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Alexander Gottlieb Baumgarten

Aesthetica

Interlinear Beta v2 · §§776–800

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§ 776

Comparatio strictius dicta e. g. c) animarum affectiones vel mutationes illustraturis suggerit ideas socias membrorum corporis, quae quoniam affectionibus datis, inter mutationes eiusmodi praesertim affici propiusque tangi verisimile est, veluti sedes horum in anima variorum considerantur.

Strict comparison, for example c), suggests to those who will illustrate affections or changes of souls associated ideas of members of the body. Since these are likely to be especially affected and more closely touched by the given affections among such changes, they are considered as seats of these various things in the soul.

Sic ingenium illustratur capite et cerebro, sensationes externae organis sensoriis, appetitiones corde, inferiores iecinore, pudor fronte ac ore e. c. illustrantur. § 773, 752.

Thus talent is illustrated by head and brain, external sensations by sensory organs, appetitions by heart, lower ones by liver, shame by forehead and face, and so on, §§773, 752.

Sourced quotation · Pacuvius (quoted by Cicero) [908]

Istis, qui linguam avium intelligunt,
Plusque ex alieno iecore sapiunt, quam suo,
Magis audiendum, quam auscultandum, censeo,

"The men who know the speech of birds and more
Do learn from other livers than their own—
'Twere best to hear, I think, and not to heed."

Pac. ap. Cic. de div. l. c.

Pacuvius in Cicero, De divinatione.

Sourced quotation · Catullus [909]

Pudorem
Ferreo canit exprimamus ore.

"But if naught else avail, at least a blush
Forth of that bitch-like brazen brow we'll squeeze."

Cat.

Catullus.

Sourced quotation · Horace [910]

Vides, quae maxima credis
Esse mala, exiguum censum, turpemque repulsam,
Quanto devites animi capitisque labore?

"You see with what toil of mind and body you avoid those things which you believe to be the greatest evils, a small fortune and a shameful repulse."

Hor. ep. I. 44.

Horace, Epistles I.44.

§ 777

Porro comparatio stricte dicta d) eventum factumque, singulare quodvis, illustrat a loco et tempore, per ideas socias eodem loco, eodem tempore perceptorum. § 773, 742.

Further, strict comparison d) illustrates an event, fact, or any singular from place and time, through associated ideas of things perceived in the same place and same time, §§773, 742.

Sourced quotation · Horace [911]

O cives! cives! quaerenda pecunia primum est,
Virtus post nummos: haec Ianus summus ab imo
Prodocet, haec recinunt iuvenes dictata, senesque,
Laevo suspensi loculos tabulamque lacerto.

"“O citizens, citizens, money is to be sought first; virtue after riches:” this the highest Janus from the lowest inculcates; young men and old repeat these maxims, having their bags and account-books hung on the left arm."

Sourced quotation · Horace [912]

Solvitur acris hiems grata vice veris et Favoni,
Trahuntque siccas machinae carinas,
Ac neque iam stabulis gaudet pecus, aut arator igni,
Nec prata canis albicant pruinis.
Iam Cytherea choros ducit Venus, imminente luna,
Iunctaeque Nymphis Gratiae decentes
Alterno terram quatiunt pede, dum gravis Cyclopum
Vulcanus ardens urget officinas.
Nunc decet aut viridi nitidum caput impedire myrto,
Aut flore, terrae quem ferunt solutae.

"The touch of Zephyr and of Spring has loosen'd Winter's thrall;
The well-dried keels are wheel'd again to sea:
The ploughman cares not for his fire, nor cattle for their stall,
And frost no more is whitening all the lea.
Now Cytherea leads the dance, the bright moon overhead;
The Graces and the Nymphs, together knit,
With rhythmic feet the meadow beat, while Vulcan, fiery red,
Heats the Cyclopian forge in Aetna's pit.
'Tis now the time to wreathe the brow with branch of myrtle green,
Or flowers, just opening to the vernal breeze;"

od. I. 4.

Horace, Ode I.4.

§ 778

Comparatio stricte dicta e) rem et personam, quae in alicuius potestate est, eumque confert, qui illius dominus, dux, imperans est, vel possessor.

Strict comparison e) brings together a thing or person that is in someone's power and the one who is its lord, leader, commander, or possessor.

Unde illustratio α) rei a possessore, domino, deo, qua ratione describit Virgilius Aeoliam:

Hence illustration α) of a thing from possessor, lord, or god. In this way Virgil describes Aeolia:

Sourced quotation · Virgil [913]

Hic vasto rex Aeolus antro
Luctantes ventos tempestatesque sonoras
Imperio premit, ac vinclis et carcere frenat.

"Aeolia named, where royal Aeolus
in a high-vaulted cavern keeps control
o'er warring winds and loud concourse of storms.
There closely pent in chains and bastions strong,
they, scornful, make the vacant mountain roar,
chafing against their bonds."

Aen. I. 58. β) personae a superiore, duce, principe, rege, cui subiicitur.

Aeneid I.58. β) Of a person from a superior, leader, prince, or king to whom he is subject.

Ventos in personas mutarat Virgilius, hinc illustrantur per suum regem:

Virgil had changed the winds into persons; hence they are illustrated through their king:

Sourced quotation · Virgil [914]

celsa sedet Aeolus arce
Sceptra tenens, mollitque animos et temperat iras.
a Iove datus,
qui foedere certo
Et premere et laxas sciret dare iussus habenas.

"But from a throne
of lofty crag, their king with sceptred hand
allays their fury and their rage confines.
...
But over-ruling Jove, of this in fear,
hid them in dungeon dark: then o'er them piled
huge mountains, and ordained a lawful king
to hold them in firm sway, or know what time,
with Jove's consent, to loose them o'er the world."

67.

"given by Jove," "who by fixed covenant should know, when ordered, both to press and to give loose reins," v.67.

§ 779

Comparatio possessoris et possessi dat illustrationem γ) possessoris a re possessa:

Comparison of possessor and possessed gives illustration γ) of the possessor from the thing possessed:

Sourced quotation · Virgil [915]

Non illi imperium pelagi, saevumque tridentem
Sed mihi sorte datum. Tenet ille immania saxa,
Vestras, Eure, domos. Illa se iactet in aula
Aeolus, et clauso ventorum carcere regnet.

"Not unto him
dominion o'er the seas and trident dread,
but unto me, Fate gives. Let him possess
wild mountain crags, thy favored haunt and home,
O Eurus! In his barbarous mansion there,
let Aeolus look proud, and play the king
in yon close-bounded prison-house of storms!"

145. δ) ducis, principis, imperantis, dei a subditis et personis, in illius potestate constitutis. § 778. Horatius ad Augustum:

v.145. δ) Of leader, prince, commander, or god from subjects and persons placed in his power, §778. Horace to Augustus:

Sourced quotation · Horace [916]

Praesenti tibi maturos largimur honores,
Iurandasque tuum per numen ponimus aras,
Nil oriturum alias, nil ortum tale fatentes.
Sed tuus hoc populus sapiens et iustus in uno,
Te nostris ducibus, te Graiis anteferendo,
Caetera nequaquam simili ratione modoque
Aestumat.

"On you, while present among us, we confer mature honors, and rear altars where your name is to be sworn by; confessing that nothing equal to you has hitherto risen, or will hereafter rise. But this your people, wise and just in one point (for preferring you to our own, you to the Grecian heroes), by no means estimate other things with like proportion and measure."

ep. II. 1. 20.

Epistles II.1.20.

§ 780

SECTIO XXXXVII
TROPI
TROPUM hic non attendo tantum, quatenus

SECTION XXXXVII
TROPES
Here I do not attend to TROPUS only insofar as it

Sourced quotation · Quintilian [917]

est verbi vel sermonis a propria significatione in aliam cum virtute mutatio,

By a trope is meant the artistic alteration of a word or phrase from its proper meaning to another.,

Quint. VIII. 6. multo minus, quem necessitas et linguae paupertas necessarium facit, quoties significandum est, cuius non est in data lingua proprium vocabulum, minime, quem ignorantia proprietatis in loquendo procudit: sed omnem elegantem perceptionis unius pro altera substitutionem, sive vocabulis translatis significetur, quod notissimum, sive sonis sibi invicem substitutis a musico, sive coloribus a pictore, sive per aliud quodcunque signorum genus eleganter te pro uno aliud cogitasse exprimas.

Quintilian VIII.6; much less to the trope which necessity and poverty of language make necessary whenever something must be signified for which there is no proper word in a given language; least of all to the one which ignorance of propriety in speaking hammers out. Rather, I attend to every elegant substitution of one perception for another, whether it is signified by transferred words, the best-known case, or by sounds substituted for one another by a musician, or by colors by a painter, or through any other kind of signs by which you elegantly express that you have thought one thing for another.

§ 781

Venustam intueamur troporum genesin, et pulveris exigui iactu componi potest inexplicabilis, quam Fabius praefatur l. c.

Let us look at the graceful genesis of tropes, and with a tiny toss of dust the inexplicable battle which Fabius prefaces in the cited place can be settled:

Sourced quotation · Quintilian [918]

nisi grammaticorum inter ipsos, philosophorum certe pugna circa tropum, quae sint genera, quae species, qui numerus, quis cuique subiiciatur? An sit figura

This is a subject which has given rise to interminable disputes among the teachers of literature, who have quarrelled no less violently with the philosophers than among themselves over the problem of the genera and species into which tropes may be divided, their number and their correct classification.,

e. c. In certo pulcrae tuae meditationis loco vividitas postulet comparationem aliquam, § 734. quam tamen ibidem diductam, amplam et copiosam, explicite cogitantis 1) subiectum 2) terminum comparationis, § 736. non admittat rotunda brevitas, § 166: habebis locum excipiendi, § 24. Exceptio, qua sic satisfiat vividitati, ne quid inde detrimenti capiat rotunda brevitas, erit possibilium minima, § 24. sane non inelegans, § 25. Quod si iam omittas, nec explicite cogites, nec peculiari termino significes, subiectum comparationis, sed eidem substituas, eiusdemque loco solum explicite cogites, solum significes terminum comparationis, auditori spectatorive relinquens, ut inde tacitus ille secum evolvat subiectum comparationis, ita satisfecisti vividitati comparationem poscenti, ne quid inde detrimenti ceperit rotunda brevitas, quoniam seriem explicite cogitatorum ne uno quidem auxisti signo vel verbulo.

and so on. In a certain place of your beautiful meditation vividness may demand some comparison, §734, yet rounded brevity, §166, may not admit comparison there drawn out, ample, and copious, explicitly thinking 1) subject and 2) term of comparison, §736. You will have a place for exception, §24. The exception by which vividness is satisfied without damaging rounded brevity will be the least possible, §24, and certainly not inelegant, §25. If now you omit and neither explicitly think nor signify by a special term the subject of comparison, but substitute for it the term of comparison, and in its place explicitly think and signify only that term, leaving the hearer or spectator silently to unfold the subject of comparison from it, you have satisfied vividness demanding comparison without damaging rounded brevity, since you have not increased the series of explicit thoughts by even one sign or little word.

Unde nascitur substitutio termini comparationis pro subiecto eiusdem non inelegans, tropus. § 780.

From this is born the not inelegant substitution of the term of comparison for its subject: trope, §780.

§ 782

Quae sunt ergo troporum genera? quae species?

What, then, are the genera of tropes? What are the species?

Eaedem, quae comparationis latius dictae. § 734–779. Qui fit numerus? innumerabilis.

The same as those of comparison broadly so called, §§734–779. How is the number made?

Quis cuique subiicitur?

Innumerable.

Qui non est METAPHORA, contracta assimilatio, § 735–741. nec SYNECDOCHE, contracta comparatio maioris et minoris, S. XXXXIIII. nec IRONIA, contracta antithesis, S. XXXXV. erit ille sane METONYMIA, contracta comparatio strictius dicta, S. XXXXVI. quemadmodum eruditus, qui nec theologus, nec iureconsultus, nec medicus nominatur, eo ipso philosophicum in ordinem amandatur per academias.

What is subordinated to what? Whatever is not METAPHOR, contracted assimilation, §§735–741, nor SYNECDOCHE, contracted comparison of greater and lesser, Section XXXXIIII, nor IRONY, contracted antithesis, Section XXXXV, will surely be METONYMY, contracted comparison strictly so called, Section XXXXVI; just as a learned man who is called neither theologian, nor jurist, nor physician is by that very fact banished into the philosophical order throughout the academies.

§ 783

An figurae tropi sunt, an tropi figurae?

Are figures tropes, or tropes figures?

Sourced quotation · Quintilian [919]

Plerique hos tropos esse existimaverunt – ius est idem. Nam et vim rebus adiiciunt,

For many authors have considered figures identical with tropes, because ... Their employment is also the same. For they add force and charm to our matter.,

M. § 515. et gratiam praestant, § 780, 26.

Metaphysics §515, and provide grace, §§780, 26.

Sourced quotation · Quintilian [920]

Nec desunt, qui tropis figurae nomen imponant, quorum est C. Artorius Proculus. Quin adeo similitudo manifesta, ut eam discernere non sit in promtu – Haec scio, quam multiplicem habeant, quamque scrupulosam disputationem. – Haec de quibus loquimur, sive tropi, sive figurae dicentur, idem efficient – Illud tamen notandum, coire frequenter in easdem sententias, et tropon, et figuram. Tam enim translatis, quam propriis figuratur oratio. Est autem non mediocris inter auctores dissensio, et quae vis nominis eius, et quot genera, et quam multae sint species.

There are some again who call tropes figures, Artorius Proculus among them. Further the resemblance between the two is so close that it is not easy to distinguish between them. ... For I admit that the name is common to both and am aware of the complicated and minute discussions to which it has given rise. ... so these artifices will produce exactly the same effect, whether they are styled tropes or figures, since their values lie not in their names, but in their effect. ... But we must note the fact that trope and figure are often combined in the expression of the same thought, since figures are introduced just as much by the metaphorical as by the literal use of words. There is, however, a considerable difference of opinion among authors as to the meaning of the name, the number of genera and the nature and number of the species into which figures may be divided.,

Quint. VIII. 1.

Quintilian VIII.1.

Sourced quotation · Horace [921]

Grammatici certant, et adhuc sub iudice lis est.

"Yet what author first published humble elegies, the critics dispute, and the controversy still waits the determination of a judge."

Hor.

Horace.

§ 784

Philosopho nodus in scirpo quaeri videatur. § 781. Non omnes figurae tropi sunt, § 26, 780. Rectius autem bonus ille Proculus, si tropon ex notione Quintiliani paullisper extensa sumas, § 780. nec eo necessarias quascunque, multo minus inficetas ignorantium linguam, quam loquuntur, translationes referas.

To the philosopher this may seem to seek a knot in a rush, §781. Not all figures are tropes, §§26, 780. But that good Proculus is more correct if you take trope from Quintilian's notion extended a little, §780, and do not refer to it any necessary transfers whatever, much less tasteless transfers of those ignorant of the language they speak.

Omnis tropus, quem definivi, est FIGURA, sed CRYPTICA, cuius genuina forma non statim apparet, quoniam est figura contracta per substitutionem. § 782.

Every trope that I have defined is a FIGURE, but a CRYPTIC one, whose genuine form does not immediately appear, because it is a figure contracted by substitution, §782.

§ 785

Logici scholasticorum docent PROPOSITIONEM EXPONIBILEM, ex affirmanti et negante cryptice compositam, quales exclusivae, exceptivae, restrictivae, e. c. Nisi vererer latinis incommodus esse auribus, tropos figuras dicerem exponibiles.

The school logicians teach the EXPONIBLE PROPOSITION, cryptically composed of affirming and denying, such as exclusive, exceptive, restrictive propositions, and so forth. Unless I feared being inconvenient to Latin ears, I would call tropes exponible figures.

Quemadmodum enim barbaram propositionibus denominationem dedit schola, quoniam expositione indigent, ut appareat genuina utriusque partis forma, ex quibus coaluerunt; sic tropus, ut grammaticis etiam, qui non sunt philosophi, figura appareat, expositione indiget.

For just as the school gave a barbarous denomination to propositions because they need exposition so that the genuine form of both parts from which they coalesced may appear, so a trope needs exposition so that it may appear as a figure even to grammarians who are not philosophers.

Si ex termino comparationis, qui solus in tropo cogitatur explicite, significatus proprius, eruas omissum subiectum comparationis, significatum improprium, et hoc, neglecto brevitatis amore, explicite manifestoque penes terminum comparationis cogites, et utrumque te cogitare peculiaribus cuiusvis terminis et signis declares, TROPUS EXPONITUR.

If from the term of comparison, which alone is explicitly thought in a trope, you draw out the omitted subject of comparison, the improper signification, and, neglecting the love of brevity, explicitly and manifestly think this beside the term of comparison and declare that you think both by special terms and signs for each, THE TROPE IS EXPOUNDED.

§ 786

Metaphoram exponens habebis manifestam assimilationem, § 735. Synecdochen exponens videbis comparationem maioris et minoris.

Expounding metaphor, you will have manifest assimilation, §735. Expounding synecdoche, you will see comparison of greater and lesser.

Est ergo vel ADSCENDENS SYNECDOCHE, vel DESCENDENS, § 742. Expone ironiam: habebis antithesin, § 763. Metonymia denique resolvetur in aliquam comparationem strictius dictam. § 773, 782. Quicquid itaque de figuris commemoratis huc usque dictum est, § 730–779. illud ut de tropis, earum crypsesi, repetamus, non est necesse.

Therefore it is either ASCENDING SYNECDOCHE or DESCENDING, §742. Expound irony: you will have antithesis, §763. Finally, metonymy will be resolved into some comparison strictly so called, §§773, 782. Whatever has therefore been said up to this point about figures, §§730–779, need not be repeated about tropes and their cryptic character.

§ 787

In totum metaphora brevior est similitudine (assimilatione manifesta et explicita, § 735.) § 781, 782.

On the whole metaphor is shorter than simile, that is, manifest and explicit assimilation, §735, §§781–782,

Passage with quotations · Quintilian [922]

quod illa comparatur (explicite) rei, quam volumus exprimere (subiecto comparationis) haec pro ipsa re dicitur. Comparatio est, quum dico facere quid hominem, ut leonem. Translatio est, quum dico de homine leo est.

that in the latter we compare some object to the thing which we wish to describe, whereas in the former this object is actually substituted for the thing. It is a comparison when I say that a man did something like a lion, it is a metaphor when I say of him, He is a lion.

(et quidem metaphora) Quint. VIII. 6. Sed est etiam audacior metaphora, quam comparatio; hinc ausi hominem cum leone comparare, saporis eruditi homines non audent temere leonem eundem dicere, § 313. Non tango species metaphorae, quoniam

The comparison is explicit; "the thing we wish to express" is the subject of comparison; and the latter case is indeed metaphor. Quintilian VIII.6. But metaphor is also bolder than comparison; hence educated people who have dared to compare a man with a lion do not rashly dare to call the same man a lion, §313. I do not touch the species of metaphor, because

Sourced quotation · Quintilian [923]

iam non pueris praecipimus, ut, accepto genere, species intelligere non possint.

But I am not now teaching boys: my readers are old enough to discover the species for themselves when once they have been given the genus..

ib. Caveantur 1) quarum frequens usus obscurat, et taedio complet, § 731. 2) humiles, sordidae, deformes, § 736, 762. 3) nimio maiores aut, quod saepius accidit, minores, § 737. unde tumor vel βάθος. 4) dissimiles, quarum ipsum comparationis tertium notabiliter differt in termino et subiecto assimilationis, § 736. 5) durae, i. e. a longinqua similitudine ductae, § 741. Metaphora, sicut omnis tropus, § 781.

Let these be avoided: 1) metaphors whose frequent use obscures and fills with tedium, §731; 2) low, sordid, deformed ones, §§736, 762; 3) those too great or, as more often happens, too small, §737, whence swelling or βάθος; 4) dissimilar ones, whose third of comparison differs notably in term and subject of assimilation, §736; 5) hard ones, that is, drawn from remote likeness, §741. Metaphor, like every trope, §781,

Sourced quotation · Quintilian [924]

si in alienum locum venit, debet plus valere,

if it fills the room of something else, should be more impressive

§ 26.

Sourced quotation · Quintilian [925]

eo, quod expellit.

than that which it displaces.,

Quint. ib.

Quintilian.

§ 788

Expositionis § 786. et diiudicationis § 787. ad exercitium haec exempla sunto:

For exercise in exposition, §786, and judgment, §787, let these be examples:

Sourced quotation · Caecilius Statius (Baumgarten prints Caecil.; this is not Publius Papinius Statius) [926]

Homo homini deus est, si suum officium sciat.

"Man is a god to his fellow-man, if he know his duty."

Caecil.

Caecilius;

Sourced quotation · Plautus [927]

Egomet credidi
Homini docto mandare, id indocto mando maximo.

"I myself supposed that I was entrusting the matter to a skilful person, and I entrusted it to an utter stone."

Plaut.

Plautus;

Sourced quotation · Horace [928]

Te quia rugae
Turpant, et capitis nives.

"because wrinkles and snowy hair render you odious."

Hor.

Horace;

Passage with quotations · Catullus [929]

Aut porcus Umber, aut obesus Etruscus.
Nec ullius natantis impetum trabis
Nequisse praeterire, sive palmulis
Opus foret volare, sive linteo.
Ille, post phaselus, antea fuit
Comata silva. Nam Cytherio in iugo
Loquente saepe sibilum edidit coma.

"From poem 39.11:
Stuffed Umbrian or Tuscan overgrown
From poem 4.3-5 and 4.10-12:
Nor could by swiftness of aught plank that swims,
Be she outstripped, whether paddle plied,
Or fared she scudding under canvas-sail.
...
Where she (my Pinnace now) in times before,
Was leafy woodling on Cytórean Chine
For ever loquent lisping with her leaves."

Cat.

§ 789

Synecdoche adscendens § 786. erit elegans substitutio 1) totius pro parte, § 780, 743. Plautus ulmorum Acheronta per iocum dicit servum vimeis saepe virgis vapulantem.

Ascending synecdoche, §786, will be the elegant substitution 1) of the whole for the part, §§780, 743. Plautus jokingly calls a slave often beaten with elm switches "an Acheron of elms."

Sourced quotation · Horace [930]

Serviet aeternum, qui parvo nesciet uti.

"shall eternally be a slave, for not knowing how to use a little."

Hor. Vel ipsa scilicet aeviternitas pars tantum aeternitatis est.

Horace. Aeviternity itself, of course, is only part of eternity.

Virgilius aliquando elephantum pro ebore, dente elephanti, ponit. § 753. 2) superioris pro inferiori, § 744. Huc εὐφημισμοί, quibus ad mortem pertinentia circumscribebant huius non lubenter memores:

Virgil sometimes puts elephant for ivory, the elephant's tooth, §753. 2) Of the superior for the inferior, §744. Here belong εὐφημισμοί, euphemisms, by which people not gladly mindful of death would circumlocute things pertaining to death:

Sourced quotation · No author specified by Baumgarten or the concordance [931]

si quid illi gravius acciderit,

if any disaster happens to you,

e. c. pro consolatione lugentium:

and so on; for consolation of mourners,

Sourced quotation · Catullus [932]

Paullum quidlibet alloquutionis
Moestius lacrumis Simonideis,

"Yet some consoling utterance had been well
Though sadder ’twere than Simonídean tears."

Cat. quibus Venerea solebant obumbrare.

Catullus; by which they used to shade sexual matters:

Sourced quotation · Plautus [933]

Tibi ultro supplicatum advenio ob stultitiam meam.

"But I come to you of my own accord to supplicate you on account of my folly."

Plaut. (stuprum illatum filiae).

Plautus, that is, rape inflicted on a daughter.

§ 790

Synecdoche descendens, § 786. est venusta substitutio 1) partis pro toto, § 746.

Descending synecdoche, §786, is the graceful substitution 1) of part for whole, §746:

Sourced quotation · Horace [934]

Plotius et Varius Sinuessae, Virgiliusque
Occurrunt, animae, quales neque candidiores
Terra tulit, neque queis me sit devinctior alter.

"Plotius, and Varius, and Virgil met us at Sinuessa; souls more candid ones than which the world never produced, nor is there a person in the world more bound to them than myself."

Hor. I. sat. V.

Horace, Satires I.5.

Sourced quotation · Martial [935]

Sic forsan tener ausus est Catullus
Magno mittere passerem Maroni.

"Just so perhaps might the tender Catullus venture to send his sparrow to the great Virgil."

Mart. IIII. ep. 14. (poema de passere pro toto libro, quo continetur.) 2) inferioris pro superiori perceptione, § 749.

Martial IV.14, that is, the poem about the sparrow for the whole book in which it is contained. 2) Of the inferior for the superior perception, §749:

Sourced quotation · Martial [936]

Nullo fata loco possis excludere, quum mors
Venerit, in medio Tibure Sardinia est.

"From no place can you shut out fate: when death comes, Sardinia is in the midst of Tivoli itself."

Mart. 60. Illud pro saluberrimo, haec pro loco, qui pestilens habebatur, est posita.

Martial 60. The former is put for the most healthful place, the latter for a place considered pestilential.

§ 791

Ironicam Ciceronis illusionem habet

Cicero has an ironic illusion in

Sourced quotation · Cicero [937]

C. Verres, praetor urbanus, homo sanctus et diligens,

"and because Caius Verres, the city praetor, a very conscientious and careful man, had not the list out of which judges were to be chosen in the place of those who had been rejected, in that book which was then produced full of erasures."

et illud in Clodium:

and that against Clodius:

Sourced quotation · Cicero [938]

Integritas tua te purgavit, mihi crede, pudor eripuit, vita ante acta servavit.

"Believe me, your well known integrity has cleared you of all blame, your modesty has saved you, your past life has been your salvation."

Nec irrisione caret, uti Fabius recte notat, initium orationis pro Ligario:

Nor is the beginning of the speech Pro Ligario without mockery, as Fabius rightly notes:

Sourced quotation · Cicero [939]

Novum crimen, C. Caesar, et ante hunc diem inauditum.

"It is a new crime, and one never heard of before this day, O Caius Caesar, which my relation Quintus Tubero has brought before you, when he accuses Quintus Ligarius with having been in Africa;"

Virgil:

Sourced quotation · Virgil [940]

Insere nunc, Meliboee, pyros, pone ordine vites!
Scilicet is superis labor est, ea cura quietos
Exagitat!

"Now, Meliboeus, graft your pears, now set
Your vines in order!
...
Such doubtless is the task of gods above,
Such care disturbs their rest."

Virg.

§ 792

Metonymia erit venusta substitutio, § 782. 1) efficientis caussae pro effectu:

Metonymy will be a graceful substitution, §782: 1) of efficient cause for effect,

Sourced quotation · Juvenal [941]

Rarae sine Mentore mensae.

"everywhere the works of Polyclitus were to be seen; few tables were without a Mentor."

Iuv. VIII. 2) effectus pro caussa:

Juvenal VIII; 2) of effect for cause,

Sourced quotation · Virgil [942]

Pallentes habitant morbi, tristisque senectus.

"There sad Old Age abides, Diseases pale,"

Virg.

Virgil;

Sourced quotation · Horace [943]

Donec virenti canities abest.

"While years are green, while sullen eld
Is distant."

Hor. I. 9. Senectutis effectus est canities. 3) medii pro fine:

Horace I.9, for gray hair is an effect of old age; 3) of means for end,

Sourced quotation · Virgil [944]

Phyllida mitte mihi, meus est natalis, Iola!

"Prithee, Iollas, for my birthday guest
send me your Phyllis;"

Virg. 4) finis pro medio. § 774.

Virgil; 4) of end for means, §774,

Sourced quotation · Virgil [945]

Meritos aris mactavit honores.

"he slew the victims for each altar's praise."

Virg.

Virgil.

§ 793

5) Signi pro signato:

5) Of sign for signified:

Sourced quotation · Horace [946]

Dum pueris omnis pater et matercula pallet.

"while every father and mother turn pale with fear for their children;"

Hor. Pallor signum timoris est. 6) Signati pro signo, § 775.

Horace, pallor being a sign of fear. 6) Of signified for sign, §775:

Sourced quotation · Virgil [947]

Nunc te marmoreum pro tempore fecimus, at tu,
Quum fuerit gregem suppleverit, aureus esto.

"Wrought for a while in marble, if the flock
at lambing time be filled, stand there in gold."

Virg. 7) Phaenomenorum in corpore pro simultaneis eorum in anima contingere solitis, § 776.

Virgil. 7) Of bodily phenomena for the simultaneous states that usually occur in the soul, §776: "O Bollanus, happy in brain!" and

Sourced quotation · Horace [948]

O! te, Bollane, cerebri
Felicem!
O! ego laevus,
Qui purgor bilem sub verni temporis horam!

"O, said I to myself, Bolanus, how happy were you in a head-piece!
What an unlucky fellow am I, who am purged for the bile in spring-time!"

Hor. 8) affectionum animae pro correspondente cum iisdem corporis statu:

Horace. 8) Of affections of the soul for the corresponding bodily state:

Sourced quotation · Virgil [949]

Si mihi non animo fixum immotumque sederet,
Ne cui me vinclo vellem sociare iugali,
Postquam primus amor deceptam morte fefellit,
Huic uni forsan potui succumbere culpae.

"O, were it not immutably resolved
in my fixed heart, that to no shape of man
I would be wed again (since my first love
left me by death abandoned and betrayed);
loathed I not so the marriage torch and train,
I could—who knows?—to this one weakness yield."

Aen. IV. 15.

Aeneid IV.15.

§ 794

9) Loci vel aetatis, temporis, horae, continentis pro re vel persona isto loco, vel tempore contenta. § 777.

9) Of place, age, time, hour, or container for the thing or person contained in that place or time, §777:

Sourced quotation · Virgil [950]

Quinque adeo magnae, positis incudibus, urbes
Tela novant, Atina potens, Tiburque superbum,
Ardea, Crustumerique et turrigerae Antemnae.

"Five mighty cities to their anvils bring
new-tempered arms: Atina—martial name—
proud Tibur, Ardea, Crustumium,
and river-walled Antemnae, crowned with towers"

Aen. VII. 630.

Aeneid VII.630;

Sourced quotation · Virgil [951]

Aspice, venturo laetentur ut omnia saeclo!

"all, see, enraptured of the coming time!"

Ecl. IIII. 52. 10) Contenti in tempore locove pro tempore et loco:

Eclogue IV.52. 10) Of what is contained in time or place for the time and place:

Sourced quotation · Virgil [952]

Nunc etiam pecudes umbras et frigora captant,
Nunc virides etiam occultant spineta lacertos,
Thestylis et rapido fessis messoribus aestu
Allia serpillumque herbas contundit olentes.

"Now even the cattle court the cooling shade
and the green lizard hides him in the thorn:
now for tired mowers, with the fierce heat spent,
pounds Thestilis her mess of savoury herbs,
wild thyme and garlic."

Ecl. II. 10.

Eclogue II.10;

Sourced quotation · Catullus [953]

Te campo quaesivimus in minore,
Te in circo, te in omnibus libellis.

"Thee throughout Campus Minor sought we all,
Thee in the Circus, thee in each bookstall,"

Cat. (pro tabernis librariis.)

Catullus, that is, in the booksellers' shops.

§ 795

11) Dei, domini, ducis, imperantis pro re possessa vel persona, quae in eius est potestate:

11) Of god, lord, leader, or commander for the thing possessed or person in his power:

Sourced quotation · Terence [954]

Sine Cerere et Baccho friget Venus.

Upon my faith, it is a true saying, that Venus grows cold without Ceres and Bacchus.;

Sourced quotation · Virgil [955]

Iam proximus ardet
Ucalegon.

"Deiphobus' great house
sank vanquished in the fire. Ucalegon's
hard by was blazing, while the waters wide
around Sigeum gave an answering glow."

Virg.

Virgil;

Sourced quotation · Plautus [956]

Ubi is homo est?
Iam devorandum censes, si conspexeris?
Dum datur, dum calet, devorari decet.

"Asinaria:
“Where is this person?”
“You think he ought to be devoured this instant, if you could see him.”
Pseudolus:
“Are you going to devour him already?”
“While he's fresh, while he's in the habit of giving away, while he's warm upon it, 'tis proper for him to be gobbled up.”"

Plaut.

Plautus.

Confer, § 141. sis, Catulli locum citatum. 12) rei, vel personae, quae alicui, tanquam possessori, vel imperanti, competunt, pro hoc homine, possessore vel imperante. § 778.

Compare, if you please, the cited place of Catullus, §141. 12) Of a thing or person belonging to someone as possessor or commander for this man, possessor, or commander, §778:

Sourced quotation · Cicero [957]

Cedant arma togae.

"Arms to the gown must yield."

Cic.

Cicero;

Sourced quotation · Virgil [958]

Flerunt Rhodopeiae arces,
Altaque Pangaea, et Rhesi Mavortia tellus.

"Wailed for her fate the heights of Rhodope,
And tall Pangaea, and, beloved of Mars,
The land that bowed to Rhesus, Thrace no less
With Hebrus' stream; and Orithyia wept,"

Georg. IV. 461.

Georgics IV.461;

Sourced quotation · Horace [959]

Ille seu Parthos Latio imminentes
Egerit iusto domitos triumpho,

"Whether the Parthian, threatening Rome,
His eagles scatter to the wind."

Hor. I. od. 12.

Horace I.12.

§ 796

Quam metalepsin antecedentis pro consequente dicunt, et consequentis pro antecedente, quamque suo iure ac merito comitatur metalepsis concomitantium, quando simultaneorum unum ponitur pro altero: est ea metonymia, § 782, 773; quoniam substituit perceptiones sibi mutuo socias, quarum vel utraque dato tempore fuerant sensationes, vel altera imaginatio, altera sensatio, vel altera sensatio, altera praevisio, M. § 576. Sic antecedens ponitur pro consequente in euphemismo Catulli de pomo Atalantae:

What they call metalepsis of antecedent for consequent and consequent for antecedent, and which is rightly and deservedly accompanied by metalepsis of concomitants, when one simultaneous thing is put for another, is metonymy, §§782, 773, because it substitutes perceptions mutually associated with one another, of which either both at a given time had been sensations, or one imagination and the other sensation, or one sensation and the other foresight, Metaphysics §576. Thus the antecedent is put for the consequent in Catullus' euphemism about Atalanta's apple:

Sourced quotation · Catullus [960]

Quod zonam solvit diu ligatam,

"Whose long-bound zone it loosed for aye."

et apud Virgilium, quando Silenum antiquissima cantantem narrat, Ecl. VI.

and in Virgil, when he tells that Silenus sings the oldest things, Eclogue VI:

Sourced quotation · Virgil [961]

Tum Phaetontiadas musco circumdat amarae
Corticis, atque solo proceras erigit alnos.

"and then
with moss-bound, bitter bark rings round the forms
of Phaethon's fair sisters, from the ground
up-towering into poplars."

Consequens pro antecedente:

The consequent for antecedent:

Sourced quotation · Juvenal [962]

Caeduntur tumidae, medico ridente, mariscae.

"the doctor grins when he cuts into the growths on your shaved buttocks."

Iuv. II. 13. unum concomitantium pro altero:

Juvenal II.13. One concomitant for another:

Sourced quotation · Juvenal [963]

Vos lanam trahitis, calathisque peracta refertis
Vellera, vos tenui praegnantem stamine fusum
Penelope melius, levius torquetis Arachne.

"you men spin wool and bring back your tale of work in baskets when it is done; you twirl round the spindle big with fine thread more deftly than Penelope, more delicately than Arachne,"

§ 797

ANTONOMASIA, qua pro idea, conceptu singularium et individuorum, et famosiori vel usitatiori, eiusdem signo, quod in oratione solet esse nomen, nunc proprium dici solitum, substituitur conceptus alius, vel plures conceptus in periphrasin et circumscriptionem combinati, nunc cum priore reciproci, nunc latiores eodem, aut vice versa, est synecdoche, nunc adscendens speciei, vel generis pro individuo, § 789. nunc descendens, individui pro specie vel genere, § 790, 786. nunc tandem descriptio propria, quae scilicet describendo non sit latior, manifesta potius est figura, § 550, 733. quam tropus. § 780. Magnanimus Anchisiades apud Virgilium V. est antonomasia adscendens.

ANTONOMASIA, by which for the idea or concept of singulars and individuals and for its more famous or more usual sign, which in speech is usually a name now called proper, another concept is substituted, or several concepts combined into periphrasis and circumlocution, now reciprocal with the former, now broader than it, or vice versa, is synecdoche: now ascending, species or genus for individual, §789; now descending, individual for species or genus, §§790, 786; finally, proper description, which in describing is not broader, is rather a manifest figure, §§550, 733, than a trope, §780. "Great-hearted son of Anchises" in Virgil V is ascending antonomasia.

Patronymicum enim, etiamsi unicus sit tantum filius, aut unica filia, tamen horum individuis latius patet in regno possibilium heterocosmice, quia plures esse potuissent filii filiaeve, immo in hoc etiam mundo, quoniam non solis filiis filiabusve convenit, sed posteris etiam:

For a patronymic, even if there is only one son or daughter, nevertheless extends more broadly than their individuals in the kingdom of possibles heterocosmically, because there could have been several sons or daughters, indeed also in this world, since it belongs not only to sons and daughters but also to descendants:

Sourced quotation · Virgil [964]

Natorum natis, et qui nascentur ab illis.

"and his sons' sons, and all their house to be."

Antonomasia descendens est apud Plautum:

Descending antonomasia appears in Plautus:

Sourced quotation · Plautus [965]

I hac mecum, ut videas simul
Tuam Alcumenam pellicem, Iuno mea;

"Step this way with me, that you, my Juno, may see as well your rival
Alcmena.";

Juvenal:

Sourced quotation · Juvenal [966]

Debetur magnus patinae subitusque Prometheus

"some great and unforeseen Prometheus is destined for the dish!"

Iuv. 4. (pro figulo.)

that is, a potter;

Sourced quotation · Juvenal [967]

Nec surdum, nec Tiresiam quemquam esse deorum.

"none of the Gods is deaf or like unto Tiresias."

14.

§ 798

Haec antonomasia descendens praecipue placuit multis venustatum amatoribus, § 797, 755. Clodium in sorores etiam ardentem Cicero Romanum Iovem dicit, § 756, 754.

This descending antonomasia especially pleased many lovers of graces, §§797, 755. Cicero calls Clodius, burning even for his sisters, a Roman Jove, §§756, 754. Petronius:

Sourced quotation · Petronius [968]

Quae autem hic insidiae sunt? aut quis nobis Hannibal navigat?

"“Is there any trap here?” he said, “and who is the Hannibal we have on
board?”"

Petr.

Juvenal:

Sourced quotation · Juvenal [969]

Consulit ictericae lento de funere matris,
Ante tamen de te, Tanaquil tua.

"Your excellent Tanaquil consults as to the long-delayed death of her jaundiced mother—having previously enquired about your own;"

Iuv. 2. Hac ratione totam periodi platonicae fabulam explicari debere reor, et locum Virgilii:

I think the whole fable of the Platonic period must be explained in this way, and Virgil's place:

Sourced quotation · Virgil [970]

Alter erit tum Tiphys, et altera, quae vehat, Argo,
Delectos heroas, erunt etiam altera bella,
Atque iterum ad Troiam magnus mittetur Achilles.

"Therewith a second Tiphys shall there be,
her hero-freight a second Argo bear;
new wars too shall arise, and once again
some great Achilles to some Troy be sent."

ecl. 4.

Eclogue IV.

§ 799

Antonomasian, quae figura potius, quam tropus sit, habes in circumscriptione Socratis ipsi tamen propria: § 797.

You have antonomasia which is rather a figure than a trope in the circumlocution proper to Socrates himself, §797:

Sourced quotation · Manilius [971]

Aethereusque Platon, et qui fabricaverat illum,
Damnatusque suae melius damnavit Athenas,

"Solon the just, and Plato the Divine.
His Master next, whose Bloud unjustly spilt
On Athens still reflects a real Guilt."

Man.

Manilius;

Sourced quotation · Persius [972]

barbatum hoc crede magistrum
Dicere, sorbitio tollit quem dira cicutae.

"(Imagine the bearded master,
whom the fell draught of hemlock took off, to be saying this:)"

Pers.

Persius.

Ad antonomasian adscendentem refero sermonis illam communicationem, qua pulcre cogitaturus favorabilia, sibi soli forsan convenientia, suis simul spectatoribus auditoribusve simul tribuit, et odiosa, his forte solis propria, sibi tamen simul adscribit, in persona, quam vocant pluralis numeri primam; ponit enim speciem praesentium pro certis individuis.

To ascending antonomasia I refer that communication of speech by which one who will think beautifully attributes favorable things, perhaps suited to himself alone, also to his spectators or hearers, and assigns hateful things, perhaps proper to them alone, also to himself, in what they call the person of the first person plural. For he puts the species of those present for certain individuals.

§ 800

Euphemismi, quaeque κατὰ λιτότητα belle cogitantur cum aliqua extenuatione, § 329. non tam tropi sunt peculiares, quam casus aliqui, quorum obventu moratum cogitandi genus, § 227. ad aliquam potius figurarum e. g. periphrasin, vel tropum ex allatis quemcunque suaserit confugere, quam rem nude et explicite, qualis cogitanti primum in mentem forte venerit, minus eleganter vel concipere, vel efferre, § 789, 796. Sic extenuat synecdoche partis pro toto, nisi loqui velis de rebus ad te pertinentibus, instar gloriosi militis; extenuat laudabilis illius, quod tibi tuisve velles adscribere, negare potius oppositum, quam illud ipsum affirmare.

Euphemisms, and things beautifully thought κατὰ λιτότητα, with some attenuation, §329, are not so much peculiar tropes as certain cases in which the moralized kind of thinking, §227, will advise taking refuge in some figure, for example periphrasis, or in any trope from those brought forward, rather than less elegantly conceiving or uttering the thing nakedly and explicitly as it perhaps first came into the thinker's mind, §§789, 796. Thus synecdoche of part for whole attenuates, unless you wish to speak about things concerning yourself like a braggart soldier; it attenuates what is praiseworthy and what you would wish to ascribe to yourself and yours, by denying the opposite rather than affirming the thing itself:

Sourced quotation · Virgil [973]

Nec sum adeo informis, nuper me in litore vidi.

"Nor am I
so ill to look on: lately on the beach
I saw myself, when winds had stilled the sea,"

Si quid mihi humanius acciderit, est synecdoche adscendens § 789. vixisse est metalepsis antecedentis pro consequente, § 796. uti et illa loquendi formula, qua vivere iubentur et valere, quae missa facimus, quibus nuncium mittimus, in posterum aspernaturi:

If anything more human should happen to me is ascending synecdoche, §789. To have lived is metalepsis of antecedent for consequent, §796, as is also the formula by which things we dismiss and send away, which we intend to scorn in the future, are ordered to live and be well:

Sourced quotation · Virgil [974]

Omnia vel medium fiant mare. Vivite, silvae!

"Yea, be the whole earth to mid-ocean turned!
Farewell, ye woodlands!"

Sources and textual notes

[908] Pacuvius, Chryses, fragment preserved in Cicero, De divinatione 1.57.131. William Armistead Falconer, De senectute, De amicitia, De divinatione (Loeb Classical Library 154; Cambridge, MA: Harvard University Press; London: William Heinemann, 1923), De divinatione 1.131; LacusCurtius transcription. Source 1

Baumgarten omits introductory nam, prints dative plural Istis where the selected comparison text has nominative isti, and uses intelligunt for intellegunt. He omits the second ex before suo, adds commas after Istis, intelligunt, sapiunt, audiendum, and auscultandum, and retains a final comma because the fragment functions in his sentence. Falconer's “hear ... not ... heed” preserves Pacuvius's pun on audiendum and auscultandum rather than flattening the two verbs into synonyms.

Reuse information

Falconer's translation was published in 1923 and is in the United States public domain. LacusCurtius identifies the edition, explains that its copyright was not renewed, and supplies the proofread transcription.

[909] Catullus, Carmina 42.16-17. Sir Richard Francis Burton (metrical translation), The Carmina of Gaius Valerius Catullus, with Leonard C. Smithers (London: Printed for the Translators, 1894), poem 42.16-17; Perseus Digital Library text. Source 1

Baumgarten drops the conditional frame quod si non aliud potest, replaces ruborem (“a blush”) with Pudorem (“shame/modesty”), and prints finite canit (“sings”) where Catullus has genitive canis (“of the dog/bitch”). The last change disrupts the standard phrase ferreo canis ... ore and is preserved here without silent emendation. Baumgarten also capitalizes the extracted lines. Burton translates the unadapted Catullan text, freely rendering its iron dog's mouth as a “bitch-like brazen brow.”

Reuse information

Burton's 1894 translation is in the public domain. The Perseus canonical repository supplies the digital source file.

[910] Horace, Epistles 1.1.42-44. Christopher Smart, The Works of Horace, revised by Theodore Alois Buckley (New York: Harper and Brothers, 1863), Epistles 1.1.42-44; Project Gutenberg eBook 14020. Source 1

Baumgarten begins after the preceding phrase stultitia caruisse, capitalizes all three extracted line openings, inserts a comma between censum and turpemque repulsam, and turns Horace's semicolon into a question mark. The retained wording is otherwise exact. Smart recasts the question's word order in idiomatic English but preserves its paired “toil of mind and body” and paired feared evils.

Reuse information

Smart's translation and Buckley's 1863 edition are in the public domain. Project Gutenberg supplies the public-domain digital transcription.

[911] Horace, Epistles 1.1.53-56. Christopher Smart, The Works of Horace, revised by Theodore Alois Buckley (New York: Harper and Brothers, 1863), Epistles 1.1.53-56; Project Gutenberg eBook 14020. Source 1

Horace encloses the first maxim in quotation marks, separates the two vocatives with commas, puts a semicolon after est, and closes the quotation with an exclamation after nummos. Baumgarten instead prints an exclamation after each cives, a comma after est, and a colon after nummos, integrating the maxim with the following sentence. He also inserts a comma between dictata and senesque and capitalizes each displayed line. Smart's punctuation broadly follows the source quotation but uses a colon inside the closing quotation mark.

Reuse information

Smart's translation and Buckley's 1863 edition are in the public domain. Project Gutenberg supplies the public-domain digital transcription.

[912] Horace, Odes 1.4.1-10. John Conington, The Odes and Carmen Saeculare of Horace, third edition (London: George Bell and Sons, 1882), Ode 1.4, as encoded by the Perseus Digital Library. Source 1

Baumgarten follows Horace through verse 10 but changes the source's Volcanus ardens visit officinas to Vulcanus ardens urget officinas. The spelling of the god's name is an orthographic variant, while urget ("drives" or "works") is a substantive replacement for visit ("visits"). He also capitalizes his displayed line openings, adds commas, and closes at verse 10 with a period where Horace's sentence continues. Conington's “Heats” is his free rendering of the received visit, not evidence for Baumgarten's urget.

Reuse information

Conington died in 1869, and this edition was published in 1882. The translation is in the United States public domain; the linked Perseus repository supplies the digital text and its bibliographic metadata.

[913] Virgil, Aeneid 1.52-54. Theodore C. Williams, The Aeneid of Virgil (Boston: Houghton Mifflin, 1910), Book 1, as encoded by the Perseus Digital Library. Source 1

Baumgarten preserves all words of verses 52-54, capitalizes the two displayed continuation lines, and inserts a comma between premit and ac. Williams spreads the prison-and-bonds image into the following English lines: “Aeolia named” renders the close of Virgil 1.51, while the final two selected lines continue into his rendering of 1.55-56. They are retained so that his syntax and his rendering of vinclis et carcere remain intelligible.

Reuse information

Williams's translation was published in 1910 and is in the United States public domain. The linked Perseus file identifies the translator, title, publisher, and year.

[914] Virgil, Aeneid 1.56-57 and 1.62-63, joined by Baumgarten's prose bridge a Iove datus. Theodore C. Williams, The Aeneid of Virgil (Boston: Houghton Mifflin, 1910), Book 1, as encoded by the Perseus Digital Library. Source 1

Baumgarten quotes verses 56-57, suppresses verses 58-61, and then resumes with the relative clause from verses 62-63. In place of Virgil's regemque dedit he supplies the non-hexametrical bridge a Iove datus (“given by Jove”), thereby turning the following qui into the relative of Aeolus. He also capitalizes continuation lines and adds punctuation. The ellipses in the comparison and translation mark the genuine discontinuity.

Reuse information

Williams's translation was published in 1910 and is in the United States public domain. The linked Perseus file identifies the translator, title, publisher, and year.

[915] Virgil, Aeneid 1.138-141. Theodore C. Williams, The Aeneid of Virgil (Boston: Houghton Mifflin, 1910), Book 1, as encoded by the Perseus Digital Library. Source 1

Baumgarten's words agree with the source, but he capitalizes line openings, adds a comma after pelagi, and replaces the source semicolon after domos with a period. Williams's selected passage begins with the governing words at the end of his preceding English line and renders the four Latin verses continuously.

Reuse information

Williams's translation was published in 1910 and is in the United States public domain. The linked Perseus file identifies the translator, title, publisher, and year.

[916] Horace, Epistles 2.1.15-21. Christopher Smart, revised by Theodore Alois Buckley, The Works of Horace (New York: Harper and Brothers, 1863), Book 2 of the Epistles, Epistle 1, Project Gutenberg eBook 14020. Source 1

Against the comparison text Baumgarten prints hoc for hic, expands contracted Grais to Graiis, uses the historical spelling Caetera, and has Aestumat for aestimat. He capitalizes displayed line openings and closes after the verb, while Horace continues et, nisi quae... in the same sentence. Smart follows the received hic and aestimat, so his English is a translation of the source rather than of Baumgarten's two altered forms.

Reuse information

Smart died in 1771, Buckley in 1856, and this edition was published in 1863. The text is in the United States public domain; Project Gutenberg identifies eBook 14020 as public domain in the United States.

[917] Quintilian, Institutio oratoria 8.6.1. H. E. Butler, The Institutio Oratoria of Quintilian, volume 3, Loeb Classical Library 126 (London: William Heinemann; New York: G. P. Putnam's Sons, 1921), Book 8, chapter 6, section 1, as encoded by the Perseus Digital Library. Source 1

Baumgarten removes only the defined subject Tropus and its capitalization, leaving the predicate definition verbatim. Butler translates the complete source sentence and therefore restores “a trope” explicitly.

Reuse information

Butler's volume was published in 1921 and is in the United States public domain. The linked Perseus file supplies the translation and bibliographic metadata.

[918] Quintilian, Institutio oratoria 8.6.1, followed by Baumgarten's added question An sit figura. H. E. Butler, The Institutio Oratoria of Quintilian, volume 3, Loeb Classical Library 126 (London: William Heinemann; New York: G. P. Putnam's Sons, 1921), Book 8, chapter 6, section 1, as encoded by the Perseus Digital Library. Source 1

Quintilian writes circa quem inexplicabilis et grammaticis inter ipsos et philosophis pugna est. Baumgarten relocates the topic as circa tropum, recasts the two datives as genitives, and frames them with nisi ... certe; he also turns the indirect series into a question. His final An sit figura (“whether it is a figure”) has no counterpart in 8.6.1 and is an authorial addition. Butler necessarily translates only Quintilian's source sentence.

Reuse information

Butler's volume was published in 1921 and is in the United States public domain. The linked Perseus file supplies the translation and bibliographic metadata.

[919] Quintilian, Institutio oratoria 9.1.2. H. E. Butler, The Institutio Oratoria of Quintilian, volume 3, Loeb Classical Library 126 (London: William Heinemann; New York: G. P. Putnam's Sons, 1921), Book 9, chapter 1, section 2, as encoded by the Perseus Digital Library. Source 1

Baumgarten removes Quintilian's rationale after quia and the closing et gratiam praestant, and changes feminine has (referring to figuras) to masculine hos. The printed ius est idem has no grammatical counterpart in the source; it appears to be a corrupt or severely abbreviated remnant of usus quoque est idem and is preserved here rather than silently emended. Butler translates the uncorrupted continuous source.

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[920] Quintilian, Institutio oratoria 9.1.2-3 and 9.1.7-10, assembled non-contiguously. H. E. Butler, The Institutio Oratoria of Quintilian, volume 3, Loeb Classical Library 126 (London: William Heinemann; New York: G. P. Putnam's Sons, 1921), Book 9, chapter 1, sections 2-3 and 7-10, as encoded by the Perseus Digital Library. Source 1

Baumgarten's first sentence has singular figurae for the source's plural figurarum. He then omits est, changes neuter ea to feminine eam, and spells promptu as promtu. At 9.1.7 he suppresses nomen enim fateor esse commune et; at 9.1.8 he drops the framing ita and changes present dicuntur to future dicentur. At 9.1.9 he pluralizes in eadem sententia as in easdem sententias and omits verbis after translatis. At 9.1.10 he omits the first quae from et quae quamque multae sint species. The double dashes mark Baumgarten's own large omissions, not continuous Quintilianic syntax; Butler's ellipses above mirror those joins.

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[921] Horace, Ars poetica 78. Christopher Smart, revised by Theodore Alois Buckley, The Works of Horace (New York: Harper and Brothers, 1863), Ars Poetica, line 78, as encoded by the Perseus Digital Library. Source 1

Baumgarten extracts the second clause of Horace's sentence, capitalizes its first word, inserts a comma before et, and replaces the source semicolon with a period. Smart translates the complete sentence beginning quis tamen exiguos elegos emiserit auctor, so “what author first published humble elegies” represents the immediately preceding words that Baumgarten omits.

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[922] Quintilian, Institutio oratoria 8.6.8-9. H. E. Butler, The Institutio Oratoria of Quintilian, vol. 3 (Cambridge, MA: Harvard University Press; London: William Heinemann, 1921), 8.6.8-9, as encoded by the Perseus Digital Library. Source 1

The concordance's two … tokens do not represent lost words in Quintilian. They mark Baumgarten's own parenthetical glosses, (explicite) and (subiecto comparationis), which interrupt his italicized quotation. Baumgarten omits Quintilian's opening definition and eoque distat, changes cum to quum, replaces perfect fecisse with infinitive facere, inserts a comma before ut leonem, and expands source translatio, to Translatio est. Butler translates the critical source text, so “did something” follows fecisse quid rather than Baumgarten's adapted facere quid.

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[923] Quintilian, Institutio oratoria 8.6.13. H. E. Butler, The Institutio Oratoria of Quintilian, vol. 3 (Cambridge, MA: Harvard University Press; London: William Heinemann, 1921), 8.6.13, as encoded by the Perseus Digital Library. Source 1

Baumgarten drops Quintilian's adversative sed so that the excerpt can follow his own quoniam, places commas around the ablative absolute accepto genere, and omits the source period because his sentence continues to ib. Butler converts the negative result clause into the positive explanation “my readers are old enough”; those supplied words are his idiomatic rendering, not additional Latin in Baumgarten.

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[924] Quintilian, Institutio oratoria 8.6.18; the comparison text continues through the words catalogued separately as entry 925. H. E. Butler, The Institutio Oratoria of Quintilian, vol. 3 (Cambridge, MA: Harvard University Press; London: William Heinemann, 1921), 8.6.18, as encoded by the Perseus Digital Library. Source 1

Quintilian says that metaphor must either occupy an empty place or, if it enters another's, outweigh what it displaces. Baumgarten suppresses the first alternative but transfers its locum and governing debet into the second, producing in alienum locum venit, debet plus valere. He then interrupts the maxim with his own section reference, §26, which causes the concordance to split the final comparative phrase into entry 925. Butler's “fills the room” represents the unexpressed locum implicit in Quintilian's in alienum, not Baumgarten's relocated noun word for word.

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[925] Quintilian, Institutio oratoria 8.6.18. H. E. Butler, The Institutio Oratoria of Quintilian, vol. 3 (Cambridge, MA: Harvard University Press; London: William Heinemann, 1921), 8.6.18, as encoded by the Perseus Digital Library. Source 1

Baumgarten's words agree with the end of Quintilian's maxim, but he adds a comma after comparative eo and a terminal period. In Baumgarten the phrase resumes after the inserted reference §26 and depends on plus valere in entry 924; it is not an independent sentence. Butler's selected English is correspondingly the completion of the translation quoted for entry 924.

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[926] Caecilius Statius, fragment from an unidentified comedy, conventionally incertae fabulae fragment 16; transmitted by Quintus Aurelius Symmachus, Epistulae 9.114. Thomas Benfield Harbottle, Dictionary of Quotations (Classical) (London: Swan Sonnenschein; New York: Macmillan, 1897), entry for Caecilius Statius, fragment XVI. Harbottle's preface states that uncredited renderings are his; this rendering has no other translator credit. Source 1

Baumgarten extracts the comic verse exactly from Symmachus's prose frame, omitting only Recte Caecilius comicus and the reporting parenthesis inquit. The concordance's shortened author label “Statius” is potentially misleading and should be read as Caecilius Statius. Harbottle renders the repeated datives idiomatically as “to his fellow-man” and uses subjunctive “know”; neither choice reflects a Latin textual variant.

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[927] Plautus, Mercator 631-632. Henry Thomas Riley, The Comedies of Plautus, vol. 2 (London: G. Bell and Sons, 1913), Mercator 631-632, as encoded by the Perseus Digital Library. Source 1

Baumgarten begins after Plautus's preceding promise, drops rem (“the matter”), and replaces the comic turn is lapidi mando maximo (“I entrust it to an utter stone/blockhead”) with id indocto mando maximo (“I entrust it to the greatest unlearned man”). He thereby makes indocto an explicit antonym of docto instead of retaining Plautus's stone metaphor; he also capitalizes the extracted line openings. Riley follows the source, including rem and lapidi, and therefore documents rather than conceals the extent of Baumgarten's adaptation.

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[928] Horace, Odes 4.13.11-12. C. Smart, The Works of Horace, literally translated into English prose, “A New Edition,” revised by Theodore Alois Buckley, Book 4, Ode 13, Project Gutenberg eBook 14020. The linked transcription gives no publication imprint or date for this issue. Source 1

Baumgarten begins halfway through Horace's line 11, omitting the preceding parallel subject dentes (“teeth”), capitalizes Te and Turpant at his new line openings, and inserts a comma before et. Smart's full sentence reads “because foul teeth, because wrinkles and snowy hair render you odious”; the selected portion removes his rendering of the Latin that Baumgarten omitted while preserving the historical translation's “snowy hair” for the metaphor capitis nives.

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[929] Catullus 39.11, followed by Catullus 4.3-5 and 4.10-12. Baumgarten silently omits poem 4.6-9 between the two portions of the boat poem. Sir Richard F. Burton, metrical translation in The Carmina of Gaius Valerius Catullus, with Leonard C. Smithers (London: Printed for the Translators, 1894), poems 39 and 4, as encoded by the Perseus Digital Library. Source 1

Baumgarten first takes Catullus 39.11 out of its catalogue of regional types, then jumps to the boat poem. For transmitted parcus in 39.11 he prints porcus, an early conjecture associated with Scaliger rather than a simple typographical error; Burton's “Stuffed Umbrian” is compatible with that corpulence tradition. In poem 4 Baumgarten changes opening neque to Nec, adds punctuation and capitals, and suppresses verses 6-9 without an ellipsis. He then recasts ubi iste post phasellus antea fuit as Ille, post phaselus, antea fuit, drops one l in phasellus, and prints Cytherio for Cytorio. Burton translates the continuous source poems. The separate poem labels above mark Baumgarten's jump from poem 39 to poem 4, while the ellipses in the Latin and English both mark his internal omission of 4.6-9; none of those markers belongs to the 1894 translation.

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[930] Horace, Epistles 1.10.41. C. Smart, The Works of Horace, literally translated into English prose, “A New Edition,” revised by Theodore Alois Buckley, First Book of the Epistles, Epistle 10, Project Gutenberg eBook 14020. The linked transcription gives no publication imprint or date for this issue. Source 1

Horace has causal quia, “because,” referring back to the avaricious man in the preceding verse. Baumgarten substitutes relative qui, “he who,” and capitalizes the extracted sentence, turning the predicate into a self-contained maxim. Smart's “for not knowing” follows Horace's causal syntax, not Baumgarten's relative recast; the omitted words before the selected English supply the source subject from verse 40.

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[931] Baumgarten presents the clause as his own general example (e. c., exempli causa) of euphemistic circumlocution. Its exact verbal core occurs in Cicero, Pro Flacco 103, while the explicit third-person dative has a close parallel in Caesar, Bellum Gallicum 1.20.4. These parallels establish the classical formula but do not prove direct borrowing from either passage. Charles Duke Yonge, The Orations of Marcus Tullius Cicero, vol. 2 (London: G. Bell and Sons, 1913-1921), Pro Flacco 103, in the Online Library of Liberty edition. Yonge's full sentence reads, “It is I, if any disaster happens to you, O Flaccus, it is I who shall have betrayed you.” Source 1

Cicero's conditional core si quid gravius acciderit is word-for-word identical, but the person affected is implicit in the condition and made clear by the surrounding direct address te ... Flacce. Baumgarten strips away Cicero's speaker and betrayal frame, inserts explicit third-person illi, and applies the formula specifically to the euphemistic avoidance of death. Caesar's si quid ei a Caesare gravius accidisset confirms the same idiom with an explicit third-person dative, but includes an agent and uses a pluperfect subjunctive. Yonge's “disaster” translates Cicero's context; it should not be silently substituted for Baumgarten's more specifically mortuary use.

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[932] Catullus, Carmina 38.7-8. Sir Richard Francis Burton and Leonard C. Smithers, The Carmina of Gaius Valerius Catullus (London: Printed for the Translators, 1894), poem 38, lines 7-8, as encoded by the Perseus Digital Library. Source 1

Baumgarten prints Paullum for source paulum, closes up quid libet as quidlibet, gives alloquutionis for adlocutionis, and uses Moestius and lacrumis for maestius and lacrimis. These are orthographic or word-division variants rather than a semantic recasting. He also capitalizes the displayed line openings and ends the excerpt with a comma where the source poem has a period. Burton and Smithers's “Simonidean” renders the adjective Simonideis rather than introducing a different referent.

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[933] Plautus, Aulularia 752. Henry Thomas Riley, The Comedies of Plautus, vol. 1 (London: G. Bell and Sons, 1912), Aulularia 752, as encoded by the Perseus Digital Library. Source 1

Baumgarten suppresses Plautus's initial Quin, represented by Riley's adversative “But,” and replaces source venio with prefixed advenio. The remainder is verbatim apart from the excerpt's independent capitalization. Riley translates the continuous source line, so his opening “But” is not evidence that Baumgarten retained the omitted particle.

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[934] Horace, Satires 1.5.40-42. Christopher Smart, translation revised and edited by Theodore Alois Buckley, The Works of Horace (New York: Harper and Brothers, 1863), Satire 1.5, as encoded by the Perseus Digital Library. Source 1

Against the cited text Baumgarten prints Virgilius for Vergilius, plural quales for qualis, and queis for quis. The last two forms belong to the passage's textual tradition and should not be silently changed to the modern critical forms. Baumgarten also inserts commas after Sinuessae and tulit and capitalizes displayed line openings. Smart's prose conveys the syntax and friendship claim without adjudicating those Latin variants.

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[935] Martial, Epigrams 4.14.13-14. Anonymous prose translator, The Epigrams of Martial, Bohn's Classical Library (1897), Book 4, epigram 14, in Roger Pearse's public-domain transcription. Source 1

The wording is verbatim. Baumgarten lowercases source Passerem, which the cited Latin edition capitalizes to signal Catullus's famous sparrow poem or poetic booklet. The Bohn prose chooses the literal “sparrow” and renders the cognomen Maro as “Virgil”; neither choice indicates a different Latin source.

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[936] Martial, Epigrams 4.60.5-6. Anonymous prose translator, The Epigrams of Martial, Bohn's Classical Library (1897), Book 4, epigram 60, in Roger Pearse's public-domain transcription. Source 1

Baumgarten substitutes a comma for the source colon after excludere and uses the older spelling quum for cum; otherwise the two verses are verbatim. The translation identifies Tibur by its modern name, Tivoli. Its explanatory context preserves the point of the epigram: Sardinia was proverbial for an unhealthy climate, so death can reach even healthful Tibur.

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[937] Cicero, Pro Cluentio 91 (33.91), also quoted as an example of irony by Quintilian, Institutio oratoria 9.2.55. Charles Duke Yonge, The Orations of Marcus Tullius Cicero, vol. 2 (London: Henry G. Bohn, 1856), Pro Cluentio 91, as encoded by the Perseus Digital Library. Source 1

Baumgarten extracts the appositive describing Verres and omits both Cicero's causal frame and the suspicious erased register that makes the praise transparently sarcastic. The excerpt's words are exact, but its display has no final punctuation. Yonge's “very conscientious and careful man” translates homo sanctus et diligens in the same ironical register; Quintilian explicitly cites the phrase as praise used for blame.

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[938] Cicero, lost speech In Clodium et Curionem, fragment preserved by Quintilian, Institutio oratoria 9.2.56. H. E. Butler, The Institutio Oratoria of Quintilian, vol. 3 (Cambridge, MA: Harvard University Press; London: William Heinemann, 1921), 9.2.56, as encoded by the Perseus Digital Library. Source 1

Because Cicero's original speech is lost, Quintilian is the primary textual witness for this fragment. Baumgarten separates source anteacta into ante acta and capitalizes the opening, but otherwise follows the witness exactly. Quintilian introduces the sentence as mock praise that means its opposite; Butler accordingly translates the intact ironic example, not a sincere commendation of Clodius.

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[939] Cicero, Pro Ligario 1.1. Charles Duke Yonge, The Orations of Marcus Tullius Cicero, Literally Translated, vol. 3 (London: George Bell and Sons, 1891), Pro Ligario 1, as encoded by the Perseus Digital Library. Source 1

The modern critical text reads two words, non auditum, while its apparatus reports in auditum in part of the textual tradition; Baumgarten prints the normalized single-word reading inauditum. He then stops before propinquus meus and turns the extracted opening into a complete sentence. Yonge's “one never heard of before this day” conveys either Latin reading and places the vocative later for English syntax; it does not settle the textual variant.

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[940] Virgil, Eclogues 1.74, followed non-contiguously by Aeneid 4.379-380. James Rhoades, The Poems of Virgil (London: Oxford University Press; first published in the World's Classics in 1921), Eclogue 1 and Aeneid 4, in the linked 1962 reprint. Source 1

Baumgarten joins a command from Eclogue 1 to Dido's sarcasm in Aeneid 4 without marking the change of work. In the first portion he prints pyros for source piros and accusative plural vites for vitis, then changes the period to an exclamation. In the second he lowercases Superis and, substantively, replaces Virgil's sollicitat with Exagitat, again adding an exclamation. Rhoades translates the received text of both works in one edition; the visible ellipses above are editorial markers for Baumgarten's cross-work jump and are not part of either original.

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[941] Juvenal, Satires 8.104. G. G. Ramsay, Juvenal and Persius, Loeb Classical Library 91 (London: William Heinemann; New York: G. P. Putnam's Sons, 1918), Satire 8, in Roger Pearse's transcription. Source 1

Baumgarten lifts Juvenal's final clause from a catalogue of Greek artworks, capitalizes it, and replaces the source comma with a period. Here Mentor is the celebrated Greek metalworker used metonymically for a piece of chased silver by him, not the adviser in Homer's Odyssey. Ramsay's indefinite “a Mentor” preserves that artwork metonymy and his preceding clause supplies the suppressed reference to Polyclitus's work.

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[942] Virgil, Aeneid 6.275, in the description of the beings at the entrance to the underworld. Theodore C. Williams, The Aeneid of Virgil (Boston: Houghton Mifflin, 1910), Aeneid 6.275; Perseus Digital Library text. Source 1

Baumgarten removes the enclitic -que from Virgil's pallentesque, capitalizes the extracted opening, lowercases the personified Morbi and Senectus, and replaces the source comma with a period. Williams reorders the two personifications in English but translates both.

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[943] Horace, Odes 1.9.17-18a. The adjective completing canities is enjambed at the start of verse 18. John Conington, The Odes and Carmen Saeculare of Horace (London: George Bell & Sons, 1882), Odes 1.9.17-18a; Perseus Digital Library text. Source 1

Baumgarten capitalizes the opening, stops at abest, omits the enjambed morosa, and supplies a period. Conington's “sullen” represents that omitted adjective, so the English quotation gives the complete source phrase rather than only Baumgarten's shortened wording.

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[944] Virgil, Eclogues 3.76, spoken by Damoetas. James Rhoades, The Poems of Vergil (London: Oxford University Press, 1921), Eclogues 3.76; Perseus Digital Library text. Source 1

Baumgarten changes Virgil's Iolla to Iola, replaces the colon after mihi with a comma, and turns the final semicolon into an exclamation point. Rhoades uses the Anglicized vocative “Iollas” and reverses the Latin order in English, but represents the entire quoted verse.

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[945] Virgil, Aeneid 3.118, following Anchises's prediction about Crete. Theodore C. Williams, The Aeneid of Virgil (Boston: Houghton Mifflin, 1910), Aeneid 3.118; Perseus Digital Library text. Source 1

Baumgarten omits Virgil's narrative frame Sic fatus, capitalizes the new opening, and replaces the source comma with a period. The retained Latin is otherwise unchanged; Williams's pronoun “he” supplies the subject implicit after Baumgarten's omission.

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[946] Horace, Epistles 1.7.7, in the seasonal explanation to Maecenas. Christopher Smart, The Works of Horace, new edition revised by Theodore Alois Buckley (New York: Harper & Brothers, 1863), Epistles 1.7.7; Project Gutenberg ebook 14020. Source 1

Baumgarten capitalizes the verse opening and turns Horace's comma into a period; there is no lexical change. Smart renders the diminutive matercula simply as “mother” and makes the implied fear explicit.

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[947] Virgil, Eclogues 7.35-36, Thyrsis's address to Priapus. James Rhoades, The Poems of Vergil (London: Oxford University Press, 1921), Eclogues 7.35-36; Perseus Digital Library text. Source 1

Baumgarten replaces Virgil's intelligible condition si fetura (“if the lambing/offspring”) with Quum fuerit. In the transmitted quotation this produces the problematic sequence Quum fuerit gregem suppleverit; it is preserved here rather than silently emended. Baumgarten also replaces the semicolon after fecimus with a comma and capitalizes the second line. Rhoades translates Virgil's standard si fetura reading, not Baumgarten's altered phrase. The linked TEI file has the obvious spacing typo “filled,stand”; the word space is restored in the quotation above.

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[948] Horace, Satires 1.9.11-12 for the first clause, combined with Horace, Ars poetica 301-302 for the second. These are separate works and contexts, not one continuous passage. Christopher Smart, The Works of Horace, new edition revised by Theodore Alois Buckley (New York: Harper & Brothers, 1863), Satires 1.9.11-12 and Ars poetica 301-302; Project Gutenberg ebook 14020. Source 1 · Source 2

Baumgarten extracts o te, Bollane, cerebri felicem from the satire, omitting aiebam tacitus and its continuation, then immediately joins it to o ego laevus, qui purgor ... from the Ars poetica. He capitalizes line openings, adds emphatic exclamation points after each O and after Felicem, and changes the final period to an exclamation point. Smart's two prose sentences are quoted separately so that the editorial join is not mistaken for wording in his published translation.

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[949] Virgil, Aeneid 4.15-19, Dido speaking to Anna. Theodore C. Williams, The Aeneid of Virgil (Boston: Houghton Mifflin, 1910), Aeneid 4.15-19; Perseus Digital Library text. Source 1

Baumgarten omits the complete fourth source verse, si non pertaesum thalami taedaeque fuisset, and joins Virgil's fifth verse directly to the preceding three. He changes the semicolon after fefellit to a comma and capitalizes the retained internal line openings. Williams translates the whole five-verse source period; “loathed I not so the marriage torch and train” represents the verse omitted by Baumgarten and is retained to expose the abridgment.

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[950] Virgil, Aeneid 7.629-631, in the catalogue of Italian forces preparing for war. Theodore C. Williams, The Aeneid of Virgil (Boston: Houghton Mifflin, 1910), Aeneid 7.629-631; Perseus Digital Library text. Source 1

Baumgarten adds commas after magnae, incudibus, potens, and Ardea, and capitalizes the second and third displayed lines; the words are otherwise unchanged. Williams prints “Crustumium” for Latin Crustumeri and expands the characterization of Antemnae. His English sentence continues into the following source verse, so the quotation stops at the last phrase corresponding to Baumgarten's extract.

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[951] Virgil, Eclogues 4.52. James Rhoades, The Poems of Vergil (London: Oxford University Press, 1921), Eclogues 4.52; Perseus Digital Library text. Source 1

Baumgarten reproduces the source verse exactly, including capitalization and punctuation. Rhoades inverts the order of Aspice and omnia as “all, see” and renders venturo ... saeclo as “the coming time”; no textual variant is implicated.

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[952] Virgil, Eclogues 2.8-11. James Rhoades, The Poems of Vergil (London: Oxford University Press, 1921), Eclogues 2.8-11, as encoded by the Perseus Digital Library. Source 1

Baumgarten replaces Virgil's poetic accusative plurals viridis and olentis with regular virides and olentes. He prints Allia for alia and serpillum for serpyllum, both historical spelling variants, changes the first semicolon to a comma, and capitalizes displayed line openings. Rhoades renders the plant names as “wild thyme and garlic” and turns four hexameters into five English lines.

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[953] Catullus, Carmina 55.3-4. Sir Richard Francis Burton, The Carmina of Gaius Valerius Catullus, with Leonard C. Smithers (London: Printed for the Translators, 1894), poem 55.3-4, as encoded by the Perseus Digital Library. Source 1

Baumgarten retains Catullus's words and order exactly, capitalizes the two displayed line openings, and closes the extract with a period where Catullus's catalogue continues. Burton interprets libellis in context as “each bookstall” rather than literally as little books.

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[954] Terence, Eunuchus 731 (Act 4, scene 5). Henry Thomas Riley, The Comedies of Terence (London: George Bell and Sons, 1874), Eunuchus 731, as encoded by the Perseus Digital Library. Source 1

Baumgarten omits Chremes' introductory Verbum hercle hoc verum est and substitutes Baccho for Terence's Libero, replacing the Roman cult-name Liber with the more familiar Bacchus. Riley independently renders Libero as “Bacchus,” so the English happens to agree with Baumgarten's substituted name even though the selected Latin source does not.

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[955] Virgil, Aeneid 2.311-312. Quintilian also quotes the phrase at Institutio oratoria 8.6.25. Theodore C. Williams, The Aeneid of Virgil (Boston: Houghton Mifflin, 1910), Book 2, as encoded by the Perseus Digital Library. Source 1

Baumgarten extracts the memorable metonym—Ucalegon himself “burns” for his nearby house—and replaces the source semicolon with a period. The comparison above follows the widely printed proximus; the Greenough Latin file in the linked corpus has archaizing proxumus. Williams makes the implicit house explicit as “Ucalegon's” and translates the surrounding verses needed to complete his English syntax.

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[956] Plautus, Asinaria 338-338b for the first two lines, joined to Pseudolus 1126b-1127 for the third. Henry Thomas Riley, The Comedies of Plautus, volume 1 (London: George Bell and Sons, 1912), Asinaria 338-338b and Pseudolus 1126b-1127, as encoded by the Perseus Digital Library. Source 1 · Source 2

Baumgarten expands Plautus's contracted homost to homo est and then splices a second devouring joke from another play onto the Asinaria exchange. In the Pseudolus source he omits recens est, changes the noun dator (“giver”) to passive datur, and drops the final iam. Riley's two translations are kept separate so that the composite is not misrepresented as one continuous dramatic exchange.

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Riley died in 1878; his nineteenth-century Plautus translation and the linked 1912 edition are in the United States public domain. The two Perseus files supply the digital texts of the two plays.

[957] Cicero, De consulatu suo, fragment preserved in Cicero, Philippics 2.20. Charles Duke Yonge, The Orations of Marcus Tullius Cicero (London: George Bell and Sons, 1903), Second Philippic, section 20, as encoded by the Perseus Digital Library. Source 1

Baumgarten reproduces the quoted half-line exactly apart from capitalization. Cicero introduces it in the Philippics while answering Antony's mockery of his poetry; the often-cited continuation concedat laurea laudi is not present in this immediate prose quotation. Yonge keeps the military/civil contrast by rendering toga as “gown.”

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Yonge died in 1891 and this edition was published in 1903. It is in the United States public domain; the Perseus canonical repository supplies the digital text and edition metadata.

[958] Virgil, Georgics 4.461-462. James Rhoades, The Poems of Vergil (London: Oxford University Press, 1921), Georgics 4.461-463, as encoded by the Perseus Digital Library. Source 1

Baumgarten begins after the governing implerunt montes in verse 461, capitalizes the new opening and Altaque, inserts commas after arces and Pangaea, and closes after verse 462 although Virgil's catalogue continues. Rhoades carries the syntax through verse 463; the last selected English line therefore represents material beyond Baumgarten's endpoint.

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Rhoades's translation and this 1921 edition are in the United States public domain. The Perseus canonical repository supplies the digital text and bibliographic metadata.

[959] Horace, Odes 1.12.53-54. John Conington, The Odes and Carmen Saeculare of Horace, third edition (London: George Bell and Sons, 1882), Ode 1.12, as encoded by the Perseus Digital Library. Source 1

Baumgarten regularizes Horace's poetic accusative plural imminentis to imminentes, capitalizes both displayed line openings, and adds a final comma to fit his own sentence. Conington freely supplies Caesar's “eagles” as the object of egerit and renders Latio as Rome.

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Conington died in 1869, and this edition was published in 1882. The translation is in the United States public domain; the linked Perseus repository supplies the digital text and bibliographic metadata.

[960] Catullus, Carmina 2.13, also numbered 2b.3 in editions that detach the fragmentary final three verses from poem 2. Sir Richard Francis Burton, The Carmina of Gaius Valerius Catullus, with Leonard C. Smithers (London: Printed for the Translators, 1894), poem 2.13, as encoded by the Perseus Digital Library. Source 1

Baumgarten reproduces the verse exactly, capitalizing its initial word and substituting a comma for the source period because the quotation is embedded in his syntax. The issue is editorial location, not wording: the line is 2.13 in the linked text but 2b.3 where verses 11-13 are treated as a separate fragment.

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Burton's translation was published in 1894 and is in the United States public domain. The Perseus canonical repository supplies the digital text.

[961] Virgil, Eclogues 6.62-63. James Rhoades, The Poems of Vergil (London: Oxford University Press, 1921), Eclogues 6.62-63, as encoded by the Perseus Digital Library. Source 1

Baumgarten's Phaetontiadas lacks the second h of the widely printed Phaethontiadas; he also capitalizes both displayed line openings. His amarae corticis otherwise agrees with a long and well-attested textual tradition. The Greenough Latin file paired in the Perseus corpus with Rhoades's English instead prints Phaethontiades ... amaro corticis. Rhoades's sense is compatible with Baumgarten's reading but does not decide between those Latin forms.

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Rhoades's translation and this 1921 edition are in the United States public domain. The Perseus canonical repository supplies the digital text and bibliographic metadata.

[962] Juvenal, Satires 2.13. G. G. Ramsay, Juvenal and Persius (London: William Heinemann; New York: G. P. Putnam's Sons, 1918), Satire 2, hosted by the Tertullian Project. Source 1

Baumgarten retains Juvenal's words and order, capitalizes the extract, and inserts commas around the ablative absolute medico ridente. Ramsay translates the complete surrounding sentence; the selected clause is the portion corresponding to Juvenal 2.13.

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Ramsay's translation was published in 1918 and is in the United States public domain. The linked transcription expressly states that the text and all material on the page are public domain and may be copied freely.

[963] Juvenal, Satires 2.54-56. G. G. Ramsay, Juvenal and Persius (London: William Heinemann; New York: G. P. Putnam's Sons, 1918), Satire 2, hosted by the Tertullian Project. Source 1

Baumgarten preserves the three verses, capitalizes the first two displayed line openings, and changes the continuing comma after Arachne to a period. Ramsay's sentence continues with his rendering of Juvenal 2.57, which is outside Baumgarten's extract and therefore is not included above.

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Ramsay's translation was published in 1918 and is in the United States public domain. The linked transcription expressly states that the text and all material on the page are public domain and may be copied freely.

[964] Virgil, Aeneid 3.98, in Apollo's prophecy concerning the future rule of Aeneas's descendants. Theodore C. Williams, The Aeneid of Virgil (Boston: Houghton Mifflin, 1910), Book 3, as encoded by the Perseus Digital Library. Source 1

Virgil has nominative nati natorum, “sons of sons,” as the subject of nascentur and begins the verse with et. Baumgarten omits that first conjunction and reverses the phrase to dative Natorum natis, “for the sons of sons.” Williams translates Virgil's source reading, not Baumgarten's grammatical recast.

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Williams's translation and the 1910 edition are in the United States public domain. The Perseus canonical repository supplies the digital text and bibliographic metadata.

[965] Plautus, Mercator 689b-690, spoken by Syra to Dorippa. Henry Thomas Riley, The Comedies of Plautus, vol. 2 (London: G. Bell and Sons, 1913), Mercator 689b-690, as encoded by the Perseus Digital Library. Source 1

Baumgarten prints imperative I for the source's deictic Ei, regularizes archaic semul to simul and paelicem to pellicem, capitalizes the second displayed line, and substitutes a semicolon for the source's dramatic dash. Riley's “Step this way” follows the Plautine source reading rather than treating the first word as an independent command to go.

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Riley died in 1878 and the linked edition was published in 1913. The translation is in the United States public domain; the Perseus canonical repository supplies the digital text and metadata.

[966] Juvenal, Satires 4.133. G. G. Ramsay, Juvenal and Persius (London: William Heinemann; New York: G. P. Putnam's Sons, 1918), Satire 4, hosted by the Tertullian Project. Source 1

Baumgarten reproduces Juvenal's words exactly, capitalizes the extracted opening, and omits the source comma because his displayed fragment ends at the verse boundary. Ramsay's “unforeseen” renders subitus and makes the implied potter comparison explicit in natural English.

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Ramsay's translation was published in 1918 and is in the United States public domain. The linked transcription expressly places the page's text and material in the public domain.

[967] Juvenal, Satires 13.249. G. G. Ramsay, Juvenal and Persius (London: William Heinemann; New York: G. P. Putnam's Sons, 1918), Satire 13, hosted by the Tertullian Project. Source 1

The modern source has Greek accusative Teresian; Baumgarten uses the Latinized accusative Tiresiam. He also capitalizes the extract and adds commas after surdum and Tiresiam. Ramsay's English name “Tiresias” does not expose the Latin inflectional difference.

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Ramsay's translation was published in 1918 and is in the United States public domain. The linked transcription expressly places the page's text and material in the public domain.

[968] Petronius, Satyrica 100.4, in Eumolpus's reply aboard Lichas's ship. Michael Heseltine, Petronius (London: William Heinemann, 1913), Satyrica 100.4, as encoded by the Perseus Digital Library. Source 1

Baumgarten removes Petronius's intervening inquit and quotation frame, inserts a question mark after sunt, and replaces associative nobiscum (“with us”) with simple dative nobis (“for us”). Heseltine's “we have on board” corresponds to the source's nobiscum, not to Baumgarten's substituted pronoun.

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Heseltine's translation and the 1913 edition are in the United States public domain. The Perseus canonical repository supplies the digital text and bibliographic metadata.

[969] Juvenal, Satires 6.565-566. G. G. Ramsay, Juvenal and Persius (London: William Heinemann; New York: G. P. Putnam's Sons, 1918), Satire 6, hosted by the Tertullian Project. Source 1

Baumgarten retains the first verse, capitalizes the next displayed line, adds commas around Tanaquil tua, and stops it with a period. Juvenal instead continues immediately with quando sororem and the rest of the woman's questions. Ramsay preserves that continuing syntax with a semicolon, while the selected words cover Baumgarten's extract.

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Ramsay's translation was published in 1918 and is in the United States public domain. The linked transcription expressly places the page's text and material in the public domain.

[970] Virgil, Eclogues 4.34-36. James Rhoades, The Poems of Vergil (London: Oxford University Press, 1921), Eclogues 4.34-36, as encoded by the Perseus Digital Library. Source 1

Baumgarten capitalizes all three displayed line openings, lowercases source Heroas, brackets quae vehat with commas, adds a comma after Argo, and replaces the semicolon after Heroas with a comma. Rhoades recasts Virgil's three hexameters as four English lines but translates every element of the selected passage.

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Rhoades's translation and the 1921 edition are in the United States public domain. The Perseus canonical repository supplies the digital text and bibliographic metadata.

[971] Manilius, Astronomica 1.774-775, naming Plato and his teacher Socrates among the souls translated to heaven. Thomas Creech, The Five Books of Mr. Manilius Containing a System of the Ancient Astronomy and Astrology (London, 1700), Book 1, in the EEBO Text Creation Partnership transcription. Source 1

The modern source has aetheriusque and accusative plural suas Athenas: Socrates, condemned by his own Athens, more truly condemned Athens by its injustice. Baumgarten prints Aethereusque, adds commas around the relative phrase, capitalizes the second line, and changes suas to singular genitive or dative suae, which no longer governs Athenas in the same way. Creech follows the plural source sense, identifies Socrates as Plato's master, and expands the two Latin verses into three English lines.

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Creech died in 1700 and the 1700 translation is in the public domain. The linked EEBO-TCP file states that this keyboarded edition is released under CC0 1.0 and may be copied, modified, distributed, and performed without permission.

[972] Persius, Satires 4.1-2. Lewis Evans, The Satires of Juvenal, Persius, Sulpicia, and Lucilius (New York: Harper and Brothers, 1881), Persius, Satire 4.1-2, in the Project Gutenberg transcription of that edition. Source 1

Baumgarten omits Persius's opening question, which makes the parenthesis a complete description of Socrates, and changes source haec to hoc. He also moves magistrum from the source's second metrical line to his first and capitalizes Dicere. Evans translates the complete source opening; the selected excerpt reproduces only his parenthetical rendering of the words Baumgarten retained.

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Evans died in 1869, and the linked 1881 edition is in the United States public domain. Project Gutenberg identifies Evans as translator and labels ebook 50657 public domain in the United States.

[973] Virgil, Eclogues 2.25. James Rhoades, The Poems of Vergil (London: Oxford University Press, 1921), Eclogues 2.25-26, as encoded by the Perseus Digital Library. Source 1

Baumgarten replaces the source's internal colon with a comma and turns the continuing line's final comma into a period; its words and order are otherwise exact. Rhoades's verse shifts the syntax across three English lines and incorporates cum placidum ventis staret mare from Latin line 26 to complete “I saw myself” idiomatically.

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Rhoades's translation was published in 1921; Rhoades died in 1923. The translation is in the United States public domain, and the linked Perseus file supplies its translator, edition, and text.

[974] Virgil, Eclogues 8.58. James Rhoades, The Poems of Vergil (London: Oxford University Press, 1921), Eclogues 8.58, as encoded by the Perseus Digital Library. Source 1

Baumgarten changes Virgil's colon into a full stop and therefore capitalizes Vivite; the lexical text is otherwise exact. Rhoades expands general omnia as “the whole earth” and translates vivite in its farewell sense. The digital line reads “Farewell, ye woodlands I from ...” without punctuation before the genuine pronoun “I,” which begins the next translated clause; the selected excerpt inserts the grammatically required exclamation mark at that boundary and does not alter any word.

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Rhoades's 1921 translation is in the United States public domain. The linked Perseus file identifies the translator, publication, and year and supplies the digital text.