leslie Wheeler, Ovid: Tristia, Ex Ponto (Loeb Classical Library 151; London: William Heinemann; New York: G. P. Putnam's Sons, 1924), pp. 57, 59, and 61. Source 1 · Source 2 · Source 3

Baumgarten joins five separated couplets, omits the intervening verses, and places Ovid 2.75-76 before 2.59-60. At line 29 he replaces Ovid's anaphoric illa (“that [wrath]”) with explicit Ira. He prints aspirated thuris/thura for the source's turis/tura, changes the semicolon after demes to a comma, replaces Ovid's dashes after lines 29-30, and adds capitalization. The ellipses in the selected English transparently mark the gaps; its final two units have been rearranged to mirror Baumgarten, not Wheeler or Ovid.

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Wheeler's translation was published in 1924 and is in the United States public domain. The linked Internet Archive pages reproduce the 1924 edition.

[878] Cicero, Orator 164-166. Baumgarten cites section 166, but his wording synthesizes Cicero's connected discussion across all three sections. E. Jones, Cicero's Brutus or History of Famous Orators; also His Orator, or Accomplished Speaker (London: B. White, T. Payne, and P. Dilly, 1776), Project Gutenberg eBook 9776. Source 1

No continuous Ciceronian sentence matches Baumgarten's Latin. His sine industria comes from Orator 164 and 166; naturali quadam necessitate compresses suapte natura (164) and necessitate ipsa (166); and sic fieri debere videatur recasts the claim in 165 that the pattern seems not sought but naturally consequent. Jones therefore supplies an existing translation of the actual source argument, not a word-for-word translation of Baumgarten's adaptation. The ellipsis marks omitted source discussion.

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Jones's translation was published in 1776 and is in the public domain. Project Gutenberg identifies eBook 9776 as public domain in the United States.

[879] Persius, Satires 1.83-87. G. G. Ramsay, Juvenal and Persius (London: William Heinemann; New York: G. P. Putnam's Sons, 1918), p. 325; Wikisource transcription of the facing English page. Source 1

Baumgarten changes interrogative Nilne to Nonne, tepidum (“lukewarm, paltry”) to lepidum (“witty, charming”), second-person optes to third-person optet, and dative Pedio after ait to nominative Pedius. He repunctuates the passage, divides the continuous syntax after antithetis, capitalizes displayed lines, and stops before Persius's obscene closing challenge an, Romule, ceves? Ramsay translates the unabbreviated source reading, so “trifling” reflects tepidum, not Baumgarten's lepidum.

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Ramsay's translation was published in 1918 and is in the public domain. The linked Wikisource page reproduces the 1918 edition.

[880] Cicero, Orator 167. E. Jones, Cicero's Brutus or History of Famous Orators; also His Orator, or Accomplished Speaker (London: B. White, T. Payne, and P. Dilly, 1776), Project Gutenberg eBook 9776. Source 1

Baumgarten capitalizes the opening, inserts a comma before et maxime Gorgias, and ends there, omitting Cicero's relative clause explaining that Gorgias's rhythm usually arises from verbal symmetry. Jones translates the complete Ciceronian sentence; his “whose measured cadences ...” therefore corresponds to material Baumgarten leaves outside his quotation.

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Jones's translation was published in 1776 and is in the public domain. Project Gutenberg identifies eBook 9776 as public domain in the United States.

[881] Quintilian, Institutio oratoria 9.3.4. Baumgarten prints “Quint. VIII. 3,” but the quoted sentence occurs in Book 9, chapter 3, section 4 in the modern division. H. E. Butler, The Institutio Oratoria of Quintilian, vol. 3 (Loeb Classical Library; Cambridge, MA: Harvard University Press; London: William Heinemann, 1921), Perseus Digital Library text. Source 1

Baumgarten separates Quod si where the comparison text has quodsi, uses quum for cum, relocates the comma around the temporal clause, and replaces Quintilian's semicolons with a comma and period. His adsperso and affectaverit are orthographic variants of asperso and adfectaverit, and he adds a comma after At. Butler makes the plural antecedent (“figures”) explicit and divides the Latin's two balanced clauses into two English sentences. Baumgarten's printed Book 8 citation is retained as historical evidence but corrected in the identified-source field.

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[882] Quintilian, Institutio oratoria 9.3.5, not 8.3 as Baumgarten's accompanying citation states. H. E. Butler, The Institutio Oratoria of Quintilian, vol. 3 (Cambridge, MA: Harvard University Press; London: William Heinemann, 1921), 9.3.5, Perseus canonical text. Source 1

Baumgarten changes Quintilian's et se non to nec se, without changing the proposition, and adds commas after dicenti and conquisitas. He extracts only the consequence clause from Quintilian's sentence, capitalizes nothing because his quotation follows his own lead-in, and cites the wrong book: the exact passage is 9.3.5. Butler translates the complete sentence and therefore supplies the omitted description of the figures as abnormal and outside common speech.

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[883] Quintilian, Institutio oratoria 9.3.85. H. E. Butler, The Institutio Oratoria of Quintilian, vol. 3 (Cambridge, MA: Harvard University Press; London: William Heinemann, 1921), 9.3.85, Perseus canonical text. Source 1

Baumgarten omits Quintilian's opening fit etiam adsumpta and the naming clause quod ἀντιμεταβολή dicitur. To fit his own governing verb habet, he retains accusative illam figuram rather than Quintilian's nominative construction. He capitalizes Non after his new colon and adds a comma after vivo; the antimetabolic maxim itself is otherwise verbally unchanged. Butler's parenthetical English directly translates that maxim.

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[884] Epicurus, Letter to Menoeceus, preserved by Diogenes Laertius, Lives of Eminent Philosophers 10.135. C. D. Yonge, The Lives and Opinions of Eminent Philosophers (London: Henry G. Bohn, 1853; Attalus text from the 1895 edition), Diogenes Laertius 10.135. Source 1

Epicurus wrote Greek, so Baumgarten's wording is a Latin rendering rather than an ancient Latin quotation. His sapienter and insipienter sharpen Greek εὐλογίστως and ἀλογίστως (reasonably and unreasonably) into “wisely” and “foolishly”; satius est renders the Greek comparative, and the repeated esse is placed at opposite ends to heighten the antimetabole. Yonge follows the Greek's rational/irrational vocabulary rather than Baumgarten's sharpened Latin pair.

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Yonge's nineteenth-century translation is in the public domain. The Attalus page identifies the translator and edition and aligns the English with section 135.

[885] Plutarch, De gloria Atheniensium (Were the Athenians More Famous in War or in Wisdom?) 3, 346F-347A, reporting Simonides. translation by several hands, edited and revised by William W. Goodwin, Plutarch's Morals, vol. 5 (Boston: Little, Brown, 1878), pp. 401-02, as digitized by ToposText. Source 1

Plutarch reports “painting [as] silent poetry” first and “poetry [as] speaking painting” second. Baumgarten reverses that order, turns the reported-speech construction into two copular definitions, uses loquens/tacita for Greek λαλοῦσαν/σιωπῶσαν, and adds et to make an especially symmetrical Latin antimetabole. The Goodwin English retains Plutarch's order, so it should not be rearranged to mimic Baumgarten.

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The 1878 Goodwin edition is in the public domain. ToposText explicitly identifies its text as the public-domain 1878 translation.

[886] Salvian, De gubernatione Dei 5.5.22, in the account of Romans taking refuge among Goths, Bagaudae, and other non-Roman powers. Eva M. Sanford, Salvian: On the Government of God (New York: Columbia University Press, 1930), book 5, section 5, p. 142, CCEL digital text. Source 1

Baumgarten omits explanatory enim, replaces Salvian's vivere liberi with esse liberi to mirror the second half's esse captivi, capitalizes the extraction, inserts a comma before quam, and closes it with a period. Sanford accurately follows Salvian's asymmetrical vivere ... esse rather than Baumgarten's rhetorically heightened esse ... esse.

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Sanford's translation was published in the United States in 1930 and is now in the United States public domain; CCEL's edition note also records that the copyright was not renewed.

[887] Aulus Gellius, Noctes Atticae 16.1.1-4. Gellius gives the Greek maxim attributed to Musonius in 16.1.2, then quotes the older, more expansive version from Cato's speech At Numantia to the Knights in 16.1.4. John C. Rolfe, The Attic Nights of Aulus Gellius, vol. 3 (Cambridge, MA: Harvard University Press; London: William Heinemann, 1927), 16.1.2, Perseus canonical text. Source 1

Baumgarten condenses Cato's expansive Latin with the rounder four-part structure of Musonius' Greek. His printed laborabit must be read as the two words labor abit (“the toil passes”); as a single verb it would mean “he/she/it will toil” and would break both the source and the antimetabole. He uses recte/turpe where Musonius has “noble/shameful,” reduces Cato's labor ille ... cito recedet and voluptas cito abibit, and reverses the last two Greek clauses so that turpe manet precedes voluptas perit. Rolfe's translation follows Musonius' transmitted order, not Baumgarten's reordered Latin hybrid.

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[888] Quintilian, Institutio oratoria 9.3.82. H. E. Butler, The Institutio Oratoria of Quintilian, vol. 3 (Cambridge, MA: Harvard University Press; London: William Heinemann, 1921), 9.3.82, Perseus canonical text. Source 1

Baumgarten drops the relative cui, substitutes passive subiicitur for Quintilian's subiungitur, and changes demonstrative ea to illa. He also removes the source colon because he does not quote the example that follows. Butler's “Next to this” represents the omitted cui, while “may appropriately be placed” captures the function of Quintilian's source verb.

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[889] Ovid, Tristia 2.137-138 (also cited as 2.1.137-138 because book 2 consists of a single poem). Arthur Leslie Wheeler, Ovid: Tristia, Ex Ponto (Loeb Classical Library 151; London: William Heinemann; New York: G. P. Putnam's Sons, 1924), p. 65. Source 1

Baumgarten's Parcaque fortunae sunt data verba meae is an attested textual tradition, not a free paraphrase: manuscripts and older editions transmit parcaque, and the data reading was also printed. The selected Wheeler text instead reads privaque ... ibi, taking the words of the edict as “especially adapted” or peculiar to Ovid's legal status. Wheeler therefore translates his own reading, not Baumgarten's “sparing words were given.” Baumgarten also has orthographic exsul for exul and capitalizes the extracted couplet.

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[890] Quintilian, Institutio oratoria 9.3.84. H. E. Butler, The Institutio Oratoria of Quintilian, vol. 3 (Cambridge, MA: Harvard University Press; London: William Heinemann, 1921), 9.3.84, Perseus canonical text. Source 1

Baumgarten compounds Quintilian's two words contra ponitur as contrapponitur, with doubled p, capitalizes the extraction, and replaces the comma with a period after omitting Quintilian's Rutilius example. Butler's “expressed antithetically” translates the sense of the source phrase rather than reproducing Baumgarten's later orthographic compound.

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[891] the closest secure Ennian witness is Cassandra's speech in Ennius' Alexander (also called Alexandra), preserved by Cicero, De divinatione 1.66. It contains me ... dementem, but the words are not contiguous and the transmitted first-person pronoun is not memet. William Armistead Falconer, Cicero: De Senectute, De Amicitia, De Divinatione (Loeb Classical Library 154; Cambridge, MA: Harvard University Press; London: William Heinemann, 1923), De divinatione 1.66.

Deferred: the final edition’s current translation is retained.

Falconer's underlying Latin edition reads nam me and notes variants namque and neque me; a modern Ennian text likewise prints a variant without memet. Baumgarten's phrase can be produced only by eliding Apollo fatis fandis and the ending invitam ciet, then strengthening me to emphatic memet. That makes good sense as an etymological oxymoron in his list—“my very self” described as de-mens, outside its mind—but it is not an exact continuous quotation in the witnesses checked. Exact-phrase searches, the accessible complete tragic-fragment text, and the Cicero witness located no published memet dementem. The Falconer translation documents the nearest secure source; this record should remain deferred until an edition or intermediary naming Baumgarten's exact form is found.

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[892] Terence, Eunuchus 63 (Act 1, scene 1); lines 61-63 supply the complete paradox. Henry Thomas Riley, The Comedies of Terence (Bohn's Classical Library, London, 1853; Perseus digital text), Eunuchus 61-63. Source 1

Baumgarten removes Terence's comparative frame Quam si des operam ut and changes the finite subjunctive insanias ("you were to be mad") to the infinitive insanire ("to be mad"). His compact label therefore preserves the oxymoron but is a grammatical recast, not a verbatim excerpt. Riley translates the complete comparison.

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[893] Terence, Andria 314b (the second speaker's retort to Interea fiet aliquid, spero in line 314). Henry Thomas Riley, The Comedies of Terence (Bohn's Classical Library, London, 1853; Perseus digital text), Andria 314-314b. Source 1

Baumgarten reproduces the reply's four words exactly, with only the capitalization and final period removed by its embedding in his prose. The pointed repetition of aliquid becomes fully intelligible when the preceding speaker's hope is retained, as it is in the selected translation.

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[894] Cicero, In Catilinam 1.21. Charles Duke Yonge, The Orations of Marcus Tullius Cicero, volume 2 (London: Henry G. Bohn, 1856), First Oration against Catiline 1.21, Perseus digital text. Source 1

Cicero has cum tacent, not Baumgarten's dum tacent. Baumgarten also extracts the last member from a three-part anaphora and omits Catiline's name. Yonge translates all three balanced clauses and expands clamant as "are loud and eloquent."

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[895] Virgil, Aeneid 7.295, in Juno's indignant speech at 7.293-298. Theodore C. Williams, The Aeneid of Virgil (Boston: Houghton Mifflin, 1910), Aeneid 7.293-296, Perseus digital text. Source 1

Baumgarten extracts the middle question from Virgil's sequence, capitalizes Num, and replaces the source comma with a question mark. Williams renders capti ... capi by the equally pointed "captured slaves / ... enslaved again" and translates the adjoining questions needed to preserve Juno's rhetorical sequence.

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[896] Horace, Odes 1.34.2-3. John Conington, The Odes and Carmen Saeculare of Horace (London: George Bell and Sons, 1882), Odes 1.34.1-4, Perseus digital text. Source 1

Baumgarten extracts Horace's lines 2-3, capitalizes both new line openings, and converts the comma after erro into a period, suppressing the turn marked by nunc retrorsum. Conington compresses both insanientis sapientiae and consultus erro into the single antithetical line "While witless wisdom fool'd my mind," so the whole stanza is quoted.

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[897] Ovid, Metamorphoses 7.339-340, describing the daughters of Pelias under Medea's persuasion. Arthur Golding, The XV Bookes of P. Ovidius Naso, Entytuled Metamorphosis (London: William Seres, 1567), Book 7. Source 1

Baumgarten omits Ovid's initial demonstrative His ("by these"), capitalizes the extracted Ut and second-line Et, inserts a comma after Et, and ends with a comma rather than Ovid's period. Golding makes the causal reference explicit as "Through these persuasions" and expands the paradox into four rhymed lines.

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Golding's translation was published in 1567 and is in the public domain. Wikisource supplies a transcription of the early edition.

[898] Ovid, Metamorphoses 8.477, describing Althaea's choice to act as sister against her son Meleager. Arthur Golding, The XV Bookes of P. Ovidius Naso, Entytuled Metamorphosis (London: William Seres, 1567), Book 8. Source 1

Baumgarten extracts Ovid's three-word predicate, capitalizes Impietate, and stops before the source's continuing Nam. The subject and ethical conflict are supplied by the two preceding Latin lines. Golding renders the oxymoron interpretively as being "one way kinde" by acting "Against kinde," so his four-line context is retained.

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Golding's translation was published in 1567 and is in the public domain. Wikisource supplies a transcription of the early edition.

[899] Martial, Epigrams 2.12, especially line 4, as the direct literary analogue of the saying Baumgarten calls "that [saying] of many." Walter C. A. Ker, Martial: Epigrams, volume 1 (London: William Heinemann; New York: G. P. Putnam's Sons, 1919), Book 2, epigram 12. Source 1

Baumgarten does not name Martial here; he introduces the phrase as illud multorum, "that [saying] of many." Relative to Martial 2.12.4, the adage drops the vocative Postume, changes singular non bene olet to plural male olent, and retains the closing qui semper bene olent. It should be catalogued as a proverbial pluralization and sharpening of Martial's paradox, not as Martial's exact wording.

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Ker's translation was published in 1919 and is in the United States public domain. Internet Archive supplies a scan of the 1919 edition.

[900] Ovid, Fasti 2.133-144, the antithetical comparison of Romulus and Augustus. Henry Thomas Riley, The Fasti, Tristia, Pontic Epistles, Ibis, and Halieuticon of Ovid (London: Henry G. Bohn, 1851), Fasti 2.133-144. Source 1

Against the selected comparison text Baumgarten reads concedas/concedes, raptas/rapis, submovet/reppulit, and accusat/incusat, as well as the orthographic Quodcunque/quodcumque; he also capitalizes every extracted line and extensively redistributes colons, commas, and periods. At least concedas and submovet belong to an early editorial tradition rather than being accidental inventions: Riley's "must give way" and "removes afar all guilt" reflect those readings. Riley's prose translates the whole twelve-line antithesis and is therefore especially useful for recording the textual relationship.

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Riley's translation was published in 1851 and is in the United States public domain. Internet Archive supplies a scan of the 1851 edition.

[901] Virgil, Eclogues 3.36-37; Baumgarten cites 3.37, but takes pocula from line 36 and joins it to the latter part of line 37. James Rhoades, The Poems of Vergil (London: Oxford University Press, 1921), Eclogues 3.35-39, Perseus Digital Library text. Source 1

Baumgarten lifts pocula from 3.36, omits the intervening ponam fagina, and resumes at caelatum in 3.37; he then capitalizes the composite and replaces Virgil's semicolon with a period. Rhoades's "two beechen cups / by the divine art of Alcimedon / wrought and embossed" preserves both the omitted adjective fagina and the craftsmanship phrase, so the broader translation excerpt is retained.

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Rhoades's translation was published in 1921 and is in the United States public domain. The Perseus canonical repository supplies the digital source file.

[902] Virgil, Eclogues 3.40-42, in Menalcas's description of two figures carved on a pair of cups. James Rhoades, The Poems of Vergil (London: Oxford University Press, 1921), Eclogues 3.40-42; Perseus Digital Library text. Source 1

Baumgarten omits Virgil's framing words in medio duo signa, begins with the first named figure, and removes the source's dash after et. He capitalizes the extracted second and third verses but makes no lexical change within the retained wording. Rhoades translates the complete source unit, so his opening “Two figures ... in the midst” represents words omitted by Baumgarten.

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Rhoades's translation and the 1921 edition are in the United States public domain. The Perseus canonical repository supplies the digital source file.

[903] Virgil, Eclogues 3.12-15, spoken by Damoetas to Menalcas. James Rhoades, The Poems of Vergil (London: Oxford University Press, 1921), Eclogues 3.12-15; Perseus Digital Library text. Source 1

Baumgarten omits Aut hic ad veteres fagos cum and changes genitive Daphnidis (“of Daphnis”) to dative-form Daphnidi, followed by a comma. He uses quum for cum, adds a comma after the fourth line's initial Et, capitalizes the extracted line openings, and adds a comma after calamos. Rhoades translates the full source frame and surprisingly prints “Damon” where the selected Latin text has Daphnidis; this is a feature of the published English, not evidence for Baumgarten's case form.

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Rhoades's translation and the 1921 edition are in the United States public domain. The Perseus canonical repository supplies the digital source file.

[904] Virgil, Eclogues 3.68-71. Damoetas speaks lines 68-69 and Menalcas responds in lines 70-71. James Rhoades, The Poems of Vergil (London: Oxford University Press, 1921), Eclogues 3.68-71; Perseus Digital Library text. Source 1

Baumgarten turns the colon after munera into a period, capitalizes Namque and the displayed line beginnings, and writes unmarked aeriae for the comparison text's diaeretic aëriae. He inserts the abbreviated speaker label M. before Menalcas's reply but supplies no matching D. for Damoetas. In Menalcas's unit he replaces the semicolon after misi with a comma. Rhoades reverses the order of Quod potui and the ten apples in English, but represents both speakers and both source units.

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Rhoades's translation and the 1921 edition are in the United States public domain. The Perseus canonical repository supplies the digital source file.

[905] Virgil, Georgics 2.490. Baumgarten applies the famous singular line playfully to the shepherds in Eclogues 3. James Rhoades, The Poems of Vergil (London: Oxford University Press, 1921), Georgics 2.490; Perseus Digital Library text. Source 1

Virgil's singular Felix, qui potuit (“happy [is] he who was able”) becomes Baumgarten's plural Felices poterant (“happy [they] were able to”), with the relative pronoun omitted and perfect potuit changed to imperfect plural poterant. Baumgarten also prints caussas for causas and an exclamation point for the source comma. Rhoades translates the singular source, not Baumgarten's grammatically recast application to multiple shepherds.

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Rhoades's translation and the 1921 edition are in the United States public domain. The Perseus canonical repository supplies the digital source file.

[906] Virgil, Georgics 1.489-492. James Rhoades, The Poems of Vergil (London: Oxford University Press, 1921), Georgics 1.489-492; Perseus Digital Library text. Source 1

Baumgarten capitalizes the first and third displayed lines and changes Virgil's semicolon after Philippi to a comma. The wording is otherwise unchanged. Rhoades makes paribus ... telis explicit as “kindred weapons” and turns the four Latin hexameters into five English verse lines.

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[907] Virgil, Georgics 1.493-497. James Rhoades, The Poems of Vergil (London: Oxford University Press, 1921), Georgics 1.493-497; Perseus Digital Library text. Source 1

Baumgarten uses quum for cum, rubigine for robigine, regular accusative-plural inanes for poetic inanis, and sepulcris for sepulchris. He adds commas after Agricola, aratro, and pila, and capitalizes the displayed line openings. Rhoades renders pila broadly as “javelins,” supplies “some swain” for agricola, and expands the image of the unearthed bones as “Bones as of giants.”

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Rhoades's translation and the 1921 edition are in the United States public domain. The Perseus canonical repository supplies the digital source file.